To set oneself on fire: Emotions in making revolution. Why do we cry?

6.1 Fury and rage
6.2 It’s a crazy world we live in.
6.3 Headache.
6.4 Change is the only absolute.

Introduction: With their prizes and demonstrations of power, to whom should these odd chemical reactions be given.

The notorious one, a man with a gun, is celebrated. Firearms make one look powerful, fierce, in control, man or woman with stamina, muscles and credibility in a certain world which in part is a fantasy world and power in question a fabrication, a matter of violent competition. Do we believe in that power which killing machines bring because we have to? Is the power lure of money which is tightly entwined with the world of firearms? We should be scared (even though a politician can say there is nothing to be scared of, which was some years back an election slogan of a Finnish politician. Maybe inside the bubble of his there are no threats.) and we are scared of losing everything which is happening to millions of people. When we grab a weapon we are less scared making some other people scared of us? Fear, greed and pride cloud our judgment pretty effectively. Many are in part rightly thinking the only protection in brutal world is an attack and that is why we buy guns, admire them for their capabilities and effectiveness. Firearms are phallic just like architecture can be. To own weapons has been a right as we must be able to defend ourselves. It is him or me, kill or be killed.

We are emotional beings and terrified of losing, failure, being shamed, emotionally tied to protecting what we appreciate and love. We can hope emotions and pride don’t cloud our judgment in making calls for war, but that is a mere hope. All the time people kill people and wage war, all kinds. Rhetorics of war is in use in sports and I have come to think fighting and battling are the very human ways of survival and necessary to prove our worth. We can’t live in peace even with ourselves as there are things we like to have, things we do not have enough and to get something we need to compete, power being one big thing to have excessively. The intoxicating effect of power even little of it is clear. One has to be wise to understand how to use correctly the power position one has. It takes a lot of energy to be constantly afraid and distrustful, be scared, in state of alert, suspicious in a world where nobody can be trusted and somebody else wants what you have got. To be in a state of constant scare and worry takes a toll on us which affects the ways we do politics, interact, know and treat people, isolate ourselves and others into camps and behind walls.

Which brings me to the topic of entertainment where power and money play an important role: how emotional gansta rappers are, what are the emotions there if there are any to admit to? To show emotions is a sign of weakness still? What are black entertainers passionate about? Police violence is bad, violence by black people is necessary and a reaction to police violence? Brutality, retaliation, racism, gun violence and making that money are in the lyrics and imagery of many. For some reason in those things lie the key to success, owning those issues. Do rappers solve anything bringing light to the condition of grassroot America or is it a loop of anger? What kind of messages and emotions do rappers pass on? Real niggers don’t die, Dr.Dre for example who is the man with a master plan, nigger with a gun, with women, money and attitude to kill. Appreciating his music, still, it is a frightening image of someone with a gun making music, an everyday image for very many who watch movies, music videos and pay attention. He raps about AK-­47 ready to pop. Dr.Dre with Snoop Dogg go and get their money flow with the recipe of being bad boys. Maybe it is irony, the topics of rappers or maybe it is realism/illusions/dreams made into art/reality as black people do end up killing each other in America and are often poor with no opportunity to rise above, more so when clashing with the police odds are weak. To get rich or die trying is a monotonous driving force escaping a dead-end where wealth is all that matters. Ways to get respect, make way ahead and get admiration are simplistic patterns from playground for kids. It is a political and humanistic wake ­up call for help. It is a daily routine to live with arms in a country where weapons secure freedom and safety and are easily accessible.  When society does not provide for you, then it is with guns and crime you get what you think you need.

There is serious demand for justice and solving social issues as crime, poverty, lack of education, healthcare, feelings of powerlessness, hate, misogyny, racism and all in all lack of future prospects in numerous countries not just in the US. Ways to get rich or die trying  is a heroic one man one force idea in a certain kind of world, just another phrase from a rapper who is a real man whose line became a true need, or need became a line. Crime and rap music mix reality wrapped in golden chains, guns and cars, chasing women like cattle and women seem to like it sucking that dick. Women placed in to the position of stuffed animals and objects with body parts and women also like to place themselves into that pornographic narrow inferior position continuously. Why? Are options so scarce, unattractive or the fast culture to consume all makes you feel like a winner? Is it the easiest option to make it with one’s body? What is the need and meaning there other than money and sex dictating what is what, who is who or anybody? Reality in full in this picture in the US and all around as the message spreads: this is how you become visible, powerful, admired and free. It is an image where people are gunned down like society was a war zone, that is how it looks like here and there and is also entertainment.

America is at war constantly in and outside with each other and the world. The world is at war since wars don’t end to declaration of peace, to halting the killing call. The scene of war changes. As it has turned out world is a lot more complicated than what is expected and out of control state can be released by attacking cultures and people you do not understand. Freedom can be chaotic and dangerous more than the blissful state of mind where everything good is possible in loving harmony. The bad is as well, very much so about freedom. Paradox of the extreme power and naivety is what strikes. Wars tend to continue in people’s minds as long as soldiers and their children live and history is there. Isn’t it quite the picture of the modern world and America, needs and hunger are immense for retaliation but also for reconstruction. Scared and more scared people exist all over. Russia is a perfect example how a regime intimidates its citizens from criticizing Putin and warring. Declarations in the news look as if something had been saved and solved and we can sigh of relief, but what are we really being told?

It is a daily repertoire, a way to rule and make justice of some kind legitimized with God-given right to arms, wealth and power. God is in the warring and traditional understanding of masculinity. Is God in education, healthcare, being kind and merciful to the poor? It used to be as the church provided for those things. It is a world of nations, rulers and slaves, rhetorics and desires make weird images. What the world of rulers want to do with the rest of us is to enslave, misguide and make us blindly follow. US and Russia are mass murderers, terrorist states carrying God’s weapons used with God’s permission protecting a way of life that needs constant protection because they are products of a dying age, tyranny and structure of policing, knowingly like bodily functions they are failing in an aging body, definitely knowingly, rationally and consciously not giving away an inch. There is a need to be good via being bad which is expression of freedom. There is no other alternative to make selfish good happen than the bad. It is good to be able to dictate the rules of how to be good, so they (Americans) don’t have to use force in a bad way because they are always good even when they are bad. Russians are just bad doing bad because God is on their side despite their communist past and they know what is good for everybody: strict order and rule. Democracy and freedom which Americans themselves have: what an illusion and a flat image. Anybody criticising is a hater.

Bearing it as a warning that there are enemies self-evidently, but who are the enemy and why? World is being warned and under threats of all kinds. The dichotomy of you are not on our side then you are against us is prevailing. Russia attacks mercilessly and violently against those who dare say a word against its policies. This is clear when debating issues like invading sovereign countries, refugees, trans and gay rights, feminism etc. Is it the way to live nowadays being defensive and simplistic in a chaotic world? We have been constructed from fear especially living next to Russia, and continuously remain so as disagreeing and opposing is very dangerous. Conservative forces are not just protecting the old traditional way of living, understanding that it needs to be protected with arms should be a wake up call. Honor and continuity of good old values, nothing must change in what we do and think is the mentality. Idea today is to change but don’t change anything.

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It is entertainment: pretend and fake.

”YOU CRAZY SON OF A BITCH! FUCKIN’ SON OF A BITCH, YOU! I’LL KILL YOU! I’LL KILL YOU! I’LL KILL YOU! I’LL KILL YOU! I’LL KILL YOU! I’LL FUCKING KILL YOU!, CRAZY SON OF A BITCH, I’LL KILL YOU! … (BANG!) AHHH! AAAHHHH!… ” a line from TAXI DRIVER 1976 BY MARTIN SCORCESE QUOTED IN A SONG CALLED the BADGE 1994 from album Far beyond driven BY PANTERA.

It is one kind of revolution to personally try to achieve, make a difference on one’s own, have power over one’s own message, as that is the only option how power is had, it is taken and shared. Finding the power of one’s own that there lies within in the night, in the day, in solitude, with a gun and a car which represent freedom, are tools to grab and are there like everyday objects in the movie. Man in the film Taxi driver sees things are not right in his life and around, riding around the city is what makes him observe, the customers he meets and connects with he makes conclusions what people are and are doing, what side are they on, what kind of exploitation happens there and why, who exploits who. Something has to be done and he takes his gun, he is powerless otherwise but he sees some people are even more powerless. Deciding there are things that should be changed, knowing which are the things that are wrong, why they are wrong, know how they can be changed and acts upon them. To make a personal crusade, personal vendetta, a killing after many wrongs done by other people. Does his ‘victory’ happen as he thought, a retaliation, defending of what is good? Do things change for better or go on as before?

They tend to end up hurting more than doing any good to anybody, crusades, leading to destruction and chaos. Movie where hero thinks he is a hero by committing his power act, a journey with his car, accomplishing his task in the way he has chosen and seen best: to a pimp played by Harvey Keitel he says suck on this and shoots the pimp in the stomach on the street. What makes him think violence is the answer, a solution, there is always a new pimp, a new young girl to be saved from the streets. What makes a person want to own a gun in a city? Hostility is clear and everyone is on their toes, vulnerable, at risk of being attacked and violated. Is making things right his calling, is he under threat because he is good? There is constant wrong to be made right, abandonment and loss is frequent, abuse is a deep wound and the bone is showing. Gun is there to make a cleansing in constant dirt people wade. Bad shape of people and what do we make of that. For many it is a place to strike and exploit, make it even worse. We pass the hurt forward, let others feel what we are feeling. Inside people’s heads form noisy ache. It is strange how lost people are with their emotions, with their ache, with other people. What I make of this is we are dictated by our pain.

8.1 Fury and rage

Frantic is a good word to use in context of revolution. To believe in possibility of change to the extent of no alternatives than to find something other and revolution becomes a religion-like obsession, a career and a way out. Religion is an emotional institution, having faith in the unseen, in new future, brave new world is more powerful as it is owned and made visible. It is to breathe revolution also to understand power within. It is the intoxicating youthfulness and brave imagining of something new and innovative. Faith is there for hope taking the pain away as a possibility for good and something good is coming, must be. A raging emotional desire is to act on behalf of oneself and others, for the future and for better living. Faith sounding maybe a bit weird on any scene of revolution when despair is dense, faith in oneself and in one’s own doings. Revolution somehow is seen as anti­religious as religion has had power over people crushingly long period of time. In revolution people become the religion, not God though? Overturning oppressive power is a very religious movement having faith in one’s chosen leaders and doctrines, in institution of liberation and the monument to look upon, and it is

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important to know whom and what to worship in this process, what is the structure of revolution. To understand that naive worshipping is out-of-order altogether, to know how, why and whom to critique and what does freedom mean for freed people. Spontaneous expressions of anger can be explosive and the most honest responses to a never­ ending kind situation where reason seems to have gone missing. Nothing is changing or if there is a change it is for the worse. Anger, hate and rage show their faces and prove to be needed in a healing process and justified.

Emotions go up and down daily and we learn to control our emotions from early on. We are told what not to do in public, how not to act when angry or why be angry at all when being likeable is preferred almost violently. It is an essential part of growing up into civilized society, to become member of it, is to learn how to deal with emotions in a certain proper way. Unlearned channeled creative human forces make things happen in good and bad. When enraged hands begin to shake, to sit still is difficult, pulse takes a rapid speed up, blood pressure rises, body sweats and heavy breathing makes one feel like an animal on the run, things look confusing and being rational becomes more difficult, one becomes impulsive. What kind of part do hate and rage play in the games of finding place, making groups of people, molding our social structures and places of belonging and living and being who we are and how we are. Negative emotions make us build walls and gaps. Why are negative feelings the most powerful forces causing society to act, get alarmed, making people act against structures of society or themselves. Hurt motivates, piles up, triggers violence, blinds. Hurt and trauma cannot be avoided, they cannot be not talked about. We need hurt and trauma to learn to survive and learn again. Violence is a daily act, mental and physical, verbal and pictorial aggression. To be fragile in a hostile world means you are threatened all the time. What makes those emotions in us so powerful is the extent how much we are about chemistry. It is as if we are nothing but chemistry and nerves and we many times are unaware of this part in us we have little control over. Why is pain important in this picture again and again? Negative feelings are with us for a reason. They are not to be suppressed but faced, felt and learned from. Garbage piles up when not let out and dealt with. To deal with emotions means feelings have to be talked about either with the person who causes those emotions or with someone who can listen, interpret, understand and respond. It is a pattern that repeats, again, is misunderstood, we not knowing ourselves.

We feel and think about those inner turmoils which we all have and we connect with by talking about them, learn that other people have the similar. This is an important phase how we consider our feelings as collective and universal, not only on individual level: what do we think/make of them and of this realisation that other people are not objects? Appreciation for feelings is to study them. To measure the amount of feelings is difficult, comparing them as well, guessing what others are feeling or should be feeling is impossible to know and dictate exactly. Although in North Korea everybody feels the same when their leader passes away, collective weeping is compulsory. The amount of suppressed individuality and human experience there is, is unimaginable and to think how is it possible to be this scared and dehumanized.

Then we talk about our feelings to someone whom we can trust and who is interested in how one feels and thinks, it is a relief to be able to speak of emotions, of personal experience which is invisible, which is not a simple issue. Emotions and personal view on oneself begin to evolve, emotions have a heavy meaning. Human layers, experiences and thoughts make progress in that process of becoming being alive and becoming a human being: why I feel the way I do, what that other person is feeling and why is she/he doing what she/he is doing. Life is a constant process, us hopefully evolving and changing on emotional level, on idea level and in action. It is learning process about the idea of me, what is me. Learning about nature in us, chemistry working in us making us live  in a manner that can be tolerable or intolerable. What makes crying intolerable and a sign of weakness for example?

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What would you cry for? Sometimes we cry for nothing, sometimes for mental hurt, injustice, for beauty, sometimes just because we feel horribly sad over things we cannot do anything about, because of feeling helpless. Global hurt makes me weep, also the need people have to escape mental and physical pain, which both are necessary for our growth and progress. Pain has a purpose. How much pain is necessary then, can we take, does weeping help? To a point. It is to let out pain in shape of tears and making sounds of sorrow. But to cry and sob is something to do privately. To sob in my solitude and shine in public is a heroic strong way.

6.2 It’s a crazy world we live in.

To stand accused is what happens to us daily. We are blamed to have caused global warming, having fallen into apathy, joblessness, indifference and all is fault of our own. To lose taste of what you are eating, watching, drinking, touching, breathing and thinking is a symptom. Why think when someone does it for you? What does it matter what one thinks, what does one person matter? How do you know what to think exactly when everything is so complex? How to tell, articulate well what one is thinking when all is a mess and pointless. I must be able to present myself, present myself over and over and be present. When life is a mess and a blur, a depressed mode and illness, frustration, fog make one disabled, isolated unable to focus. Lose interest in doing anything, in voting, acting out, standing up, working out. And they ask why! Is society to prohibit personality, deny identity, forget where one comes from, to have contempt against origin, hide colour, hide in colour, hide in fashion, or just hide, because to be different can be a reason to become isolated and hated. What about gender and sex. Am I of gender, typical, agreeable enough, nice enough to be liked? Do I belong? And is there class to belong to which accepts me?

It is a kind of trial since I am put in one kind of box for what I am not, accused and tested. How can one not become disoriented? Explosions happen when there is too much injustice which cannot be escaped and cultural oppression, restrictions, absolute rules for which one has no control over, individual bans and guides on how to live, subordination. Whenever there is a change there is a reaction to the change. There is nothing but change but is it progress? Get used to it and don’t, change yourselves, your life because if you don’t you are fucked. You can still decide, you are free is a weird idea. You are the boss of your life. We sell, you buy your personality, individuality, your data. How is that freedom? You name it we have got it. Why live a lie? Throwing it in, sentences, ideas, thoughts, anything, towel, sweat, is there blood in you or are you a robot, is it personal to speak the truth? Absolutely.

Hegemony, creativity there, complexity of some kind, power in unity holding us together or become divided. We live to be together or apart, is there something in the middle, what is the middle? Indifference is to separate, have just as much part as is necessary. We live in concepts of post-modernism, ideals are concretely too far to grab, unreachable or just efforts to understand how mass of people function and form units, societies and structures supposedly together. Pattern is a good word here, a security pattern which constantly must be enforced and changed, life pattern, in search of safe havens, networks, nests, restricted areas, protection. How do we

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form ourselves with others in doing and making is something we should concern ourselves more. Do our collective movements and moments function well, does our collective mind have the mutual understanding of well, do we have empathy for others only in virtual reality? Does kindness make society work, is kindness our ruling force? It has to be. Emotions having leading part in sculpting society by the minute, by every person, by every act which is felt and pushed forward. Emotions having strong part when access is restricted, thinking is forbidden, which is all the time depending on current culture. We like to prize the idea of freedom, but we hold together in captivity, because we are afraid of losing the earned status and being abandoned. Holding oneself in one piece in this complex unity of pieces of many.

A culture of almost complete restriction of feelings sounds unrealistic. It is difficult to imagine us without emotions. They are on our faces, movements, clothes, shopping, behaviour, ways of walking. In there, in us, within whatever we do there are piles and forms of feelings, layers of them, like vegetation, but there is an illness like inability to give them to do good, of wanting to express them to that person near, how could it happen? A compassionate closeness can spook people away like touching. One must be careful. Don’t get too close, don’t hug a stranger, don’t stare too long. Yes, to be touched by a stranger in anywhere can be irritating. An unknown man comes and rubs your back in a bar while talking and staring at your breasts is more than unpleasant. I so felt it.

It is what we should be able to do if there is a normal thinking caring person in question, give emotions, share them and restrict ourselves from giving them in a hateful, diminishing way. So how to show interest and caring and how to be angry is a question of how to know our boundaries. Depends on what one is interested in and how one sees other people, what are they to you. Interest in a person is different from interest only in having sex with that person.

Sexism is always present. Some people notice it because they face sexism often. It is some kind of a norm and to a point accepted. Silence is accepting. When no one acts against sexist behavior nothing happens to the problem. For some people sexism is a way to show feelings. They probably don’t know any other way to show feelings they have. They are afraid or incapable to act in different way, it would require actually wanting to know the other person, admitting value of that other person. Is there change emerging what comes to sexism? Incapability of showing emotions especially negative ones in a right way make us ill in the end. I conclude negativity and conflict are important as well. Clever ways to emotions is understanding the reactions and what dictates us emotionally. Awkward emotionally empty environment of people struggling to survive with their lack and incapabilities leave people around

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struggling with incapability, loss and thinking it is my fault or there is something wrong with me. Why we place blame so eagerly? It sounds good for someone else to have the blame, no negativity there, no irony. Negativity and horrible sadness, comparison, competition, attack and defence. Hurt can be drunken down and laughed over, it does not go away. Alcohol makes it worse. It is about one not wanting to face one’s bullshit since everything is fine. Escapism nowadays is so easy.

Effective is an act which is about shame. Shaming is to show how putting someone down in humiliating fashion is amusing and fun for some. The talk people share behind each other’s backs and reasons for it, patterns in relations because of what has been said make deep gaps and cuts. To show contradictions and paradoxes in people’s actions and the hollow ground beneath all beautiful and well-meaning people is also effective. Hypocrisy seems to prevail too easily. What kind of emotional and intellectual order of desires is at hand? Delicious. Problems begin with something to gain and with the ways of wanting stardom and success badly are happening via hurt. Choosing one’s path is to know why one is doing what one is doing and to whom. Interesting is the extent of passion of doing when you begin and what happens to it, how it evolves, your passion. Can you hold on to the thrill and charm of naive enthusiasm?

All of us and what do we do under monitoring eyes, under suspicion. Do we ask why there is so much suspicion? Looking up to parents, teachers, journalists, leaders who talk to us and pass us by, controlled decisions, carefully chosen words and smiles, because all cannot be said out loud. Censorship which happens because we need to hide, we cannot stay bare, we cannot be honest because we may seem inadequate, but we cannot show weakness. What is declared in good stays that way? Maybe slowly changing to something else. Decisions must be made to move forward, decisions on how to live. Then it can be seen what a decision was or was not. To make humanity is to act upon and take risks. We are not us if we are not active and creative. It should be clear that to be born human one has rights as human should. We manifest humanity and we make it in error and in perfection. Criteria and important characteristics of activities, qualities and possibilities to evolve through making. Learning from doing, seeing, hearing, via mistakes, stories, teachings, burning a finger, telling that sexist to go fuck himself and get a good look in the mirror. Basic attributes to thrive is learning through curiosity, encouraged to be curious and bold. It can be interest in other people’s businesses, it can be innocent interest in the world, to the worlds outside and inside, interest that can be a selfless need to find out and understand how the world works. Through this finding out how we work and how I work, how are we part of and have come to be inventive complex humans. There is always something to say, when there is nothing there is inability to see what one can do

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with little one has for example how small is the insignificant and why it is insignificant? When we look at Physics such as the insignificant does not exist. How does my consciousness construct me and is it a self-driving force? What is my consciousness, my brain, my thoughts, my ideas, my nerves, what begins to puzzle me and why? What makes a self and how to know it? What is mine, what is common and how do they mix and get to create new?

Abolishing blind spots, those which are there but we do not register, which is the place in the eye one cannot see with. How do you abolish something you cannot see? How do you wipe it away which is the invisible? When it could be your whole world, or half of it or the most important thing you fail to see and acknowledge? Abolishing skin, sex, gender, age, appearance, what things there are to demolish and why? Things unwanted to be demolished and how? How do you become to value something? How do you find value of your own? Abolishing the multitude of races means there is only one human race with numerous ethnical backgrounds and with billions of differences. Human being is made of differences and mutation. So, what there is to abolish is the very issue, walls inside your mind.

6.3 Headache.

Denying and hiding won’t make what we feel go away. Appreciation of life consists of constant learning, change, dealing with emotions. It is the truth, appreciation and life, wisdom of life often made flat. To trivialize wisdom has its reasons, business leaders have made themselves into gurus. But we have different views on what is wise.

To turn down aims for equal opportunity is to keep up dude philosophy or dude­ principles, tough guy ideology, where women have to be dudes, culture women should live by is to behave masculine which equals strong. Women are being nostrified as women, meaning adopted perfectly as objects and tools where feminism is a shield on surface, a rash like #metoo. Harshness as shield and open rejection towards empathy and what is the feminine, hostility towards femininity is obvious. To be a man is a guide for everyone. Don’t cry in a bus, don’t carry you emotional gun, everyone can see your twisted red face. Kindness is girls’ stuff and boys don’t cry. It is good to survive on your own, call it making it, minding your own business, supporting oneself, standing like a soldier. Better if nobody cries, so we don’t have to go through difficult negative emotions, fall apart in front of someone. We don’t have to face difficult issues mostly concerning human relations and misery which equal mess, pathetic wrong doings and chaos, shame, ever continuing

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emotional and physical unbearable chaos. What is sickness in this picture? What is a sick society, a society made by sick people?

Process of trying to change the unchangeable, an entity unwilling to change is a violent situation. Perfection thinks there is nothing to change in it, in me. For those in the middle it is a perfect place, for them there is nothing to be changed. Measures and means to put down those who dare vary from humiliation to silence. It is a pattern of those who have something to gain in a system they are in and it is serving them. Closed systems are very sensitive and touchy. They get contaminated with aggression and protectionism. Taking care of the image and walls around is more important than what is actually being said and done morally. It is like floating on waves of acceptance of friends that share your world and views in thinking what is the ultimate right and wrong. It is a strange way of living which to my understanding secures comfortable pleasurable tower for the few with means.

In this kind of small talk anything that is somehow out of the ordinary is a bullet, uncomfortable. In this kind of world making a controversy is fairly easy, but how to make it last as scandals last for a week? The disastrous effect of shredding something comfortable to pieces, pushing buttons, the right and wrong ones, fears of people in such a world and what is expected of people entering that world is healthy to test.

Is it too obvious what is the mainstream? It is popular, popularity, liked, listened, watched, enjoyed, consumed, used, available, everywhere, inescapable, in your face. Is the marginal opposite to most of that or all of that, and what kind of people follow the likeable mainstream? What kind of talk is made of it, inspirational perhaps. Labelling, putting people into groups and against each other, it has a role. In entertainment such controversy sells. Distinct part in illusion of individualizing us, to be one but not, identities of ours fight against collectiveness and not, we wanting to be part of the fun active buzz as strong individuals as parts of community, but in the shadows? Quite a contradiction, to be one but a mass. Are categories of taste so obvious that they exist no matter what? They exist because people like different things, or do we categorize to understand, taste, to make the distinction more obvious, to tell what we are and what we are not, gaps and barriers to block unwanted out, what do these strategies open? Borders are there between professions, origins, classes, genders, generations, nationalities, clothes. There is nothing but definitions and groups of people, lines in between them in order

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to be safe, accepted and be part of to have an identity, avoiding loneliness and boredom. You have to belong. We are herds of people suspicious of each other, sniffing the air and feeling the atmosphere where to go from here to make it. What is going to happen in the cynical world? How much does class dictate taste and thinking? How much does it rule what people find interesting and why and what people begin to do in their lives? It takes determination like no other. Yes, there are walls to go through. Generations pouring prejudices and beliefs onto the next ones, to their kids, but of course they do. Working class and low self-esteem are familiarly close and alive together, feeding tradition and roles of people. Everyone does what they think is the right thing to do, right? How do people at the lower end find the right thing/things to do and say and why stick to that negative idea of class? How do people become to think like they do? Where is the change in this loop?

6.4 Change is the only absolute.

Is there new, new in what way or change for that matter? Power of a protest singer, rapper when he/she is telling a story from real life. Misery and injustice told in forms of tales for listener to either sympathize, know that they are not alone. It is a long tradition of passing information on of what happens in the world. Folksingers, troubadours tell stories and entertain, what happens when political message enters that stage? How political can a singer get? Living the internet time messages spread fast and net is full of phenomena of entertainment, people who seek fame. Same channel work well in spreading political points of views and music still works wonders when a good beat, interesting lyrics and stories make a match. Could it be that political music as idea everything is political makes the best effects what comes to making social change, reaching and waking people? I do not think it is just idealism, it is power. Music is for all to listen and make. It takes an idealist to make politics, to begin with politics, still you don’t have to be politician to do politics. Every personal act becomes to have an impact on the environment and people in it. To act requires decision-making, making a choice, witnessing, telling, understanding, being open. It requires an idea, plan, means to do it, will to do it, imagining, looking ahead, conversation, debating, asking, questioning, evaluating, belief and feeling. Politics is people deciding, compromising, dealing with the common and mutual issues that concern everyday life of every person. Politicians make the laws which citizens obey. Citizens choose politicians by voting. These simple sounding tasks and basic functions of a state are results of battles and

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numerous wars.

Democracy and respect for human rights still is not self-evident and in some countries change for better is tiresomely slow, agonizingly and horribly. Therefore, it is important to understand the meaning, purpose and significance of politics and one’s own actions. Now situation is rather worrying on many levels. It seems to be a fact that power corrupts and for some people politics is a competitive game, feather in a hat. For one politicians are players or seen as players who make tactical politics to benefit causes of their own. Lack of trust is a major problem. Hasn’t it always been so power over people is always violently used. Politics should be to correct unsatisfying situation, given promises, knowing your place, knowing your rights, demanding your rights, fighting for them. There is something to gain and something to lose. What are the things worth gaining? This is one issue to the point when looking at respecting and how respect is gained, certain kind of respect which serves many. You can get respect by scaring people. That is an old-fashioned model of gaining admiration by violence, scaring and diminishing and silencing the other. It has got to do with physical power and size more than anything else. It could be called education if there was a lesson.[1.][2.]

Emotional reactions can be surprising. If they don’t hit us, surprise and put us out of balance what else is there. What is it we need our emotions for if we become machines? They are to guide us. It is a task for emotions to shake us. How do we know to which things we can laugh at and to which not or why laugh at all? How do we get to be compassionate? Ultimate question is, how are we doing?

Emotional is the female, emotional is forbidden, there is no honor in emotion, it is a burst beneath until you cannot hide anymore, emotions can turn against you. Whom are you against? Is someone faceless inside you? Narcissism, egotism, self-loath, self-destruction, fetishism, masochism, pleasing until you cannot anymore hide and take it until you cannot stand it anymore. It is interesting how revolutions start, how they are followed all over the world. They bring empathy for the oppressed. How will it end up and when will it end and does the revolutionist movement trigger a snowball like movement around, a cumulative effect of one nation rising up.

To set oneself on fire says revolution is about death. About dying for a cause. Revolution is about sacrifice. Of having been afraid so long one begins to be fearless. Death is whether there is a revolution or not, so the choice is clear.

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If I die it’s for my country, for a good cause? A revolution can be that immense a thing, definite, fanatic and determined. It can be worth more to you than your life. As in his article Evert Cilliers aka Adam Ash writes about the situation in Egypt in 2011 which has been boiling for years. Oppression, hatred, torture, unemployment, poverty, corruption, military having much to say in politics of the country. It is again a long list of utter horridness brought onto the ordinary people and they not tolerating it anymore. Mubarak stealing wealth of the state, billions of money, which should have been used for the welfare of the people. Army buying artillery with billions from the US. It is angering even for me even as I am following what happens from far away. The injustice done daily year after year and reported in the news year after year is incredibly frustrating to witness. Millions of people see this crookedness of politicians and businessmen without able to do much about it. I am outraged, I pour it on social media, on my website, in my art, in this thesis. Moral outrage, discussion and following of what happens in the world. It is the least I can do to write about it.

To understand morals of people and why they act the way they do means finding evil motives and roots which seem inescapable. Motives behind one person and behind millions can they be the same? Can revolution unite millions of people to have the same motive: to make society better? Could millions of people be together compassionate and selfless to the extent of giving that much of themselves to make such worldwide revolution happen, a conscious revolution of kindness? When it seems impossible for reasonable people anywhere for whom facts are clear of how to make a nation and its people prosperous? It is almost impossible to have a country which would be dedicated in serving its people and their welfare. To have a country which would dedicate its existence in removing poverty, be dedicated to educate people and make peace. [3.][4.]

According to study by Jonathan Mercer of University of Washington concepts nationalism, trust, justice and credibility when stripped out of emotion appear unrecognizable. This is very clear. Concepts such as trust and justice work in building nations self-evidently and become parts of our identities more or less for us to form groups of power and trust. To have trust is to build a nation and make justice. Politics is where people should be trusted, but over and over this trust is failing. In keeping nations together there is a certain amount of pride, patriotism, nationalism, love for the country and its people. Mere emotion and illusion. Nationalism nor patriotism do not tend to show as the

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most rational of tactics and ideologies. They follow feeling. We are like this and we like us as we are, we follow the collective emotion and believe in it which appears strongly in sports. We want to protect ourselves to stay as we are. We can continue being afraid of change, immigrants, strangers, oddities, settling for traditions and wanting to stick with people of our kind. Reason does not have much to do with all this. Most sensible thing for people to do in order to evolve is to expose oneself to new things, new ideas, all kinds of people and situations. Surprise is of course how people who think are very clever can be so narrow­minded and biased. This happens in universities as in working class circles. Isolation and separation is not out-of-order. It is a norm.

How to appeal to emotions of the public is to talk about welfare of children, elderly, sons and daughters who work and suffer to make a living. We must fight for them, for all of us, for better world. We hear this. Everyone is important. How much such talk appeals I’m not quite sure but somehow jargon is obvious. There has to be something personally experienced, personally felt to connect with. Revolution rises from the very negative to find the positive in people as a group, a union. Revolutions are mass events which usually need and require leading. Mastering masses is tricky, masses are emotionally uncontrollable.

1.https://www.opendemocracy.net/openglobalrights/jean-h-quataert/making-womens-rights-human-rights by JEAN H. QUATAERT 31.10.2013
How women’s rights became part of the international human rights movement 2.http://sur.conectas.org/en/can-economic-growth-translate-access-rights/ 31.10.2013 Challenges faced by Institutions in South Africa in Ensuring that Growth Leads to Better Living Standards, questions on how financial growth benefits all and does it by SERGES ALAIN DJOYOU KAMGA and SIYAMBONGA HELEBA 3.https://www.3quarksdaily.com/3quarksdaily/2011/02/the-six-emotions-of-revolution-what-egyptians-are-feeling-now.html 31.10.2013 by Evert Cilliers aka Adam Ash The six emotions of revolution; what Egyptians are feeling right now (2011) 4.https://unu.edu/publications/articles/the-role-of-emotions-in-politics.html 31.10.2013 (published 2011•04•12 ) written by Ainius Lašas to United Nations University, Bringing emotions into understanding revolutions.

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Desires of the power elite: Us under the phallocentric order.

1. Desires of the power elite: Us under the phallocentric order
2. Dominance and seduction, five looks, one accessory
3. What makes a classic, what makes a movie?

Introduction: Nevertheless the impossible mission one must make an effort and tackle the copy-paste culture where there seems to be unbreakable circle of tradition in how gender, talent, abilities and possibilities are seen and dealt with. To see opposing, questioning and anger justified not apologised for, one’s own art and body of work worthwhile, necessary and valuable and because someone has to lead the way and do it what few dare to do. This is an article trying to understand what is the feminine in movies for especially in Hollywood. Role of women in movies, in art and place of ours is to go against, not play along but question. I know you will be called difficult. Be difficult in demolishing and constructive way. To be difficult and demanding is to build something new. Becoming movie critics, producers and directors, active makers in the business ruled by white men is of vital importance. Importance is also there who evaluate the films made and how, what issues are emphasised when talked about making movies and distributing them to the audiences. What is the sellable item? How pushing the envelope even though it is difficult makes a difference no matter how small and powerless you feel. This means women should write and put in action new rules how we are to be viewed, displayed, portrait and talked about. Our roles are to be active not playing according to the old comfortable ones. One problem being lack of finance, demand and support is one women face which is telling women should support each other.

1.Desires of the power elite: Us under the phallocentric order

Movie is a continuation to something experienced in real life. It is an interpretation of how we can experience and see, but it is up to the viewer to grasp what to make of the seen movie. How movie can explain an experience and tell what to look at or for, what there is to see and experience further. Truth of a movie is truth of the movie maker, an illusion, make-believe, coloured tale or fact-based illustration, a portrait and depiction. Whatever movie is to fulfil it is also image of the makers. We like to think reality is fixed, there is normal and the weird, to go weird doesn’t take that much of effort. To break this illusion of normalcy movies function beautifully partly it is why movies get made, to imagine again for us in a new way. Some movies are made to strengthen our fixations and feel powerful via them which patriotic movies tend to accomplish forcefully, they often don’t offer any kind of new perspectives but repeat the same story with some extra boosting and hyper-hyper. The experience needed to break down the normal wire and comprehension of what is and what movies can be marginal plays an important role. Mainstream moviemakers are given the glorified position of telling large-scale fables and larger than life stories. How these stamped ideas can be altered is a matter of art and courage. How much about the reality movie tells is up to the makers and what we think is reality, story worth telling. What have been the stories told for those who make films and what remains untold. What have been discovered before and during the making of a film, and after movie was released, to make a movie is to unearth and research. Interesting is towards what kind of issues moviemakers have their curiosity focused. What can be told via the medium, there probably isn’t much which cannot be depicted via film. Moving pictures are hypnotizing, whether holding a camera or sitting in front of a screen.

What lies hidden but is told via clues, what is not shown but is still there in the expression and how that invisible can be the most interesting part of films, the most realistic and humane part and forces us to imagine beyond the seen. What is the perspective there, decisions made how to tell, whose points of view are we looking at, whose truth or lie, what a movie is telling us, is it about the viewer as we choose what we watch, do we have to know about the makers as in excess we are curious about the stars as they are the heroes, they are those with means and visions, capabilities to make their ideas happen there where it is almost impossible to get. Movie continues in mind as it is at best a full body experience depending where and how movies are watched, how personal the story is, how relatable and what is universal in human experience. What kind of interests the viewers have in seeing films. Why do we watch movies is the easiness of just watching, the forgetting and sinking in to a world, and some of us watch very many movies of all kinds. This easiness is thought often not having much value, just sitting and watching. Movies feed the mind but in what way is the question we should be asking. Is it just less thinking needed, is there blame and guilt be felt for this indulgence.

Interesting is how we experience a movie, even a movie poster is an experience. What is the liking, time span, being influenced by and thinking about a movie, its messages, images, stories, artistic decisions and perspectives. Images and scenes of a movie stay there in our heads. The more curious the more puzzling. Too weird, surrealistic does not make a blockbuster but it can make a classic. We need familiarity which also can be totally unrealistic and adventurous. Films making euphoric and thrilling or otherwise felt sensations, cultural, artistic and political statements need a fruitful and fertile ground to live in. There is candy for thought and candy for the aesthetics which must be taken and somehow had, felt. At best movie has a mystery in realistic way which leaves space for thinking and puzzlement of not knowing. Feeling of learning about important events watched from a safe place as a spectator may be enough for some. Do we know more via films, definitely. Is movie experience comparable to life experiences? What raises our curiosity, is it the personal and something new? What makes a movie brilliant? How to define a movie, how is it defined? Technically it is how many pictures per second flashes before one’s eyes and make a moving scene, the running horse, a dancing woman, bullet from a gun. Films have different durations, different qualities, scales of evaluation, films have position in society which today play a big part. Movies are places of extravaganza and a huge part of entertainment industry, a way of life such as TV, it is everywhere.  Definitions and genres for films are maybe already irrelevant. Films that are and have been made are endless in the amount and technic. Tiny piece of what is being made make it to the consciousness of the average consumer or anybody via controlled system. Internet makes watching and making demographic. When life feels like a film we think we have captured something historic and worth filming and sharing.

Film has a position in advertising and often nowadays mainstream films look like ads, function like ads and ads in turn are like movies. Movies are the most powerful tool to impress, catch the eye and attention, make an impact on large amounts of people, to influence and manipulate as something sweet and meaningful, breath of fresh air in a dull moment. Cultural and personal importance of movies is what counts. We like the fun part of films. Moving image is like a car, an object to move with and in which as an object is male dominated vehicle but treated like a lady or named a woman. It has a status to impress, possess, take us from one place to another, seduce. Cinema is above us, a fantasy, untouchable, holding power in size, containing vast amounts of capacity to influence our thinking, vision and appreciations therefore to talk and write about what is shown for us is at critical importance. To write only on surface about the surface is not doing us much good or for film as art.

Films make stars, films are the stars, writing gives at best more depth to what was seen and another perspective than our own. Moving feature is what has a hold on us, energy and lightness of it is felt. Could a movie have any other definitions other than something moving forward and towards us? Is it always the personal taste telling what plays importance in a film or something else, a shock, a strong emotion, a surprise? Society rules much via what is shown, where and how we watch. General opinion, or probably is better to talk about what we are used to seeing, what is convenient, pleasant and interesting to us, is still a guide to what we are having. We reflect our desires in an interesting way through movie culture and the culture is us? Many are attracted to speed and not being bored, to be entertained and to have a feeling of something fantastic being witnessed is to feel alive as we watch living pictures that are more alive than us, size and amount count. To avoid being left out is in focus and one main interest is to give birth to desires and needs. How much of this is not make us think for ourselves, distract us from looking what is behind the glittering luring images and why we must want what is given to us, sold to us? What creates brilliance or circumstances for sensitiveness, a thrive to create beauty and meaning, how this creating is restricted or guided, banned or manipulated? Is it related to what is sexy and desirable in a straightforward manner, where we come from, what we are afraid of, what we know about the world, what we have read and seen already? How does gender dictate what we see as beautiful? I’m interested in which are the ways people get their work on the spotlight, what kind of work is put in the centre of attention, given media focus which focus forcefully is narrow and gendered. What kind of publicity movies and moviemakers get, are there girl movies and boy movies? What kind of voice do moviemakers have, are given, how are they heard, what is asked of them and from what kind of world do they make? What kind of things journalists focus on in interviews and stories about movie scenes? What creates interest in a certain movie nowadays? How brave can and should moviemakers be? Is it still restricted what can be issued and manifested in movies nowadays? Is it limited what kind of people make movies, what kind of people are shown in the movies, act in movies, talk about movies? Is there something to be afraid of other than lack of variety and making an echo chamber for ideological purposes? Are there certain kind of people who seek attention through the movie scene, attention seekers? How all this structure of creating moving pictures dictates and who dictates the structure? Is it basically corporation-based solutions that work in this business? Which are the interests of those corporations, interests of the investors other than winnings and cinematic fame? What kind of role do film festivals play in all this? Or press and media as a whole? I’m asking because they are all linked under a dome and mostly what get mentioned are the galas, trophies, celebrities, faces, bodies, lives of the famed and clothes they carry. Any irregularity is reported and scandalised. Everything moves along the direction of relations, scare of losing and where the money is, how the money is and should it be followed. What does it mean to be an independent movie maker in this picture? Does it mean marginal or original, having voice of one’s own? What is originality in movies, in this context of making, who has a voice? Is there any place or demand for independence, independent thinking and breaking the habit?

It is a question of demand, what is in demand, who has control. What kind of people consume mainstream movies and what revolves around this mainstream ideology of spending and living a habit. It would be interesting to see how strictly audiences are analyzed. Anything that isn’t produced in Hollywood is basically marginal in the west. Hollywood movies or movies imitating Hollywood style get the most public space, attention and funding. Should we be concerned? Yes and concerned of what exactly? Some kind of monotonous Americanized view of the world perhaps, lack of complex views of the world and how things happen, lack of perspectives to difference, lack of imagination, having one-eyed view and one political perspective on good and bad. Consuming being the main focus of films is alarming, consuming being the good, the more as well. The way movies manipulate people to think and act, or not to act and think as the easiness is nice and a relief in complex everyday.

One answer to a couple of my questions come from an internet magazine The Gateway sponsored by Morgan Stanley article written by Matthew Reeves: ”The producer is the money person who buys the scripts, hires the director, actors and crew and organises the making and selling of the film. The producer is usually employed by a production company. Production companies are often referred to as “independent”, but all this really means is that they don’t have a distribution deal with a major studio, that is, Sony, MGM, 20th Century Fox, Paramount, Warner and Universal. While studios can buy scripts the usual way, they also have the power and money to decide they need, “a kids’ fantasy movie, with an A-list actor, for release in the summer holidays in 2011”, get a writer to craft it, attach a producer, put up the funds themselves, make the movie (in their own studios), and distribute it themselves.

But what if no distributor is interested in your film, which may have been made with nobodies, on a nothing budget and with no room left for marketing. How can you get the word out? The answer is film festivals. Cannes, Venice and Sundance are free marketing Meccas. You can enter Cannes, the most influential film festival in the world, for €50. There’s no guarantee your film will get chosen to feature, but it will get watched. If it does get chosen, thousands will see it, newspapers will review it and many distributors will be circling, looking for a bargain. Paranormal Activity was shown at Slamdance Film Festival, http://www.slamdance.com and a year and a half later it was released across the USA. It’s arguably the best $70 the producer has ever spent.http://thegatewayonline.com/articles/content/how-does-the-film-industry-work

Continuing with more answers: Structures of Discourse and Structures of Power TEUN A. VAN DIJK University of Amsterdam ”In the news media, this strategic control of knowledge is exercised through restricted topic selection, and more generally by specific reconstructions of social and political realities (Hall et al., 1980; Tuchman, 1978; van Dijk, 1987b, 1987c). This process is itself governed by a system of news values and professional ideologies about news and newsworthiness, which happen to favor attention for and the interests of various elite actors, persons, groups, classes, institutions, nations, or world regions (Galtung & Ruge, 1965). Preferential access and coverage (whether positive or negative) of news actors is one factor in the mass medíated reproduction of social power (Brown, Bybee, Wearden, & Murdock, 1982). The same ís true in education, where the curriculum, textbooks, educational materials, and lessons are also governed by educational objectives, subjects, topics, and learning strategies that mostly happen to be consistent with the values or interests of the various power elite groups (Apple, 1979; Lorimer, 1984; Young, 1971). Therefore, we see that the symbolic elites that control the style and content of media and educational discourse are also those who have partial control of the mode of influence, and hence of ideological reproduction in society. The symbolic elites, we suggested, are not independent of other”  https://archive.org/stream/IdeologicalDiscourseAnalysis/Ideological%20discourse%20analysis_djvu.txt

2.Dominance and seduction: five looks, one accessory.

The patriarchal society makes it easier for men to take the lead which is for them compulsory and what manly men are supposed to do: direct, command, lead, have the answers, know. It is compulsive and violent for both sexes, toxic masculinity. It is given and forced on us as natural. Women have to fight for being heard, be taken seriously and a powerful skilled woman is easily a bitch, witch, weirdo, difficult and an outcast. It is a male feature to dominate with physical force and scare, to direct others with threat and it has been easier for men to imagine being a director and to become one, the role falls on them more easily, naturally. To my knowledge women like to dominate and do it maybe in more complex and subtle ways or imitating men, but nonetheless feminine domina play is normal everyday act in patriarchal society, meaning women use their power to destroy as well and to direct, question is why they cannot do it in business and in art. What happens more subtle doesn’t make it less hurtful or less powerful.

A lot did change what comes to equality during 20th century in the Western world but what is the change other than technical and in terms of production? What will the ultimate change and progress within movie industry be in the 21st century? Hopefully more about morals, art and justice of the business than technicalities. It still does not mean things are happening for women to the extent of men or that things change fast. Speed is in the renewing the machinery not human condition or doing away the patriarch. That is why it is very important to show movies from all kinds of makers, sexes, backgrounds etc. in schools, in movie theaters and TV. What comes to equality internet is showing the way, moving images are at the core of our internet experience. At the moment women directors are treated like marginal makers as emphasis is on the gender and it is said out loud male or female. Scripts written by women usually are different from men. Directors are treated like it still is a wonder a woman is a director or a producer, although there are many women in the business and have been for a long time. It is much easier to watch females pose on a red carpet wearing a designer gown asked how they feel expectation being the viewer wants to hear it and see this. Emphasis is on the assumptions what does a photogenic person look like and who can be filmed, who attracts the eye and why.

Movie people seem to live a fabulous life, images give us impressions. Narcissism is questioned in any media strongly but celebrated at the same time. Narcissists are interesting people as they entertain and know what they want, get what they want and make scenes. To want such spotlight life is praised and encouraged, idolised. Photographs of someone entering a gala of something are shown in every magazine that have a gossip column or want to comment the movie world or talk about movies in any manner. Movies nowadays is a very stereotyped world. Everything goes around the money-making machinery and what brings in the dollars. Biggest moneymakers are talked about and again idolised. Imaginary is highly glittered, narrow and thin. Shallowness can be turned interesting when reasons for it are investigated and studied. Such industry is massive and the biggest categorizor of people world-wide, advertising and movies are part of our visuals which we eat and consume. Most people watch movies, see the ads which are creating the world we live in and look at, and films get inspiration from the world we live in. To go outside that box can turn out to be more than just an image.

To make movies requires ability to tell stories, will to succeed in a very male-dominated world and money-oriented atmosphere. Stubborn belief in one’s ideas and abilities is needed and room to make ideas happen, also to make others believe in ideas of yours, to get attention is what we seek, all of us nowadays. What else is there to have? Luck? Moviemakers must be completely passionate about their craft just as any artist, making movies and seeing movies, making that particular film and story which totally extraordinary sounds like a dream. As a woman does one have to be a man to make it in this frame is an interesting question, to make a feature film as a woman but act like a man? Such a woman is easily considered a difficult person. It is much easier to be filmed and look beautiful, do as you are told but be unique. Womanhood posing as a fragile flower, young, polished in ads, in flashlights, photographers calling your name. And why is it important to talk and bring this issue in front, is there a problem?

Needless to say, but I’m saying it, women make different kinds of films than men, they have different points of views and interests. When women play roles that have been played by men there is totally new level to it, something lived by men is lived by women too, story gets vastly layered context and understanding of gendered experience, it is power which resonates within the powerless. Women see the world differently than men, experience it differently, do differently, walk and talk differently, are treated differently. Women should be given equal chance to bring their knowledge on to the screen, be active and create as they create, thinking instead of being looked at and they should understand it themselves too. Do men get their clothes examined on the red carpet? Aki Kaurismäki was drunk and danced at Cannes 2002 which was making appalled headlines in Finland. Men can and must disturb the scene in a moving way as well as business requires certain behaviour. Scene is asking to be cut open and questioned. https://www.youtube.com/watch?v=Vcs3sottHm4

This is of course my observation and a bothering issue, horrifying actually when you look at the picture at hand. What a world. What are male points of views then? Is it so that men do different kind of movies than women as I claim. I already dislike the topic at hand, I dislike that I even have to mention it, sex and gender and what they mean. What does gender got to do with anything what and how people make professionally? In making movies or making art? Unfortunately quite much. Everything revolves around it. Comes back to our bodies. Why is it so? What is sexy here? What is sex other than a toy? Why is it sold? Because it is the easy way and an obvious want, obvious defined and dominator. An act, the difference, organs, emotions, chemistry, molecules, desires, reproduction, repetition, perspective of the wanted and the ones who want. It is the power-issue ruling our behaviour which is in the visuals. It is regulated by religion, politics, traditions, rules made to give us frame to act upon and know where the limits go. Major topics in film, in anything and the leading couple kiss is the anti-climax in an action film but it has to be there. Image of movie industry, of its people, how it works and what for, it all goes back to sex, human sexuality and how to profit from it, use it, it using us.

Feminist film theory has opened up reasons behind film industry, given a voice and chance for women to analyze film as an art, our point of view and why it should be there on film. How women are on film, used, abused, cut open. ”Feminism is a social movement which has had an enormous impact on film theory and criticism. Cinema is taken by feminists to be a cultural practice representing myths about women and femininity, as well as about men and masculinity. Issues of representation and spectatorship are central to feminist film theory and criticism. Early feminist criticism was directed at stereotypes of women, mostly in Hollywood films (Haskell 1973/1987, Rosen 1973). Such fixed and endlessly repeated images of women were and are considered objectionable distortions which have a negative impact on the female spectator as well as on males.” Claire Johnston (1940-1987) https://en.wikipedia.org/wiki/Claire_Johnston was among the first feminist critics to offer a sustained critique of stereotypes from a semiotic point of view (1973/1991). She puts forward how classical cinema constructs the ideological image of woman. Drawing on Roland Barthes’ notion of ‘myth’, Johnston investigated the myth of ‘Woman’ in classical cinema. The sign ‘woman’ can be analyzed as a structure, a code and convention. It represents the ideological meaning that ‘woman’ has for men. In relation to herself she means no-thing (1991: 25): women are negatively represented as ‘not-man’. The ‘woman-as woman’ is absent from the text of the film (26).”

http://www.film-philosophy.com/vol8-2004/n17sloan Is it problematic for cinema as a whole to talk about women’s cinema? “This concept of minor cinema is quite fruitful for the purpose of concluding the debate on the strong political ground that most interests Butler. Since a ‘minor’ cinema is one that politicizes everything, women’s cinema well qualifies, generally finding struggle in all aspects of life, and value in confronting it. Further, a minor literature is written by marginalized authors, and so focuses on the challenges of belonging to an out-group.

The important theoretical shift happening was and is that women started taking up as voices and act out from places of power, from an understanding of cinema reflecting realities of variety of women, realities of many instead of one. Having a view to cinema as a constructing method, ideological and politically engaging on individual level. Classical cinema was not to show its means of production, or was it? It should be defined what we mean by classical cinema and why classical cinema is what we think it is. Characterised by veiling over its ideological construction and under restrictions rather than free expression? Thus, classical film as we think the classical presents the constructed images of ‘woman’ as naturally desirables, unrealistic and attractive for the male. This is the illusionism of classical cinema.  www.feministezine.com

It feels like a concrete wall, the notion that a woman in film is not the man, not as able as the man and is always in need of assistance. She lacks something. She is there to be looked at, in relation to herself to her being no-thing. To continue the misogynist tale Budd Boetticher (Hollywood film director during 1942-85) has put it: “What counts is what the heroine provokes, or rather what she represents. She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does. In herself the woman has not the slightest importance.

3.Desire of the power elite; Us under the phallocentric order.

Do women objectify themselves by putting their bodies into a certain light where their body and sexuality is openly under gaze and played with, in a certain repetitious positions to gain profit and be seen as that is the way still to get seen? Of course, and I would say, it is not passive. It is a very active role to play and toy with, the game where women win in one way only and are therefore used for a certain time, as long as their looks grant it. Women are slaves as much as they must put themselves in that position to be looked at, in a way it is slavery, yes. There must be something more to it as it is voluntarily done. Victim is a spectator of her fate. She still must imagine what happens to her when she chooses to act in a certain way and like it. Film industry is an abusive machine which abandons those who are no longer useful which is seen tragic. This must be seen beforehand, calculated and be known, understood and accepted. Industry obeys only capital and how to get it. It gives models of how to be, become, what to be, where to be, what to wear, what is talked about and how etc. Seduction is deliberate, unforgiving and cruel, to seduce the audience, a mass has its psychology and logic. Movie industry is a brainwash operator where meat is power and murder. Movies are made to seduce the consumer. Movies to give goals in life. Movies to give dreams. How audience is seduced? Or are we really that stupid? What is seduction? From Wikipedia: ”In colloquial language and fictional literature, seduction is the process of deliberately enticing a person, to lead astray, as from duty, rectitude, or the like; to corrupt, to persuade or induce to engage in sexual behaviour.” The Internet has lately given rise to more open discussion on seduction and how to master it: The Rules for women and The Game for men.

MUCH ABOUT JENNIFER LOPEZ:
Actress, entertainer, music artist, film & TV producer, fashion designer, entrepreneur and humanitarian Jennifer Lopez has been called one of the most powerful and celebrated celebrities in entertainment. Forbes Magazine named her the #1 Most Powerful Celebrity in the World of 2012. Known for her beauty and fashion sense Lopez has been the face of many advertising campaigns— L’Oreal, Louis Vuitton, Ford, Fiat, Subaru, Lux, Brahma Beer, Gillette, Kohl’s and Pepsi just to name a few. In 2012, Forbes ranked Lopez number one on their list of “100 Most Powerful and Influential Celebrities in the World” “and she has appeared many times on The Hollywood Report’s list of best paid actresses. Also known as a fashion icon, her appearance at the red carpet events always garners considerable media attention.www.jenniferlopez.com

While Hitchcock goes into the investigative side of voyeurism, Sternberg produces the ultimate fetish, taking it to the point where the powerful look of the male protagonist (characteristic of traditional narrative film) is broken in favour of the image in direct erotic rapport with the spectator. The beauty of the woman as object and the screen space coalesce; she is no longer the bearer of guilt but a perfect product, whose body, stylised and fragmented by close-ups, is the content of the film and the direct recipient of the spectator’s look.www.feministezine.com

Watching her going in to an exiting event wearing Versace smiling and looking happy. The most beautiful woman on Earth, hugely wealthy and desired, influencer on the beauty market. She has her hands leaning her waist. She is a business woman, it is said she is in control of her image, meaning what exactly? She is strong and independent, her own boss and ruler of her art. Poses telling so and the interviews strengthening our perception. But she isn’t saying much concerning entertainment business or how it could be something other than it is and should it be different as it has served her so well? What other could it be and what else is there. Industry serves her as she serves it. I wonder the machinery behind creating the phenomenon like JLo. Is it pure and simple as I think in businesslike? This is awesome. I love you and your arse, your body is part of your art. The publicity is moving around the globe. Beautiful women sell enormously well, so conducting from that there is incredible power in women which remains on image level as it is not completely let go, released. Wildness is ok up to a point. Too much rock and roll is too much the devil.

How it functions building an image for one person around her or his sex symbolism, luxurious life, incredible life story of being discovered and how the story continues, relationships, children, houses, clothes, movies, making music and money, going around the world dancing, having pictures taken, videos being made being followed. The amount and quality of imagery is about style + beauty, body+mind says also her website, a place for worship and to know her a bit better: Lopez’s dedication to assisting children in need and to the empowerment of others is far-reaching. The Girls & Boys Club of America has named her their national spokeswoman. Gucci is featuring Lopez in a national advertising campaign along with her twins Emme and Max launching its children collection. The campaign will benefit UNICEF. Lopez set the branding standard for celebrity fragrance, apparel and accessories. Her latest fragrance, Love and Glamour, marked 17 successful launches, taking in over $2 billion combined. A new fragrance, Glowing, was launch in 2012. In 2006, Lopez was awarded with the prestigious ACE Fashion Icon of the Year for her contribution to accessories and the fashion industrywww.jenniferlopez.com 

It’s good publicity to be a humanitarian. Cynically put, but mentioning one’s humanitarian work after all business and entertainment deals and PR is as cynical as business can get and only in couple of sentences her humanism is clear, she is clean and good. I would like to know more about the results of her humanitarianism. What is being made exactly? What is done? What comes to being powerful and influential? She is hypnotizing and playing on many arenas, sure. She attracts men and women that is called power, she makes people wild and dancing, that could be called freeing. The queen bee, a person as a classic beauty to imitate, movie personality with looks to kill, movie star who gathers people to watch her perform, a role model. There are many out there who play this particular part and use their gained position to make a difference as well. She has acted in several Hollywood movies which gives her a platform where she is listened to. Still such story is not the most important issue in a Hollywood feature film, in Hollywood, to be humanitarian it is a side trail, something rich people feel compelled of doing. What kind of sexual vibes arise from the making it. It is a Hollywood cult of icons, stories behind and what actually makes difference in the world. The industry is like a religion with angels and demons, money as the only God. Is philanthropy a distraction, a cleanse? What are movies then? Tools to become rich and famous?

The paradox of phallocentrism in aIl its manifestations is that it depends on the image of the castrated woman to give order and meaning to its world. An idea of woman stands as lynch pin to the system: it is her lack that produces the phallus as symbolic presence, it is her desire to make good the lack that the phallus signifies.” Laura Mulvey Visual Pleasure NarrativeCinema http://imlportfolio.usc.edu/ctcs505/mulveyVisualPleasureNarrativeCinema.pdf

Hollywood film is a monolith, what I have seen, watched and as I see, it is leaving much out and sticking to the very narrow tones of humanity and sexuality, posing sexual stereotypes, showing a look-a-like magic tricks with a lot of bling and bang. The thing I don’t understand is why is it doing so when it could be doing so much more? With a lot of noise to get so little is strange. Hollywood as a factory would have an enormous potential to do better quality, interesting, experimental, progressive cinema offering the masses variety and actual change. To me their way is more and more commercial humbug offering ecstatic experiences which other art forms also try to achieve, mass appeal and instant ecstasy. Musical sounds are the same, people look the same, has every fucking thing become a clone, an ass and pair of tits? And the world has become an image of the movies. We are coping what is being copied, becoming copies of each other. Copy that.

 

 

 

Art hires bullies and incompetence: my well-educated analysis which is based on experience. Experience is bad which I have been wondering how I am so unlucky, or there truly is something seriously wrong but not enough leverage to make that needed change. Some parties do not look for change in art because stagnant state of things works better for them.

When one first begins studying sculpting and your teacher is sexist chauvinist, strongly biased male to whom pedagogy seems to be an unknown concept, one gets a pretty good idea of what to expect when one graduates. So it all is educational after all. There are no illusions whatsoever of what lies ahead and how slowly things change in the arts, which hugely relies on tradition, what comes to gender roles, social and career mobility, position and power of institutions and money, what is good art, what can be shown and said. Mostly art looks back so keenly because it likes the male heroes. Needless to say I have argued and questioned a lot at art school and was deeply unliked because of that. Old fashioned are also ways to do business, put up exhibitions, funding, how artists and artistry are seen and treated, how much there is preconception and thinking you know even when you do not know shit. That is of course when you need the consultants. You can always rely on knowledge of a consultant but artist is an underdog if he or she is not well-known and well-networked. What else is there other than self-interest and all one can do is work for only one’s own benefit, why else do it. Business in which one has to be an expert and know a lot there are many doing the work who do not have the needed capabilities: understanding, courage and knowledge, capabilities to spark change, unbiased, only talk is what happens, which does not change anything, just like politicians do.

As curious as it sounds when you start looking at the issue of what kind of people are drawn to business of art, it could not be more clear: it is made to those who strive to win, be best at posing or at least look like they are good at something, mostly the latter. The importance of image cannot be emphasized enough. To work in art you have to have a big ego to stand behind your work, be confident enough to stretch as far as possible with ideas of your own, try out ideas which you believe in and very often only you, fail or succeed, and accepting the result to move on with all the enthusiasm possible. What kinds of results we accept as a community and in what kind of environment we want to work plays a big part of how to choose one’s perspective, on which side to stand and look into the scene where one is to create, be creative. How creative is the art world? What is the scene where art is shown or made to exist and why is it so narrow and unwelcoming? It is not new that narcissism is a regular trait for artists and in the arts in general and need to be admired for one’s position, networks and art must be one thing probably. All want to have the fame, which is one thing essential in art, admiration, grandiose, infinity, eternal art and eternal unforgettable artists, heroes. Artists are admired when they get fame and fortune. Fame is much talked about as it is the gold pot which might be found when one is talented and lucky enough. What is luck, how one gets lucky and what is part of talent there? It is a weird business where money circulates, art gets centered to certain places and artists have to be presented in certain places to have a name, be seen by right people and be noticed within the system. So to be stepped over is not irregular, to be sexually harassed either, minimised, discriminated, talked about in ill manner happens regularly. There are things to be expected but still they strike always as surprise because one wants to believe in kindness and good intentions. Cynicism is the first impression I get, always. It is no wonder, I am always up against a crowd of fanatics who think they know better and are better because art is about finding the truth, being good and admired, and those who are on pedestals think, they have found it and are deserving of their status.

There are those who like to repeat over and over again one idea, imprint it where ever they can because it is theirs and it represents the good they have come up with, themselves, something unchangeable, an era, an -ism, history, tradition, spectacle, experience after which tourists are expected to travel and spend money for. When we starve the idea of art into movable modules that function as branded palaces for money, it is art for money and art for business’ sake. It is tourism that dictates and the tourist is offered an art awe grandiose to witness and experience, remember, photograph, be educated by. An art awe is.., sensation, uplifting, knowledge, learning, the act of looking and feeling the once in a life experience, time to touch, something grand again, special, new or old and spectacular, always bigger and more expensive. To find the spectacular it has to be imported. Interesting is when new art is made it often is made in the marginal and by those who have rebelled the establishment, education, hierarchy and traditions, those who have made the most interesting art and have had the lasting changing impact on art are the dissidents. Always there is a clash and crush necessary for that necessary change to happen. The procedure of producing art is machinery of media coverage, expensiveness, size, names, what catches the eye, mind and heart. To preserve quality and process of the creating progress and the new which can be exciting, cynicism is not good at all.

Artist, captor of light http://www.words-to-use.com/words/art/

What does it mean to be working class? It has meant things taken for granted and any variation to those things is still intolerable.

What kinds of characteristics class has is a story of people belonging to a class and what is outside of a class. Point being there is inside and outside of class between which communication is little, formal and suspicious. They think they know each other, they think they know all. Meaning of class awareness has meant different things for working class than for the middle class, who have been more content in quality of their lives, this is my conclusion. Working class wishes to imitate the middle class trying to match the quality of life for which they are entitled especially what comes to schooling, healthcare, day care etc. Middle class are those who feel their material needs are met, their offspring has chances in life to make something of themselves to follow needs of their own, or their families, all people belonging to this class have more chance of being content in their lives and see a brighter future, healthy and prosperous. There definitely has been a phenomenon//way of making things happen, that can be called looking after each other within a class, a solidarity between members of the same class, an awareness of similarity, knowing people and standing on the same level which connects and which form of communication can be difficult to attain when one comes from another class, higher or lower.

Reality of classes, conflicts, barriers and contempt between them which historical massive load is upon us, on us and within us is something inescapable. My class, which I was born to, has been a working class continuation in several generations. I come from very strong idea of work being the most important factor in life, an honorable thing and measure of worthiness. Schooling has not been seen as important although to me personally it was the most important thing. I lived to learn and still do. Therefore it is odd in my family that someone studies as much as I have (it has been possible) and hopefully I still will. Not to mention that one is an artist which is not work at all unless one is famous and makes money and it was said to me artists come from different class than I do, but that probably is not working class related thought. It is class and gender related issue that my capabilities are questioned over and over again. There has been strictly work for men and strictly work for women, strictly work for those others who come from different background. It is as if I am escaping something I cannot escape even though I do not escape I create. I don’t continue in a circle which to me is a dead-end.

Reality of struggle, old-fashioned thinking of the working class is very much build in me as background, fear, suspicion, disbelief and guilt, root and as a political view to life. Politics has always been an issue and everybody has had an opinion, not sure if the case is so anymore. Indifference seems to be the case. Basic idea for working class is to find a job, get married and have children. It is the traditional way in which nothing much changes but the society around to which we must adapt. That is also the breaking point of working class: difficulty to adapt to new thinking, difficulty to absorb new ideas, people and thinking, difficulty to see bigger picture, difficulty to adapt that their children do not want the same anymore, that their children are not extensions to their parents and do not continue something that was but make history of their own. Maybe it is something all classes share and that is why they are classes, divided and separate. Thoughts of worthlessness or superiority are often passed on and they drag us down.

One part and problem of working class is and has been low self-esteem of which scare, doubt and refusal to accept new tell. Fear to be active part of change, create movements and become change via education, open-mindedness and being curious. There is curiosity within working class but there is also inability to look further and beyond oneself, inability to think oneself as something else. Panic over losing one’s job and not being able to think alternatives for oneself is one example of being fixed into position given and not believing in oneself, not being able to think oneself as capable for many things but stuck without possibilities. Working class has been put down this way and they put themselves down. They who have power have made people think they should be scared and continue history of fear. Work is basic building brick of working class. Those who are scared for losing their position and wealth want people who do not believe in their possibilities, do not rebel, do not try to find alternative choices for themselves and don’t jeopardize power of those who stand on higher ladder. Now maybe even more as work is scarce and hard to find threats play an important role. One detail is striking, how long it takes for working class to rebel, rebel for what cause should be a question and they should find an answer (rebel not for themselves only), understand that they are the key in changing anything in the end. It is probably easy to continue the same work, the same daily routines, watch the same TV-shows, see the same people and read the same news papers. How to survive the shock when people lose these familiar things in their lives? When it is not possible to drive to work, when there is no work to go to, when we have to change what we eat, what we do, think, what we wear and what we talk about, not because we cannot personally afford but because ecologically our life style is unsustainable and wrong? Working class macho life style usually looks down on anything that hints to hugging trees and saving the environment. Gays and artists are the worst and to them there is a distance kept which works as a safety zone. Reluctance to understand and take part could not be more clear. To say we don’t understand also means we don’t even want to try. Time of no TV, no malls as we are used to having and no private cars maybe?

Does the UK really need ‘wealth creators’ and ‘hardworking people’?

https://peopleandnature.wordpress.com/2015/06/14/towards-a-real-fusion-of-socialism-and-ecology/?blogsub=confirming#subscribe-blogFrom its side, since its fundamental critique is technical (we have a better science, ecology), not political, the green movement has failed to engage the working class at all. Both sides sit entrenched in their own theories and snipe at each other.”

 

From the bottom of our dear beloved hearts

We despise those who dare to differ. Those who dare to contradict our golden rules, our power, our knowledge, partners, friends whom we defend to the end, our exactness, our sensitiveness, our rights to construct the visible world through and with our expertise, which is given the authority and put on pedestal, because we know what is good. It is undeniable. The good that fills homes, minds, streets, internet, books, qualifications, friends, food, sex, what to do and with whom, everything worth mentioning and having. If you do differently you are out and uninteresting.

Those who object places of art object progress is the most ludicrous and vicious idea used to push forward means and projects of those who think are on the right side and doing good for everybody.

Know how the world works. It is not a pleasant sight. What are you going to do about it?

Nothing people can do about it? People are doing it. Making a lovely cocktail of oppression, killings and dehumanizing. Ignorance and intellectual laziness that seem to have no end. It is getting worse. We have a divided world of which many people know nothing about. Europe is no better, no better to Africa, Asia, Americas nor to India. Europe has a long history of oppressing developing countries which keeps going on forever as colonial history finds its way of attacking behind the corner. Refugees keep on coming and we don’t want them. We don’t want their problems, their poverty or their illnesses. Ways of oppressing change and move behind masks, become more difficult to oppose and detect. We are substantially trolled by banks, pranksters, corporations and governments. Comments that there is nothing one can do I am fed up hearing. I am fed up listening to well fed babies at universities and of art. Yes you move in a circle and you do not want out of that comfortable illusion of wealth, talent and intellect. Your arrogance is appalling and has no ground whatsoever. Haven’t met much intellect, but cheers to you anyway.
Europe is ill. How seriously, and why, are matters not always easy to judge. But among the symptoms three are conspicuous, and inter-related. The first, and most familiar, is the degenerative drift of democracy across the continent, of which the structure of the EU is at once cause and consequence. The oligarchic cast of its constitutional arrangements, once conceived as provisional scaffolding for a popular sovereignty of supranational scale to come, has over time steadily hardened.”

 

Bourgeois illusion of superiority. Why is it an illusion and why is it a strong one in not so good way? Guarding, watching and monitoring, making fixed conclusions.

What is wrong about having thoughts of being above, of being better than. It sucks the oxygen. It is constant awareness of what is good and bad, disapproval, contempt and hate. It is an idea of finished perfection. In an atmosphere of shells and competition of who shines best illusions prevail as does envy. Class is a world of contracts, fulfilling expectations and requirements. It is to observe, punish and exclude. Illusion becomes reality through possession and wealth, but is still illusion. Look what I have got and you do not. It is a again immature way of survival of the fittest and seeing there is nothing wrong with it. Sentences like I would fuck her, but I would not introduce her to my mother hint to idea of royalty via blood and position. Same idea goes with gender and sex, the idea of superiority and false ideas of what is good. Why someone is above is the thought of having something better others do not have. I wonder what that is. Usually it is only money. It is also defining what is cheap and what is expensive. Ideas about master race have not disappeared and deeds of those masters are swept under the carpet. We like to live in imaginative fantasy and be part of the elite. Question is how elite is defined and how necessary it is. Who does it serve other than itself?