Art hires bullies and incompetence: my well-educated analysis which is based on experience. Experience is bad which I have been wondering how I am so unlucky, or there truly is something seriously wrong but not enough leverage to make that needed change. Some parties do not look for change in art because stagnant state of things works better for them.

When one first begins studying sculpting and your teacher is sexist chauvinist, strongly biased male to whom pedagogy seems to be an unknown concept, one gets a pretty good idea of what to expect when one graduates. So it all is educational after all. There are no illusions whatsoever of what lies ahead and how slowly things change in the arts, which hugely relies on tradition, what comes to gender roles, social and career mobility, position and power of institutions and money, what is good art, what can be shown and said. Mostly art looks back so keenly because it likes the male heroes. Needless to say I have argued and questioned a lot at art school and was deeply unliked because of that. Old fashioned are also ways to do business, put up exhibitions, funding, how artists and artistry are seen and treated, how much there is preconception and thinking you know even when you do not know shit. That is of course when you need the consultants. You can always rely on knowledge of a consultant but artist is an underdog if he or she is not well-known and well-networked. What else is there other than self-interest and all one can do is work for only one’s own benefit, why else do it. Business in which one has to be an expert and know a lot there are many doing the work who do not have the needed capabilities: understanding, courage and knowledge, capabilities to spark change, unbiased, only talk is what happens, which does not change anything, just like politicians do.

As curious as it sounds when you start looking at the issue of what kind of people are drawn to business of art, it could not be more clear: it is made to those who strive to win, be best at posing or at least look like they are good at something, mostly the latter. The importance of image cannot be emphasized enough. To work in art you have to have a big ego to stand behind your work, be confident enough to stretch as far as possible with ideas of your own, try out ideas which you believe in and very often only you, fail or succeed, and accepting the result to move on with all the enthusiasm possible. What kinds of results we accept as a community and in what kind of environment we want to work plays a big part of how to choose one’s perspective, on which side to stand and look into the scene where one is to create, be creative. How creative is the art world? What is the scene where art is shown or made to exist and why is it so narrow and unwelcoming? It is not new that narcissism is a regular trait for artists and in the arts in general and need to be admired for one’s position, networks and art must be one thing probably. All want to have the fame, which is one thing essential in art, admiration, grandiose, infinity, eternal art and eternal unforgettable artists, heroes. Artists are admired when they get fame and fortune. Fame is much talked about as it is the gold pot which might be found when one is talented and lucky enough. What is luck, how one gets lucky and what is part of talent there? It is a weird business where money circulates, art gets centered to certain places and artists have to be presented in certain places to have a name, be seen by right people and be noticed within the system. So to be stepped over is not irregular, to be sexually harassed either, minimised, discriminated, talked about in ill manner happens regularly. There are things to be expected but still they strike always as surprise because one wants to believe in kindness and good intentions. Cynicism is the first impression I get, always. It is no wonder, I am always up against a crowd of fanatics who think they know better and are better because art is about finding the truth, being good and admired, and those who are on pedestals think, they have found it and are deserving of their status.

There are those who like to repeat over and over again one idea, imprint it where ever they can because it is theirs and it represents the good they have come up with, themselves, something unchangeable, an era, an -ism, history, tradition, spectacle, experience after which tourists are expected to travel and spend money for. When we starve the idea of art into movable modules that function as branded palaces for money, it is art for money and art for business’ sake. It is tourism that dictates and the tourist is offered an art awe grandiose to witness and experience, remember, photograph, be educated by. An art awe is.., sensation, uplifting, knowledge, learning, the act of looking and feeling the once in a life experience, time to touch, something grand again, special, new or old and spectacular, always bigger and more expensive. To find the spectacular it has to be imported. Interesting is when new art is made it often is made in the marginal and by those who have rebelled the establishment, education, hierarchy and traditions, those who have made the most interesting art and have had the lasting changing impact on art are the dissidents. Always there is a clash and crush necessary for that necessary change to happen. The procedure of producing art is machinery of media coverage, expensiveness, size, names, what catches the eye, mind and heart. To preserve quality and process of the creating progress and the new which can be exciting, cynicism is not good at all.

Artist, captor of light http://www.words-to-use.com/words/art/

What is art fighting for or is it the institutions that choose the proper fight for the context for the eyes of the privileged and easily traumatized?

https://www.indexoncensorship.org/2015/10/youth-advisory-board-discuss-censorship-of-art/ “When we reach a point that art depicting toy to depict a terrorist threat is considered too dangerous for public consumption, one has to wonder what we are really fighting for.”

Censorship is the one that has always been there for me whether it is in form of self-censoring which women do instinctively, or the authority has done the censoring and called it curating or editing or just looking away. Usually it is disapproving without discussion and show of contempt for the artist. Something that must be only perfect has a perverse side to it. Art is not about depicting a perfect world, perfect people looking perfect doing perfect things and being great, only great and wonderfully glorified. World glorified, artist glorified, art something that matches the interior and appeals to aesthetic taste is a trend which is forcing itself still as we are given big names and stars, proper contents packaged, expensive gladly, not bad light on rulers, not politics, not ugliness, not cursing, business-likeness which has taken the art world is obvious. We are here to sell and please.

So art on menstruation, female genitals, sex, pornography, bombs, terrorism, art world pretense and phoniness, cleaners, garbage, dirt, prostitution often are banned, scrutinized or at least artist’s mental health is questioned and her intentions. Those topics may be more suitable for male artists too, but still daring. He is so daring and brave, she is just odd and dangerous. To say the word clitoris aloud is difficult, so I am interested why so, to watch pornographic images which are on the net for all to see displayed in art context cause a stir. Scandal is why art scene is so conservative, still sexist and prudish, still perverse. I also wonder what kind of people art is for and what is expected of art, why these expectations do not match with desires of an artist to explore openly, discuss and show what world is like.

For artist to do what is expected is dangerous.

Humiliation as a teaching method is very oldfashioned and cruel. Such teachers do not get my respect nor trust.

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