Language

Language

Language of repeating clichés
Language of beauty
Language of aesthetics
Language of banality
Language of architecture
Language of concrete
Language of living
Language of taking the bus
Language of loving
Language of walking
Language of getting home
Language of aggression
Language of stigma
Language of sleeping
Language of violence
Language of hitting
Language of doing the dishes
Language of forgetting them
Language of dating
Language of passing out
Language of dressing up
Language of being alive
Language of eating
Language of thinking
Language of solitude
Language of looking
Language of having sex
Language of celibacy
Language of an old man
Language of existing
Language of a riot
Language of revolution

Angels

Those wings are heavy every time the dinner bell rings.
Dynamic energy drastic measures of swans for girls for lasting impressions.
The want to go to Paris and walk. They want to go Paris thin.
When a girl is too thin, when she looks sick, they need to lose weight to float.

What gives angels their glow?
What I eat in a day as a fashion model.
How I lost weight and got lean.
How to grow your butt without growing your thighs.
My full gym workout.
How men react to different levels of makeup.
What I eat in a day to lose weight. Six clothing hacks every girl must know.
Victoria’s secret angels go grocery shopping. What young hasn’t been dreaming about this?

Pure selfishness

Your feelings do not interest me one bit. Something whiny small and pathetic, come and suck my dick. You will be greatly rewarded. Don’t you want to be wanted. This is how I want you to want. This is wanting. Instant pleasure which is mine and I want you to give this to me this pleasure. It is a reward in itself. What I want has to be what I want. It is the idea, want and desire in one pure selfishness.

Military portrait

To get inside Veronica, Veronica out of Oxygen. Who would not be complex and conflicted, out of breath? How to be exhausted and not show it. To have a sense of self as a machine and how that machine functions. Try not to be violent, but obedient and eat the penis as it was the best kind of fruit ever hanging in front of you. Look like you have violence as a force of nature, there, unused.

How to be believable as sex worker? Is it so that sex worker is recognisable? A stereotype posing a lure, alluring? Something that cannot be verbalised, a thought which is so demanding and dangerous to be spoken out loud with respect, it would ruin something if done so.
To swallow a load, Black Rose Diamond Veronica is a dominatrix. She works in a dungeon. She is dressed in red PVC. Heels so high and black tide up her thighs. Everything is there when she needs to give a lesson and she must be obeyed for the customer to be humiliated in private.
Angelique Rubensia Urbania has voluptuous figure. Something to squeeze while she bangs you on top. Maybe you can’t breathe under her, so it is a punishment to lie under her body. Her cunt is almost too big and it kind of swallows you up. For a prostitute to swallow usually means something else. Something which is partly humiliating, to swallow a load.

Is it possible for the art world to critique capitalism of which it is very depended on, the system, the art world is as art is capital? Does anyone know what kind of a system art is?

It seems to me the ideal of the art making, ideal of an artist and idea of the benevolent, kind and good doing art has made the perfect shell on this thing called the art world who are those who protect and support artist on their way, that critiquing it, is close to blasphemy and an act of negative feelings. As it is a business one must behave businesslike and a scandal is truly risky, most scandals nowadays are about what kind of financiers there has been, where the money has come from. One true art scandal lies there, how about that social justice when you are taking money from oil companies and pharmaceutical corporations, not good. In fine art know the right people, right places, the ways of penetrating awareness, know the language, making awe, know the style of contemporary art, you will recognise it and then do it. Put your sign up there, so you will be seen. This is my suggestion. It is a con, a perfect place for a con artist and con art experts who do not do their homework, art institutions to con, copy in search for originality and a hit. Too much shock is too much, but this is preposterous and to talk about good things happens among friends, professionality is about cleanliness, order, finance and hygiene.

Capitalism the word is here and there a villain or an all giving and all solving godlike apparatus. Smashing it is what many yearn or wait to happen. What does the making of change in places of art mean for art, what does art do when it makes change or eventually evolves, and for the public, for the society as a whole, not just for those who consume art? Does change, a reform of any kind, and of anything, understanding, enlightenment, begin to happen after when media tells you about the game changing revolutionary art since places of art are nevertheless and regardless exclusive and they must be visible. Many people don’t dare to go in and/or are not interested, aren’t even aware of?? What is the intimidation, what is the scare? Million dollar question and acknowledging how much power lies in the art world. Making social change is very tricky in an arrogant expensive place, what does it even mean? Arrogance rejects extremes, unfamiliar, not fitting the aesthetics, the people, the interior, removing unclean noticeable flaws which makes irritating and appall laughably easy and fun. Carry your work in a common mall plastic bag does it as does choice of clothing. So much for fitting in. Trying to fit in is against art. Fitting in is design.

Question is for one who is interested in contemporary art and why, by what does this weird thinking and making get fuelled, philosophy and science? How well do places of art and artists take risks when it comes to choosing art for a show, safe bets for cashflow guaranteed? It is reputation that is on the line and financial support which has meant sanitary art is in sanitary places, safe. Trauma is behind the corner, what horror on the wall, is that art. Oftentimes art world likes to identify with social justice movements, which is interesting as the art world is known to be a place of unjust and nonmovement, progress is on the surface and in the technology, are gimmicks progress? I like to think not. Closed doors, tied down/shut up-culture, bring justice forward here is not understanding what the environment is and what is just, not seeing the problem there within or doing anything about it knowingly. I believe all happens knowingly, manipulation is in the visual, it is so strict. Social justice which is a well-meaning, good thing to have and be for: progress is that we will all be united one day, right? Well, it is truly progress. We all want seas be rid of pollution, right? Concepts like capitalism, it clearly is a concern, unity and what does it mean in capitalism, but to my mind not enough a concern. Art is probably not even touching the problems it must face, just petting them, it is there, we know it, we know but most we look at problems of others. Money is so good, isn’t it and there is never enough of money (artists are rated by money, money makes an artist) and art is never big enough… size matters as it dazzles, gives an experience. White walls are luxurious, stylish and everywhere in clean places where order is appreciated.

Art work which critiques capitalism in designer-like fashion for example by saying “Capitalism will collapse from within” conceptual artwork by Elmgren & Dragset, 2003, a painting represented by internationally recognised galleries, which is always important to mention for value, strikes as a slogan from a t-shirt. Work is placed on a wall casually hanging from one corner in front of a safe, so maybe it is simulating a demonstration and hiding a robbery, (constantly in mind to go to the streets but then run) turned into a luxury object. Hmm, so it is critiquing itself, the artists and telling what artists really want (what is in that safe)? What is in this picture that is untrustworthy? Maybe nothing but definitely something. It is funny and irritating at the same time, when I noticed the safe on the wall it dawned on me it is about the structure. Biggest joke is the white wall and all that whiteness around the work. Is it the price tag that is odd, that it is for sale, of course (you can find it on Artsy-application which is for selling art).Is this critique towards those who believe in capitalism as the work is on show in a grandiose tiptop place for art or just mere hopelessness in front of choices artists must make, place of warning of a burning world, burning from within?? Is art world a place for social justice with sense of style, a functioning one? Isn’t it biting its own leg as art world is very depended on capitalism, the system created for creating wealth and art being a very strong signifier of wealth, an asset? What does art world think of critique which is targeted on them and most importantly what does the art world do other than go on as it ever was? Only thing that moves it is the market and financial depression, where the money goes and is. What happens in this future collapse we are facing and who will go running from within, which is the place where art is, the within, and comes from, I hope. Walls and built things are the within, the within is something we rely on the most, the safe place we are afraid of losing?

I am sceptical of the amount of benevolence and altruism there. A constant concern for me when it comes to art is what are the motives there. As said art is a business and in business one does not play too much with fire, does one? Although when looking at finance world taking risks is essential and we pay for it. So it is good and safe to take risks in finance but not in art? Art world taking risks is an interesting issue as for instance those who collect art are known for not making risky choices. What does “Capitalism will collapse from within” say to a collector? How to make more money with it? How to hide when destruction strikes? How the art work will grow more valuable as there will be more banking crises, homelessness, unemployment, poverty, insecurity etc.? Is it a prophesy or lookalike hotel in a wall? Are artists functioning as oracles who know something about the system we rely on? One essential question is how does an artist work outside the art world? That is called outsider artist which is really funny. Is it even possible as the system is so tightly framed to be an artist outside? Many question that, still. You are not accepted by the right people, you are not an artist. You do not have money, you are not an artist. These rules are some I have come by and are a result of the current art system, which is fanatic for stars, visibility, greatness and excess. Massive and working in a strict manner simulating openness, an intellectual con which appears for example when art English aims to impress and experts create interesting sentences without much content: it looks good, what is it, did you bake it?