As there is a clear trend to photograph one’s body wearing very little, the rising outrage is against the nude in art, but not in social media that much, where soft porn is a normalcy and a way to sell oneself. Is everyday soft porn prostitution?

What is appropriate art, what should art be like and who is to decide? Who is the critic and what is the quality of criticism are to be questioned, as when all opinions must be voiced and are, who are listened to and what is said? The nipple (that must be freed?), breasts (nowadays breast are very commonly out, except the nipple), vaginas, asses (that are out as well), penises, fat are common in fine art to see, but they do cause moral outrage especially in fine art, probably even more when photographed and when the artist does it herself of herself questioning the sexism in the arts especially. Museums and galleries are becoming more family friendly places to visit to lure visitors and in the process art shown must be family friendly too? What family friendliness in this context means, censoring, teaching and moralising? What does art teach, what is the visitor to learn from art or about art? What kind of place does pedagogy have in art and showing art and should it as for example Guggenheim proposed to be the case in Finland 2016, when it was selling its franchise product for us, to have pedagogical spaces for kids in a commercial museum? How pedagogical can a commercial museum be and what kind of pedagogy does the art world provide? Does the art world learn here or does it take the place of a supreme teacher? Pedagogy provided in cynicism, marketing, painting, becoming famous or what is beauty?

What does family friendliness mean in today’s world, in the art world, in art, in marketing and why be family friendly other than making a buck, just be ever so nice and listen to Jingle Bells? Does it mean more gift shops, snacks and pop-ups, fast-food, fast art, naivety, shopping, blocking unwanted influences and opinions and spending time kind of existing and creating of a place of culture, where one can become cultured, more commercial places for consumerism, where we can also sell ourselves? More is beautiful and more lucrative and more popular is good? Is there a trend to make art family friendly to consume as much as possible photographing oneself and be seen in and what is that art like there? Glittering, shining and ultra-positive? What does it mean to make art family friendly for art as a whole, for places of art and for the artist? Thinking, what is friendliness in this context? Artist should manipulate her art to not disturb and not create awkwardness as women should manipulate themselves to please the eye? Weird is scary and horror is not art? Is the artist family friendly as a profession? Hearing that there should be warning labels for fine art on websites and in places of art for not to scare children/adults and not cause trauma, offence, uncomfortable feelings is for me as an artist a flag and creates a pressure for need to appeal and gratify. I don’t make art to please, for pure enjoyment and entertainment. I do not include likings in what I do. It is as a thought against art to aim to please and collect like stamps. Wanting to create places of art as places of visual candy stores surely works as people like glitter and images of fantasy. If you want to be bored by art and not be provoked a thought, it is your choice, but don’t claim all art must be eye candy.

Question is what does a visitor want from places of art and is it important to pay attention to and to what extent? What is the visitor for the art establishment other than a consumer and what is art for the art establishment and for the visitor? People wish to be entertained, be surprised, be in the presence of greatness, fame, names, skill, be in awe, but all this in the good sense of leaving the place in some kind of having seen is something what tourists do. To be in wonderment of it all is what I hope. Do people want to be safe in places of art, safe from the visual that may attack them in some way? What is a visual attack in real life? Is that a threat as such and in what way? Pictures do hunt us and stay in our minds, what do they do and how do images impact our thinking and feelings is something we must be afraid of and alert?
There is a division there between places of art and the normal place of living and looking where art may be placed or not, usually not. We can avoid art totally, but should we? We may live without seeing and being in touch of art, which is part of the problem of why art exists more commercial and must be made in different ways and why art is seen as weird and hostile. Is art hostile and how, if so? And what is the hostile part? What is artist’s job in today’s world? Where is art?

Cultural significance of sucking cock.


Hello cocksuckers!
Be an ideal blow job boy or
a girl, a mouth and a face to perform the uncivilized act of blowing.
Cultural significance of sucking cock, the act, what is it? The loving it, the hate, the
contempt, the kneeling, opening of a zipper, massaging the testicles and thighs, the
need for power, the enslavement, the mouth, the giving head.
Shall we remove any hint of civilisation? It is getting hot in here, isn’t it.
To blow is an act of culture. It is to serve. Strangely culture is civilisation. Hints of
civilisation can be removed by taking off clothes, your silks. Place them on furniture
so that it is romantic. There is a dim light in the room. Get nude. Go on your knees
and on all your fours. Suck your thumb, suck the toe, lick the foot. Try it out. You first
and everybody simultaneously fuck.
Personally, trying it out and not expecting someone to do it voluntarily on her own.

Try selflessly. Selfishness is out. Be in.

She deserves it. What she deserves?

She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it. She deserves it.

What she deserves.
It is true, I have a condition and it is called Fuck you. Dye your blond, is the message, it equals beauty. Be skinny and fit, it equals to what? What is it? Essentials for being beautiful is to be less aggressive, agreeable, nice so that you do not disturb what it means to be a woman and behave like one. How to be pleasant, wearing Crazy Love the fragrance.

Beauty is subjective. It is when you are able to do what you want and be free. To stick your penis into her mouth and make her choke, throw up as she should, die as she should, killed by penis in her mouth, mouth like a sewer. That is discussed, disgusted by her feeling empowered by herself and taking that feeling away, she does not deserve to feel powerful.

How leftist are those in the academia or in the arts?

My question rises from the strange continuous experience of hearing there are leftist professors who practice leftist ideology in universities and leftist theories are taught more than the conservative ones and that leftist politics is in use in universities. My experience does not back this claim: when system favours conservative mannerisms and silence, I am too radical and annoying, leftism is a lovely flower to look at, if you know what I mean. Marx obviously being one of the most interesting theorists there is what comes to labour rights, so it is only just and right that his theories are known to avoid situation which is present today, where him and his thinking is painted completely malaise, destructive, false and inaccurate. Propaganda is hurtful, disinformation, not trying to understand how better the living and working conditions of the working class. It is more than understandable to learn to know how theory has affected our culture and thinking especially through economics, which is fascinating. How the division is made between the two, left and right, often seems to happen by what and whom is assumed is leftist and heard to be leftist or thinks is leftist. What comes to being conservative, do your clothes tell as it is often times assumed by clothing to which camp you belong?

Art is thought to be occupied by leftists and feminists who look forward, are experimental, openminded and are open to ideas and new people, which strikes me as I should be popular in such an environment. I argue and question too much to be likeable and that is something to me which is characteristic to being politically and intellectually aware and functioning. Such questioning types are met with anger and critique is rendered as annoying complaining. To not question the education system in use, methods, theories etc. is not leftist, it is accepting the current situation of higher education, protecting careers and positions, which to me seemed to be more important than the quality of education provided. It is difficult to be the person who doesn’t go with the flow and like everything, put one’s own financial interests first as is common in the arts and think of people: what a good contact or whom to avoid. All these accusations of leftism ring odd as there is a true and wide gap there between the working class and the middle class and as all know it is still today not that common for someone from working  class to enter university or the arts. My family still has hard time accepting my profession which to them is not a profession: how do you make money, your art is not art etc. There is a huge difference between the working class people and people from the middle class and for people not to think it is odd is odd and someone with working class background such as me, I am odd everywhere, because what is art and there are lot of people who have never met an artist and don’t even want to. This goes on and on. What has middle class contributed to leftism other than theory? Sympathy for the cleaning ladies and welders? That’s funny.

When I go to the environment where I as an artist am supposed to work at, it is not news I do not feel comfortable, welcomed, fit in etc. It is a strange situation and place, which conflict has led me do art that critiques the places of art, education of art, profession of the artist and I write about the paradoxes and clear flaws, intellectual and structural, there are in this field. Situation is stagnant and people like to follow the good old routes to success. Kissing ass? All the beautiful talks and looking like leftists, I am sure you are a very likeable person and will get lots of opportunities…why the working class people avoid and have disinterest towards contemporary art and distrust towards people with higher education? How many working class people do you know Mrs./Mister leftist professor and what are your leftist thoughts on how higher education could be valuable in other ways than just landing a high paying job? What I have witnessed is a mutual contempt and ignorance. For example telling what kind of professions I have done for a living, it is as if I had fell from outer space, poor you, or why don’t you apply for grants. Grants being, taught in university, the number one source of income for an artist, which also sounds very middle class. Are you sure it is good for the art and where does the money come from, who supports the arts the most? How to monetise art has not been ever an issue at any art school only in passing, maybe that is the leftist angle. It is a difficult thing to do, monetise one’s art, when most of the energy goes to realising newly invented ideas that hang in the air and mean nothing to anybody and to me they mean everything. How to monetise something that is your all? It takes character.

 

 

 

 

 

 

 

LET’S Go BACK TO FLASHDANCE: THERE IS MORE TO THE MOVIE THAN THE PLOT. IT IS MORE CLEVER THAN YOU GIVE IT CREDIT FOR.

It is a fairytale kind of spectacle or anti-spectacle in a spectacle, if that is a thing. Anti-spectacle in the sense of changing of the perspective towards gender, class, work and art, romantic is the spectacle, a pattern we expect. The spectacle we are used to seeing and thinking in terms of movies and in general how class, work, gender and art function and are, are thought to represent and be like. The American dream in this case where a beautiful young woman reaches out for her dream, a place in the sun and ends up getting more or ‘all’, a romantic relationship with a Man with a Porsche, who is also the owner of the factory where Alexandra, the woman in question, works at as a welder. One big plus of the movie is it does not highlight the work Alexandra does, welding is just work with men as co-workers, it makes the movie hugely more interesting though, and her the one who lives outside the box and is allowed to do so. She is not harassed by her co-workers, her abilities are not questioned. It is truly a beautiful setting, which her choice of work, most definitely would be seen weird still today.

To explore deeper into what the movie is all about is worth our while as it has been deeply overlooked as many romantic movies that are meant for women usually are. To pay attention to details, characters, camera shots, what is being looked at and told via tensions between women and men and why those tensions exist. What happens between the sexes, between women especially, what are sexes both expected to do, look and be like. Movie is a language as is dance as is sex, sexuality, clothing and gender. You have to focus on to read it all and actually think what are we looking at, what happens there and why all the time. It is not just an entertaining show where you can relax and forget what is going on, this is told via contrasts between sleazy bars, working men and art, how women are treated in different settings and how these settings differ, how women want to be treated and what do they desire of their lives to be. Movie is never just a movie that is meant to entertain, not even those that are made for that purpose, nor is music or the dance acts that seem to be out of place. Point is easily missed when the romantic is what stays interesting and in the focus.

In a bar where ambitious fit and talented dancers show their art, act for paying customers who are watching and are a bit amazed by the unexpected shows. Contrast is also to the other bar where dancing is not the primary interest of anyone, only nude female bodies, that move in a certain way. Women are dancing for money but in a show-your-ass-kind of way, but they still want to be discovered and dream of making it. What are people watching and why, who gets attention? Watching happens for instant gratification, simplicity of getting pleasure cheap and for fun. A bar is a world of something else than the workplace and not a place of thought, burdening oneself. Customers of the bar are not the assumed ordinary art lovers, but that is the point. Why should people be provoked to think more than is necessary, why not give them what they want? To whom is art for and why is it a class issue? What is art and where is art, who is capable of art and why it is a special occasion in a special place? High and low seem to be repulsed by each other, classes stay separated  like oil and water. The dance acts, art and artists, are really in the right place. Intention of the movie is not to depict a straightforward story in a manner of this is what happens: this is what we dream of happening to us. It is not a children’s story and it is not pink. It seems light, but is heavier when one starts exploring. That are the expectations and frame women are supposed to fit in, want, act upon and are shown in the movie, that those who dare, can change the game. There is social critique hidden there to be found.

To say Flashdance is a feminist movie is not quite what a true movie lover might expect. What do you think about the turn, that a seemingly light Hollywood movie is feminist in a very kick-ass way and about the structural difficult issue of choosing how to get ahead in life, on one’s own terms and talent, and not sleeping with the boss or buddy who has connections. What do you think about when after having seen and evaluated for example the scene where Alexandra goes and finds her friend who has gone to work as a stripper, moving herself in conventional stripper manner, she is grabbed off the stage by Alexandra and escorted out. In the scene Alexandra’s clothing and standing position compared to her friend tell a lot when friend the stripper ends up in a puddle on street wearing only panties and high heels and is cold. Money, she earned gets wet in the rain on the pavement. Alexandra’s loose pants and sneakers when she stands firmly behind the naked woman who has fallen down and sold her body for money to please men may seem easy and naive, but it is something very basic, a woman on the ground beaten down feeling there is no other opportunity for her.

After having read couple of critiques about the movie and clearly many have missed the point: When one is an art critic it is essential to see behind the expected, the image and be free of bias. What is the seen image telling us, what happens without words, what is the setting and who are the characters, what do they do. Do you need more clues, because explaining has to be done also in a very basic manner, obviously also for critics. When you are an art critic, don’t fall for the simple clichés. Such poor analysis destroys a lot, as does arrogance, assumptions and cynicism. Minimizing culture that is aimed at and is about women and girls is a normal practice. It is a learned reaction which comes without thinking. A black woman eating a banana in a scene where women talk about relationships, well sounds as cliché as anything, but it happens in couple of seconds, and is easily missed, but telling. To make it as you with your raw capabilities, without handouts and favours..

Flashdance, is a feminist movie https://en.wikipedia.org/wiki/Flashdance in which woman does work as a welder and pursues her dream to become a professional dancer, also in which women help each other, face sexual harassment and deal with it by acting out, consequences lurking there and threat of violence is almost a certainty. To oppose men means you have to be one and be prepared. Movie portrays different kinds of female roles, a gallery of different kinds of women. The expectations of what women should be like, playing with stereotypes with which women struggle and hold on to as coping mechanisms. They may be afraid to go against the machine or don’t know how to or should they, and those who do not fit in the accepted roles especially, seem to be out of sync or do what they need to do despite whatever. Interesting are the different kinds of female characters there, how there are systematic learned rules of behaviour that stick, codes for genders and how these codes are taken for granted. How women portrayed are in their places and obviously struggle and lack power. They try to move on up as do men, they have dreams. Men try to move inside women’s panties and sex is clearly a very basic tool of control and making it. It is the first thought, easy way out, a getaway car and motive. World of art is a dusty stagnant relic too, which needs heavy dusting. Alex, the leading women, is afraid to enter this monument of perfected trained fragile-looking fairy-like ballerinas and primadonnas. She want’s to make it on her own with her own credentials with her talent and does not need a man to do that for her.

Real life is stranger than fiction says this welder.

 

I have a friend who has a simple test for a movie: Is this movie as interesting as the same things would be, happening in real life? A lot of movies aren’t, and “Flashdance” sure isn’t. If this movie had spent just a little more effort getting to know the heroine of its story, and a little less time trying to rip off “Saturday Night Fever,” it might have been a much better film.”

http://www.rogerebert.com/reviews/flashdance-1983

http://www.imdb.com/title/tt0085549/reviews

http://articles.latimes.com/2013/may/09/entertainment/la-et-cm-flashdance-musical-review-segerstrom-20130509

Reviews and critiques strongly reflect the persona of the critic who is writing. For some reason in this case feminist perspective does not shine through. Wonder why.

Suopesäpallo, 1998, Suon estetiikka konferenssi, Ilomantsi

Swamp baseball at The Aesthetics of Bogland/suopesis suon estetiikkakonferenssissa 1998

Suon estetiikka on edelleen ajankohtainen, se mitä ajattelemme suosta. Suo, joka kasvaa alle millimetrin vuodessa, on hidaskasvuisuudessaan kiinnostava ekosysteemi. Ajattelemme, että meillä on tätä runsautta niin paljon, että sen voi käyttää pois kuljeksimasta ja tavallaan hallita tätä kauheutta, joka luonto on totaalisesti. Vaikeakulkuisuudessaan ja upottavuudessaan sinne ei tee mieli mennä rämpimään, muuten kuin työn puolesta. Se vaikuttaa kaupunkilaiselle jättömaalta, jonka voi käyttää nykyihmisen mielen mukaan. Mikä on maapalan merkitys ihmiselle on myöskin ongelmallinen ajatus, jossa ajatellaan, että kaikella on oltava meille hyötyarvo, kaikki on meitä varten, koska osaamme ja voimme valjastaa olemassa olevia asioita omaan tarpeeseen, joka on loputon. Samaa logiikkaa käytetään monessa asiassa, jossa ajatellaan, että on olemassa joku, jolla on lähes loputon valta ja ne jotka kritisoivat kitisevät turhasta, koska eivät ymmärrä hyvän päälle eli hidastavat ja hankaloittavat putkiajattelijan elämäntehtävää ja -tarkoitusta.

Kun suo valjastetaan tuottavaksi, muutamassa vuodessa se on tasainen pelto, jossa ei kasva mitään todella pitkään aikaan. Mikä on soiden merkitys Suomelle nyt, kun voimme ajatella muita energian luontikeinoja? Mikä on sellaisen merkitys, joka on vaan jossain kaukana, mutta niin lähellä? On ajateltava, mikä on suojellun ja puhtaan luonnon merkitys meille tänään? Mikä on lähitulevaisuudessa kovinta valuuttaa? Tähän kysymykseen kun vastaa oikein, voittaa jättipotin. Se on varsin korvaamaton ja kasvaa itsekseen. Ihminen tarvitsee sitä kipeästi, kuten on tullut kovin selväksi. Miten voimme elää sen kanssa, tapahtuu kesyttämällä ja litistämällä, ajamalla yli. Tämä ei ole kovin harmoninen tapa.

Ilman luontoa me emme ole mitään ja meitä ei ole. Tämä asia kannattaa painaa hyvin syvälle kalloihin, koska kaikesta kieltämisestä ja vähättelystä huolimatta, olemme jo tulleet huomaamaan, että ilmastonmuutos, luonnon saastuminen, puhtaan veden saanti ovat elintärkeitä ihmisen ymmärtää ja osata ottaa huomioon. Ymmärtää näiden pieniltä ja vaatimattomilta vaikuttavien asioiden painavuus. Kun näihin osasiin tulee korjaamaton vika, olemme kusessa. Ne kettutytöt ja -pojat, puidenhalaajat ja huuhaatieteilijät, jotka ovat puhuneet luonnon ja eläinten puolesta, ovat varsin kipeällä tavalla olleet oikeassa. Mahtaa sattua riistokapitalistiin, fasistiin ja antifeministiin. Vähättelyllä ja suoraviivaisella ajattelulla tekee hallaa myös itselleen.

Kun ajattelemme lyhyellä aikajanalla tuloshakuisesti, kuten on ollut tapana ja on edelleen, on huomionarvoista muistaa, että niin ajattelee suurin osa ihmiskunnasta. Miten muutamme tätä koneelta vaikuttavaa tapaa tehdä ja ajatella, jossa oma etu on määräävä? Tarvitaan esimerkkejä jotka selvästi osoittavat, että toisin tekemällä voi pärjätä ja että on olemassa toisenlaista rikkautta kuin taloudellinen. Talous on se mittatikku, jolla kaikki mitataan, raha. Painotamme taloutta ja taloudellista kasvua juuri luonnon ja ihmisten kustannuksella. Luonnosta riistämme arvon, mikä siitä irti lähtee ja se tapahtuu tehokkaasti lyhyessä ajassa, jonka jälkeen siirrymme toiseen kohteeseen. Ajattelu on niin yksinkertaistettua, että on kummallista, ettei toiston haitallisuus aukene siellä missä sen pitäisi. Samaa taloudellisen hyödyn kautta ajattelua tehdään kaikkialla missä hyödynnetään eläimiä ja luontoa. Ne ovat täysin ihmisen otettavissa vailla muuta arvoa kuin se, mikä niillä on ihmiselle. Miten arvo ihmiselle mitataan, miten jonkun arvo havaitaan ja saadaan käyttöön? Mitä ihmisen on hyödynnettävä ja mikä on hyvä jättää hyödyntämättä?

Ihminen arvostaa eniten välitöntä hyvää oloa, joka on koukuttavaa. Pyrimme elämään hyvässä olossa, karttaen huonoa oloa. Olemme paljon mielitekojemme ja kuvitelmien vietävissä. Voittajia ovat ne, jotka kykenevät käyttämään systeemiä parhaiten omaksi hyödykseen. Tätä kiiltoa silmissä pidetään älynä ja oikeutena. Sillä perustellaan turkistarhaus, tehomaatalous, yritystuet ja tehokarjantuotanto. Onko otettava kaikki, mikä on otettavissa, vai voiko jotakin jättää ottamatta? Kaikki tehdään niin tehostetusti kuin on mahdollista puristaa kuivaksi. Puristaminen on hyvä sana tässä kohtaa, tiristäminen. Niin paljon kuin ihmisen voimilla irti lähtee ja sitä kutsutaan edistykseksi. Meidän olisi ajateltava hyödyn ajatus uudelleen. Mikä on tarpeellista ja kaikkia hyödyttävää perustavanlaatuisesti, ei antamalla välitöntä mielihyvää niinkuin sokeri, vaan pitkäkestoisesti pitää kylläisenä. Oikeutus kaikelle on edelleen raha ja oma etu. Edistystä olisi huomata tekojen vaikutukset pitemmällä aikavälillä ja ymmärtää tulla vähemmällä toimeen. Se olisi todellista edistystä.

Terveisiä KHO:lle

Kaikki nämä kaunokaiset henkäilevät jalkojemme juuressa viimeistä syksyään. Pientä kaistaletta lukuunottamatta koko Kaitasuo muutetaan rahaksi.

Niin että oikein kylmiä terveisiä (etenkin kihokilta) Riitalle, Mikalle, Vesa-Pekalle,Tainalle, Jannelle, Ollille ja Tuirelle, näille Korkeimman hallinto-oikeuden veijareille, jotka 18. elokuuta varmaan toisen kampaviinerin jälkeen päättivät myöntää Viipurin Turve ja Multatehdas Oy:lle luvan turpeenottoon.

Kaitasuon lähes 10 000 vuoden taival päättyy kaivinkoneiden möyhennyksessä mustaksi maaksi, jossa ei kasva mitään pitkään, pitkään aikaan.

Kyseessä ei ole mikään vähäinen mylläys Urjalan ja Humppilan rajamailla – turpeenottolupa on myönnetty 80 hehtaarille.” https://www.aamulehti.fi/hyvaelama/kavimme-katsomassa-milta-9-000-vuotta-elamaa-tuonut-suo-nayttaa-oikeus-myonsi-turpeenottoluvan-ja-kaitasuo-tuhotaan-200365873 

https://sites.google.com/a/rams.colostate.edu/rolston-csu-website/environmental-ethics/ee-chbk/aes-swamps-finnish/aes-swamps-finnish-a-pdf

Napanuora/Cord, SuoMen-performance, silently dragging roots back to the marsh/hiljaisesti konkeloiden takaisin vieminen suolle, 1998

Napanuora, Konkeloiden raahaaminen kasasta takaisin suolle, 1998, Suon estetiikka, SuoMen-ryhmä

Can you say you are a professional without other people’s approval? Of course, in art.

What is disapproved professionalism? I highly recommend a kind of disapproval which goes strongly against the establishment and status quo, against those who repeat old truths, truths of theirs. Something out of the ordinary is scary and fear is instant, out of the cult of professionalism, out of the book of solid truths, something to believe in strongly must be put under scrutiny. I strongly disapprove professionalism which sees through corruption, misconduct, sloppiness, carelessness, ignorance, arrogance, unwillingness to make progress, unwillingness to see oneself as student forever such outrage and lack of humility should be disapproved in larger scale there where power to make professionals is and people who can’t take criticism and learn from it. Pedestals oh pedestals, too much respected and feared, way too much.

Disapproved professionalism is something which has moved away from something known, corrupt and repetitious, away from something which sees itself as perfection that can’t be overshadowed, critiqued, put under microscope and be revealed as it is. Unprofessional is to behave badly against other professionals, without a good reason other than those feelings. To look down on and think you are so much better than is highly normal. You want to feel empowered and demonstrate this power position of yours with violence. Maturing is tough, admitting falsehood, doing wrong and failure is difficult, almost impossible. We all have met these kinds of people. They are the menace and sign of ruin of the power structure and themselves. Such thinking costs you, you narrow-minded fools. So never fall into the trap of arrogance and false pride. There is always someone better and other ways of doing. To find out which one’s are the best is a competition where there almost never are winners. To win is what professional competition is all about unfortunately.

To be proud of one’s work is what we should feel, be unashamed, whatever the work. For artist it is a battle especially when the most often thing to come by is rejection, contempt and hate. Art community should by default understand that artists face a lot of discrimination and negative positioning like the artist was the ultimate loser and threat. All you need is family which does not approve what you do. This can’t be too much emphasised. Be empowered and privileged is something many aren’t entitled to. Quality of work is another thing and what is it is the contents not how much your camera cost you and where you are BASED. Those who have reached position which gives them right to look down on do more harm than good. No wonder they are easily hurt, professional emotions are so vulnerable. Most damage they do is at schools. Which I have wondered why assholes and idiots get to teach.

Something which does different from the approved form of status professional? A connoisseur of practise, of thought, ideas and craft, how much does this have to do with feelings? We must feel satisfaction of doing something well and be rewarded for this. We need collective acceptance to be uplifted, respected and valued. This image and game, play or how should I call it, rivalry, fight for right to be a professional, is of course passionate and exclusionary, shutting out those who do not match credentials of the profession. Which is understandable. Sometimes, especially in art, such game of who can and who can’t get interesting proportions and this has got to do with gender a lot and where you come from.