Feminism an ideology and movement, a striving force and necessity in making global revolution of equality (or it used to be, what is it now?). My philosophical, ethical and ideological ground. Perspectives into making wise revolution: what does it mean.

2.1 Introduction
2.2 Division, separation, segregation, mutilation, denial, hate, abundance, abandonment.
2.3 Movement, theory and action.
2.4 Unity what could it be?

2.1 Introduction
We, fundamentally biological beings (I’m trying not to be hugely banal about the characterisation of us and biology, us as a species, genders etc., characteristics of what comes to being human as biologically determined form and shape, organic and changing. As we know it, us and nature, which we know, is what often happens, we think we now), are dictated by random events that happen (welfare state is to make the impact of randomness of life less hurtful and cruel, right? Nations are for humans to survive and thrive, not the opposite.) Our lives are up to a point very random still, not to mention the environment and hormones (funny combination but essential); our chemistry and what it makes us feel and do, is a big part of us and our world as is our anatomy, our biological functions, thoughts and needs etc. There are lots of things that dictate us, we just don’t like to admit it as we are not in control, we can be prepared to that hard fact. We like it to look like we are in control and build the structure of control, to control others and have control, things organised, having things done and having made it, give us the power feeling. We know what we are doing. I’m interested in how much power is an illusion and what is power in terms of self-discovery, living and doing in relation to others. Denying biology is the ‘new’ way of empowerment and it is the you can be what you want-ideology, which is a wild thought, thought that we have the ultimate control or want to have control on every aspect there is to being human because we so desire. This issue has come up with transgenderism and in bringing up children, sculpting one’s body to match the inner feelings and desires completely or images seen: this is what I want for me. How it seems to me is this, where we are headed to, towards the utopia of complete control of our bodies and our destiny especially thinking what makes one happy and what we are in the eyes of those who look at us. Feminism has a lot to say about this, lot to say about competition, competing and how opportunities stay open for all that we can make an effort to make it.

Meaning of biology for us is the inseparable and something to dive into constantly which has interested me as an artist: as it does not end, how much part of nature are we and dependable of it, as bodies and minds, to speak of this sounds naive, how come? Without nature there is no us but we like to move away from nature like we were standing on it, as we have no control over it we make shields. Nature is far away as it is the unknown eventful place, in part and for many for most parts we like to be unconnected to this beast we profit from. Nature does not connect with us in suitable, comfortable manner but affects and looks like as a disaster area with which we are ill-prepared to cope which always is a big mistake as we do not know what is ahead of us. Some survive, some don’t. Biology is the unacceptable as it does not do what we want, it eats us. Does this mean we are being alienated from nature completely because it is the easy solution to staying young and good-looking forever and that is what we should want to be powerful? In the making of us there is something I have been wondering what is it all about, what is the making. The very foundation of feminism is that we are equal and we should have equal opportunities as humans but what this means in action and every day is the interesting part and how feminism puts the case of equality forward today in terms of class, ethnicity, origin, looks, wealth, status, work, occupation, education, opinions, in terms of all things that make us different form each other and what does equal mean as we all want and desire to make something of ourselves which brings in the power relation aspect. Equality is a massive task, how it is implemented and understood, it sounds good. Equality, just to say the word is a weird thing and many think as such it is a naive one. What kind of relationship we have with this biology we are born in to, how does biology shape our chances equality-wise is a major issue and can it be altered is the hard question. How we accept ourselves and others, what is the route to acceptance and what we must accept and what not.

Nature has made it we differ much from each other, but we bleed when we hurt. What is equality required and possible in our differences? Living beings share vivid emotional and sensual world which lead us to thinking what separates and unites us. Gender and sex do not dictate intellect, abilities, character nor worth is the feminist idea and good human sense; what do they dictate? Feminism the ideology is to benefit all on grass root level and having choices not to be dictated, monitored and policed. We are more or less feminine, we all have a mother, we all have a relationship to femininity through bodily features still the feminine is under constant attack. Women are the foundation of any society. When women are well taken care of all society is likely to do the same, be and do well. When it is acceptable for a man to walk like a woman, talk like a woman and wear a dress without it being strange we have come closer to gender equality. When a woman can define her femininity, rule her body, sexuality, decide for her life, we are closer to justice and truth. Feminism is diminished down by many men and women as not needed and dead old-­fashioned movement, laughable and unnecessary. If women are not able to have a say over how society should work, as is the case in many countries, then society is not working for all of its members. If women are laughed at because of their sex and because it is seen weak, if they have to be ashamed of their sexuality, if they have to be afraid because they are women, it is a sorry world. If men have to be afraid of female qualities in them we live by macho dream not what is true. What is feminism now is the first and acute question. Who can be and is a feminist? What are the results of feminism and how can it accomplish needed social and cultural changes? Impact of feminism is already all over and pretty fundamental but not yet enough. It is important in this issue at hand to know whether to take a side or not, and on which one side violent gender division exists and is held tightly upon us. Decisions on what to think, how to react, how to judge and whether to judge at all. Gender is by rule problematic, always current and touchy topic where assumptions and given orders apply like an ancient legislation. Society where anything differing from mainstream is an oddity that should be covered up, silenced and removed as indecent and infernal is not living

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the 21st century nor being on the nerve of things nor wanting equality at all. Sex, gender and sexuality are the most used tools of control. Identity and division are structured and ordered by our traditions. We seek to be accepted, desirable, wake attention, maybe make provocation to make ourselves and be seen. Sexuality is denied as damaging, corrupt, perverted, animal, uncontrollable, destructive force which women hold and use to destroy men, society and themselves. There are tight rules how to be a sexual human being and how to be a good human being. Sex is a taboo to be dealt with not out in the open although it is all over and nothing like ordinary. Still when one glances ads anywhere, music videos and movies anything entertainment industry produces for us to hear and see sexuality is there in the main role and in the very much learned way. It is a way to look, make statement, do business hypnotizing us and our thinking. It is way of selling using our basic needs, fears and prohibitions. We live with sex industry (like it or not) and by which rules business provides guessing what it is people desire and want and it is simple. What do we dream about in high-tech information society consuming, being entertained, sexuality making life a psychological sadistic game at worst. Disapproval and talk make controversy, breaking moral codes make headlines. What is it now, nipples, butt crack breaking the internet, look at the size of it, oh tits. The more we disapprove morals of someone the more controversial the issue gets the more fuel there is to be poured, bigger and bigger when nothing is enough. Press disapproving a racy pop artist’s performance giving her performance lots of space and media coverage, good for her and her manager. Is it disapproving or advertising and also good for the media company? What happens to journalism or us? Middle-­aged women disapproving how young girls walk and dress. Is it regret or concern? What are we concerned about, what do we regret and what do we make of the idea of a young girl and her sexuality, is it a possession and an asset for that girl?

What is behind disapproval is a moral behavior code, gender assumptions, traditions, what is good to do in life and why and who gets to decide. Intolerance, ignorance, religion, narrow­mindedness, worry over corruption of morals, desire to hinder change, fear what one is and showing it and plain fear for the unknown. For many sexuality is the great fright and truly an unknown island. It also makes me wonder why continuously so? Why the big mystery, fear, ridicule, shame and hiding? We desire to be sexually interesting. Most everybody thinks about sex and hopefully has sex. The most controlled sexual being is woman, her pleasure is dangerous. She cannot have it, because it is sinful, impure and evil.

2.2 Division, separation, segregation, mutilation, denial, hate, abundance, abandonment.

World as a whole is very much divided into ideological camps and bunkers which fight each other. People do not either wish to comprehend each other or simply don’t comprehend due to many often irrational reasons dividing us. How that other is thinking and feeling can

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be a huge task to take into consideration and have interest over. There has to be a strong ideology and movement to defend those who are repeatedly beaten down. Something to call mine because it is personal, political and repetitious. Behavior and patterns which are not stopping until they are stopped. It is a demand and fight for human rights to happen for women, children and men, for indigenous people and other beings. Those who are persecuted because of their gender, ethnicity, background, religion, sexual orientation, disability, difference of any kind and to defend those who cannot defend themselves. In this regard feminism is not a cause for women only ideology and movement with strong barriers around although it is accused of this, rightly so. Camps fighting within feminism is the norm. Women contribute much in welfare in all society starting from home and neighborhoods. Feminism is a necessity and vital opposition against tyranny of corporations and traditions which are creating illusions of perfection and what is right. Feminism is opposition to tyranny of man, tyranny of people as products, against objectification, against one-sided views on color, size, ideologies, values, against tyranny and castles of finance and irrational despotic decision-­making. Women are and have been enslaved to the illusion of perfection, an image in our brain of what woman is, is manipulative, created to eliminate difference, clone personalities, pleasure giving machines and thinking security is found through being desirable. In addition to that women are caretakers, providers, producers of new people biologically, socially, culturally and traditionally. In this sense manipulation is harsh practice, cruel and unjust. Educating girls in to their roles as females, girls, future women, persons and people begin from very young age. We are taught to know, what is our part via our sex. Somebody else knowing what anybody’s place is and meaning in this life is the root of inequality and injustice.

A practice of likable personality is a kind of survivalist plan within patriarchal society. Practices of girliness, manhood and womanhood are to set roles, find security, a heterosexual practice of servitude, obedience and slavery. Woman is foremost a sexual being whose sexuality must be controlled, whose body is a possession and is either holy or cursed, disrespected and impure. Holy only when she does what is expected of her, is agreeable and nice. Situation is such for millions and millions of women. The way out is a hard struggle. Women who do not have a choice but to breed, feed and protect their honor which is also honor of man and family. There are tasks in society given to women on grounds of natural and on grounds of how things have been done before. How women should look like, what are feminine features and things to do. The whole gender issue should be addressed in technological language as women are much seen as objects and machines who are less than. Place of woman falls on her systematically and orderly without much questioning and without many wanting to change that pattern as it is suitable. This is how a factory functions, orderly producing brainwashed products where workers do not have a say. Case in many countries is that women have the part of reproduction and serving, which is fine if it is voluntarily chosen path in someone’s

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life. Why such control over women is still possible? How the kind of social factory has place anymore? Why woman needs to be put into a position of a dog and why women stay in that given place and when situation changes new problems emerge as men don’t keep up with women? Choices provided by society play a big part in how women manage to solve their lives. Fear of violence, death and abandonment are reasons enough to settle to what other people want. Women who want to decide for themselves to provide for themselves can end up alone. For an uneducated woman it can be a challenge and scary situation to find oneself struggling in a dead-­end. What options are there, how strong are we in this kind of situation or prepared? Religions are dictating position and tasks of women and do not give women power in their lives and let them have bodies of theirs. Women cannot have themselves, especially not themselves. What is the soul of women? By denial and placing fear of punishment religions acknowledge female power within her proving of being afraid of her power. Keeping women uneducated and unaware of their power is a way to rule, but it is also way to keep society from evolving and stopping all people from finding what they could do and express. What she can do with her body and mind is too much to handle. Question is who is not able to control oneself? Maybe chaos and disorder will follow, maybe something no one else hasn’t thought and done before. Interesting is how the feminine and feminine desire realize themselves in this negative, because they are there. Prohibition of expression, suppressed individuality and contempt for the natural sex, incontrollable. Human life and body molded by God’s word, God’s word put in praxis, God’s judgment put in action by people. Dividing good and bad, holy and evil, placing burdens on people because of which sex they happen to be born. Deciding what is what, maybe not knowing the truth but thinking one knows being scared of change. Diminishing and minimising something that is very complex makes complexity even stronger. There are such contradictions in what is said, what happens and what is believed to be true it is no wonder there are conflicts. Contradictions via interpretation, to comprehend and put in order life and the representation of humans, we continue fighting in everyday life because we have free will, visibly. Paradoxes which are difficult to manage, to change and unjust to live by. An overall religious view is to see body and bodily functions as impure especially female ones and the world as such where spirit and soul matter and wander in search of perfection and harmony. It could be as if life is somewhere else all the time, is for someone else, in some other time and we in despair.

2.3 Movement, theory and action.

The word Feminism originates from French Utopian Socialist and Philosopher Charles Fourier 1837, the year of his death. [1.] Words Feminism and Feminist first appeared in public in France and the Netherlands 1872. Claims for women’s rights started to happen at large in action at the end of 19th century and beginning of the 20th century by Suffrage movement in Britain, New Zealand, Australia and in the
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United States claiming women’s right to vote and stand for parliamentary office. It is still knowing how religions dictate place of women difficult to understand the opposition feminists have faced and face today. The amount of bitter hate and disdain against feminists, women claiming their citizenship and human rights that for some are less than that of men which is God’s punishment and judgment for all women. Feminists have been treated as lunatics and criminals lacking decency. Feminism as something that will pass. Those unattractive misfits, bald angry lesbians who hate men and behave like prostitutes, unattractively angry. Those who fear say anything to put shame on dissidents. Women who don’t and did not fit nor accept the society’s mold of proper, place of woman, continuity of males as kings nor rules of hypocrisy have been self-evidently painted malaise, harmful, insane, ridiculous, hysterical, marginal and difficult. Women who didn’t accept their part as underdogs began a feisty battle which became violent towards feminists. They began peacefully demanding their rights which did not work and they began to break windows. Feminism is first a movement, demonstration and fierce action demanding and fighting for equal rights and opportunities for all. It is a fight for possibilities to choose how to live as an individual with will and mind of one’s own and as a capable decision-making thinking person. Prejudice and historical echoes have made it so that feminism is not mainstream ideology even we are bound to it as a thoroughly society changing and questioning political ideology. It is not all that common to be working class feminist even labor movement is very much women’s and children’s rights movement. Common is to hear celebrities say of not being feminists but. Desire of theirs is to pose as strong women of the business and live as sellable products earning money that being an illusion of having control over their image and being strong is a facade. Powerful yes but how? How scared can one be and how manipulation is strength? It is too common to hear the denial and keeping distance to that odd and hateful religion­-like ideology that want women to be ugly, hating men or something. Ignorance is once again biggest prejudice creator around. Woman is desired as a body that brings joy for someone else but her and to concentrate on staying pretty and desirable as long as you can is one kind of power but is it strength?

After having put action out with positive results groundbreaking feminist theory started to develop and wonder position of women in society thoroughly. Feminist theory is a complex set of ideas on how genders function, are supposed to function, genders and sexes as social and cultural beings and constructions. Feminist theory is much as any academic work working and looking from the middle­ class points of view but is seen as radical movement still. Working class and middle ­class stay separately still and suspicious of each other; can they mix and work together without suspicion and prejudices and why the division is there in the first place, what is the class divide all about? What happens to equality in this picture? It is a vital issue for feminism how classes function and change, how work is seen and defined, paid and appreciated. Which classes will perish, shall there be new ones, what is the meaning of discourse over the class question all together, whom does class system serve and

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what would world do without distinct separations. Colossal structures of research, work and education are there to be shaken. Working class (which still exists) is too scared to get radical, at least in Finland. Every society has working class of its own kind. Curious is how do they appreciate themselves, are appreciated and what kind of groups get made within. Education and work cultures reflect directly to position of women and rights of labor concern all of women. Feminist theory tends to float inside an academic bubble, thick walls round academies which may scare the common man. Feminist research does not address everyone as doesn’t science as a whole even though it is the meaning of science to be for everyone, serve welfare and the evolving of every man. Elitist academic towers can be isolating and again gaining position can be luring power element in academic competition. Academic position is much respected place to have. To talk only to certain kind of people about social change is an intriguing subject itself, matters of writing and talking but it is not enough to make that change happen at grass root level and be understood that the struggle is the same. Question is how and what message of change is put out, by whom and why? And how a change could be pursued if groups of people do not communicate with each other? It is clear change required does not happen within middle­class, in academies nor in theory. Question is what kind of groups of people globally are the ones who are oppressed enough and tired enough to act? Who don’t want empty promises, unemployment, dead-end future prospects, poor welfare and poor quality of education? Middle ­class and working class do not respect each other enough, know each other, speak the same language or desire to understand each other. There is mutual contempt there which stops multilevel interaction, compassion, understanding and collaboration. How could there be found mutual language and patterns for action which lack oppressive and biased hierarchical structures?

2.4 Unity what could it be?

Communist Manifesto published in 1848 demanded abolishing of child labor, education for all workers including women and children. The demand list of the Manifesto was modern, fresh and ahead of its time demanding equality, dignity and human rights for all. Importantly Manifesto stated abolishment of bourgeois individualism, changes to inherited position in society and right to property, which meant abolishment of slavery and exploitation of people, need to stop abuse of workers’ effort and time. It demanded progressively everyone’s right to work without fear, more time to schooling oneself and one’s family. Free development for each is the condition of development for all. [2.] [3.] [4.] Developed way of looking society and its people on idea level which was to be reality and revolutionary vision to be made come true, a utopia of a better world
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within reach to applying all hopefully bringing welfare, well­being and prosperity. Demand for abolishment of bourgeois family could have meant a beginning for women to stand on their own and have multiple paths to choose from than only having one or two. Michel Foucault states in Foucault Reader, Rabinow, 1984 that bourgeois society before Freud’s inventions repressed sexuality and especially infantile sexuality to a point where society refused to speak of it or acknowledge existence of sexuality in children and women. Crusade against masturbation is a typical example of this as is giving diagnoses for women who in any way acted differently than what was the general ‘better’ judgment. Crusade is to the point essential word to use in contexts of bourgeois society and its determination concerning use of power over women and children and in general anyone who stands on the ‘weak’ side. Weaknesses strictly categorized, the weak labeled and stigmatized. Infantilizing women in terms of sex was the norm, female sexuality was beauty in statues, very fragile but obviously too powerful to let roam free.

As Communism firstly concentrates on abolishment of the bourgeois way of life and class and gaining global labor rights, feminism concentrates on ending sexism and slavery of women, standing for girls’ rights for education and rights of those in the marginal and  under threat because of their gender and sexual orientation. Feminism is against persecution, against mental and physical torture. Questions about difference and what is the difference between and why should it be pointed out are the core issues. [4.] Both ideologies, Feminism and Communism have interesting similarities in being hated, bigotedly stigmatized and activists persecuted for demanding basic human rights and equality. Focus and determination of ending dictatorship is admirable, needed and springs out from harsh reality and experience. It is good to bear in mind that slavery was ended by law 1723 in Russia where poverty has been more of a rule to this day for the large part of the population. Position of women is questionable in a macho culture self-evidently. [3.] [4.] Worldwide slavery has not ended nor extreme poverty and injustice nor exploitation of work nor abuse of women and children nor of those who do not fit in tight gender boxes. Strong political global movement and revolution is much required not as a local act but as global aggressive action (aggression here does not mean physical and violent warfare and question remains how to address anger that is boiling). People are more globally active and maybe even more aware than ever therefore it is appalling problems as extreme poverty and crimes against humanity such as human trafficking and slavery of maids exist. It is intolerable there is resistance against the demand for human rights. [5.] Feminism is at the moment making strong, new and active movement especially in Europe. Taking stand nonviolently and loud as hell.

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Feminist movement Femen is fighting on the streets facing fascists, ordinary street men, politicians as well as the police, who continually arrest bare breasted women shouting Fuck your morals, God is a woman, Ukraine is not a brothel, in gay we trust, Nudity is freedom! Strength and visibility of such fearless action and devotion to the important cause is impressive, appreciated and joyfully effective. Feminism should be exactly that and in there, on the streets, in demonstrations, during world cups which lure prostitution to flourish, in places where world leaders meet to make people in suits face anger, attacking fashion shows to let them who exploit hear out those who really have an important message: Listen to those whom you abuse and manipulate! We are many and we force you to listen. Feminism is activism, sextremism, distraction, interruption, disturbance of status quo and destruction of seemingly comfortable balance breaking that clean surface. It is an unforgiving demand in itself and notion that women have to take their place to be heard, fearlessly speak out standing tall. Feminism is demanding abolishment of sex trade, acknowledgement of the problems which women globally face, abolishment of sexism and punishment for it, concrete demand for separation of the church and state, legalization for access to free and safe abortion, women to have decision over their bodies and work, punishments for rapists to be heavier than they are. It is demand for respect, justice and dignity. Feminism is demanding human rights and lasting social change to all human beings, environment and animals. It is one of the most important global movements at the moment and the importance of change shows in the way Feminists are treated. Importance of attitude change is immediate. Importance of finding conformity a repulsive tool of oppression and fascism. Importance of learning how fascism works today and manifests itself daily in ways of monitoring, dictating, suppressing and manipulating. Place of women is displayed by showing hate against women, against Feminism, stigmatizing those who dare to speak up and act against oppression. It is one of the most important issues globally to make concrete change to better lives and rights of women, minorities and children. [6.] Situation is angering and change is slow. Hierarchy, power and position of church is immense dictating places of genders, how people should live, what is right and wrong. Religions and dictators are obstructing development of human rights for people to achieve better quality of life, better treatment and appreciation of women and children as individuals and people. [7.] I see divisions very clearly anywhere, personally and generally and I refuse to be what I should be by my sex and gender traditionally, ordered by someone who is to be above me because he or she can. I can do nothing but go against. Change is coming and there is no other way.

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Links to the books read and which are to be read over and over again. Communist Manifesto is a recommended reading for those to whom the word communist is a curse word, to whom everyone who is on the left is a communist and communism equals to mass murder and oppression. People use philosophies and ideologies to force their personal interests forward in the world, this has been true before and is true today. It is not necessarily fault of the philosophers and dissidents.

https://www.globalgreyebooks.com/communist-manifesto-ebook/

https://monoskop.org/images/f/f6/Rabinow_Paul_ed_The_Foucault_Reader_1984.pdf

Chomsky answers by returning to other dimensions of universal human nature and reason. In his opinion, there is a universal human need for creative work and free inquiry. The possibility of satisfying this need is stifled in our society. Given modern technology and science, Chomsky argues, the means are currently available to overcome the alienation and drudgery of labor. If this has not been accomplished, the fault lies not in science but in the social and political organization of our society.”

1. https://en.wikipedia.org/wiki/Charles_Fourier
www.wikipedia.org/Feminism 18.12.2013
2. http://www.marx-seura.kaapeli.fi  uusi linkki 12.8.2018
3. https://www.skp.fi/asiakirjagalleria/kommunistisen-puolueen-manifesti 18.12.2013, 30.10.2013 Kommunistisen puolueen manifesti pdf.
4. https://en.wikipedia.org/wiki/Slavery_in_Russia 30.10.2013
5.http://www.tulva.fi/blogi2.php?aid=116088 by Lauri Punamäki ja Emmi Vähäpassi 22.11.2013 Naisunionin pohdintaa miksi miesten pitäisi sallia liittyä feministiseen järjestöön 6.https://www.facebook.com/FEMEN.International 18.12.2013 Feminist organization fighting for human rights worldwide! Their breasts are their weapons. Originating from Ukraine making fierce action against patriarchy rule and exploitation of women.
7. https://www.bitchmedia.org/post/on-our-radar-feminist-news-roundup-82 21.11.2013News post by Arielle Yarwood fight is far from over, fight for women to have right to their bodies, right for abortion
8. https://womanstats.wordpress.com/?s=state+feminism 21.11.2013 woman stats project, Feminist blog/ column about state feminism in political use during Cultural Revolution in China
9.https://www.salon.com/2013/05/07/how_to_fold_a_thong_a_straight_man_working_at_victorias_secret/21.11.2013 article by Christopher Pilny for Salon
10. https://www.theatlantic.com/international/archive/2013/05/topless-jihad-why-femen-is-right/275471/20.12.2013 by Jeffrey Taylor article of Femen demonstration in Belarus, demonstrators were kidnapped, tortured by secret police. 11.http://en.wikipedia.org/wiki/Third­wave_feminism 14.3.2014

 

Desires of the power elite: Us under the phallocentric order.

1. Desires of the power elite: Us under the phallocentric order
2. Dominance and seduction, five looks, one accessory
3. What makes a classic, what makes a movie?

Introduction: Nevertheless the impossible mission one must make an effort and tackle the copy-paste culture where there seems to be unbreakable circle of tradition in how gender, talent, abilities and possibilities are seen and dealt with. To see opposing, questioning and anger justified not apologised for, one’s own art and body of work worthwhile, necessary and valuable and because someone has to lead the way and do it what few dare to do. This is an article trying to understand what is the feminine in movies for especially in Hollywood. Role of women in movies, in art and place of ours is to go against, not play along but question. I know you will be called difficult. Be difficult in demolishing and constructive way. To be difficult and demanding is to build something new. Becoming movie critics, producers and directors, active makers in the business ruled by white men is of vital importance. Importance is also there who evaluate the films made and how, what issues are emphasised when talked about making movies and distributing them to the audiences. What is the sellable item? How pushing the envelope even though it is difficult makes a difference no matter how small and powerless you feel. This means women should write and put in action new rules how we are to be viewed, displayed, portrait and talked about. Our roles are to be active not playing according to the old comfortable ones. One problem being lack of finance, demand and support is one women face which is telling women should support each other.

1.Desires of the power elite: Us under the phallocentric order

Movie is a continuation to something experienced in real life. It is an interpretation of how we can experience and see, but it is up to the viewer to grasp what to make of the seen movie. How movie can explain an experience and tell what to look at or for, what there is to see and experience further. Truth of a movie is truth of the movie maker, an illusion, make-believe, coloured tale or fact-based illustration, a portrait and depiction. Whatever movie is to fulfil it is also image of the makers. We like to think reality is fixed, there is normal and the weird, to go weird doesn’t take that much of effort. To break this illusion of normalcy movies function beautifully partly it is why movies get made, to imagine again for us in a new way. Some movies are made to strengthen our fixations and feel powerful via them which patriotic movies tend to accomplish forcefully, they often don’t offer any kind of new perspectives but repeat the same story with some extra boosting and hyper-hyper. The experience needed to break down the normal wire and comprehension of what is and what movies can be marginal plays an important role. Mainstream moviemakers are given the glorified position of telling large-scale fables and larger than life stories. How these stamped ideas can be altered is a matter of art and courage. How much about the reality movie tells is up to the makers and what we think is reality, story worth telling. What have been the stories told for those who make films and what remains untold. What have been discovered before and during the making of a film, and after movie was released, to make a movie is to unearth and research. Interesting is towards what kind of issues moviemakers have their curiosity focused. What can be told via the medium, there probably isn’t much which cannot be depicted via film. Moving pictures are hypnotizing, whether holding a camera or sitting in front of a screen.

What lies hidden but is told via clues, what is not shown but is still there in the expression and how that invisible can be the most interesting part of films, the most realistic and humane part and forces us to imagine beyond the seen. What is the perspective there, decisions made how to tell, whose points of view are we looking at, whose truth or lie, what a movie is telling us, is it about the viewer as we choose what we watch, do we have to know about the makers as in excess we are curious about the stars as they are the heroes, they are those with means and visions, capabilities to make their ideas happen there where it is almost impossible to get. Movie continues in mind as it is at best a full body experience depending where and how movies are watched, how personal the story is, how relatable and what is universal in human experience. What kind of interests the viewers have in seeing films. Why do we watch movies is the easiness of just watching, the forgetting and sinking in to a world, and some of us watch very many movies of all kinds. This easiness is thought often not having much value, just sitting and watching. Movies feed the mind but in what way is the question we should be asking. Is it just less thinking needed, is there blame and guilt be felt for this indulgence.

Interesting is how we experience a movie, even a movie poster is an experience. What is the liking, time span, being influenced by and thinking about a movie, its messages, images, stories, artistic decisions and perspectives. Images and scenes of a movie stay there in our heads. The more curious the more puzzling. Too weird, surrealistic does not make a blockbuster but it can make a classic. We need familiarity which also can be totally unrealistic and adventurous. Films making euphoric and thrilling or otherwise felt sensations, cultural, artistic and political statements need a fruitful and fertile ground to live in. There is candy for thought and candy for the aesthetics which must be taken and somehow had, felt. At best movie has a mystery in realistic way which leaves space for thinking and puzzlement of not knowing. Feeling of learning about important events watched from a safe place as a spectator may be enough for some. Do we know more via films, definitely. Is movie experience comparable to life experiences? What raises our curiosity, is it the personal and something new? What makes a movie brilliant? How to define a movie, how is it defined? Technically it is how many pictures per second flashes before one’s eyes and make a moving scene, the running horse, a dancing woman, bullet from a gun. Films have different durations, different qualities, scales of evaluation, films have position in society which today play a big part. Movies are places of extravaganza and a huge part of entertainment industry, a way of life such as TV, it is everywhere.  Definitions and genres for films are maybe already irrelevant. Films that are and have been made are endless in the amount and technic. Tiny piece of what is being made make it to the consciousness of the average consumer or anybody via controlled system. Internet makes watching and making demographic. When life feels like a film we think we have captured something historic and worth filming and sharing.

Film has a position in advertising and often nowadays mainstream films look like ads, function like ads and ads in turn are like movies. Movies are the most powerful tool to impress, catch the eye and attention, make an impact on large amounts of people, to influence and manipulate as something sweet and meaningful, breath of fresh air in a dull moment. Cultural and personal importance of movies is what counts. We like the fun part of films. Moving image is like a car, an object to move with and in which as an object is male dominated vehicle but treated like a lady or named a woman. It has a status to impress, possess, take us from one place to another, seduce. Cinema is above us, a fantasy, untouchable, holding power in size, containing vast amounts of capacity to influence our thinking, vision and appreciations therefore to talk and write about what is shown for us is at critical importance. To write only on surface about the surface is not doing us much good or for film as art.

Films make stars, films are the stars, writing gives at best more depth to what was seen and another perspective than our own. Moving feature is what has a hold on us, energy and lightness of it is felt. Could a movie have any other definitions other than something moving forward and towards us? Is it always the personal taste telling what plays importance in a film or something else, a shock, a strong emotion, a surprise? Society rules much via what is shown, where and how we watch. General opinion, or probably is better to talk about what we are used to seeing, what is convenient, pleasant and interesting to us, is still a guide to what we are having. We reflect our desires in an interesting way through movie culture and the culture is us? Many are attracted to speed and not being bored, to be entertained and to have a feeling of something fantastic being witnessed is to feel alive as we watch living pictures that are more alive than us, size and amount count. To avoid being left out is in focus and one main interest is to give birth to desires and needs. How much of this is not make us think for ourselves, distract us from looking what is behind the glittering luring images and why we must want what is given to us, sold to us? What creates brilliance or circumstances for sensitiveness, a thrive to create beauty and meaning, how this creating is restricted or guided, banned or manipulated? Is it related to what is sexy and desirable in a straightforward manner, where we come from, what we are afraid of, what we know about the world, what we have read and seen already? How does gender dictate what we see as beautiful? I’m interested in which are the ways people get their work on the spotlight, what kind of work is put in the centre of attention, given media focus which focus forcefully is narrow and gendered. What kind of publicity movies and moviemakers get, are there girl movies and boy movies? What kind of voice do moviemakers have, are given, how are they heard, what is asked of them and from what kind of world do they make? What kind of things journalists focus on in interviews and stories about movie scenes? What creates interest in a certain movie nowadays? How brave can and should moviemakers be? Is it still restricted what can be issued and manifested in movies nowadays? Is it limited what kind of people make movies, what kind of people are shown in the movies, act in movies, talk about movies? Is there something to be afraid of other than lack of variety and making an echo chamber for ideological purposes? Are there certain kind of people who seek attention through the movie scene, attention seekers? How all this structure of creating moving pictures dictates and who dictates the structure? Is it basically corporation-based solutions that work in this business? Which are the interests of those corporations, interests of the investors other than winnings and cinematic fame? What kind of role do film festivals play in all this? Or press and media as a whole? I’m asking because they are all linked under a dome and mostly what get mentioned are the galas, trophies, celebrities, faces, bodies, lives of the famed and clothes they carry. Any irregularity is reported and scandalised. Everything moves along the direction of relations, scare of losing and where the money is, how the money is and should it be followed. What does it mean to be an independent movie maker in this picture? Does it mean marginal or original, having voice of one’s own? What is originality in movies, in this context of making, who has a voice? Is there any place or demand for independence, independent thinking and breaking the habit?

It is a question of demand, what is in demand, who has control. What kind of people consume mainstream movies and what revolves around this mainstream ideology of spending and living a habit. It would be interesting to see how strictly audiences are analyzed. Anything that isn’t produced in Hollywood is basically marginal in the west. Hollywood movies or movies imitating Hollywood style get the most public space, attention and funding. Should we be concerned? Yes and concerned of what exactly? Some kind of monotonous Americanized view of the world perhaps, lack of complex views of the world and how things happen, lack of perspectives to difference, lack of imagination, having one-eyed view and one political perspective on good and bad. Consuming being the main focus of films is alarming, consuming being the good, the more as well. The way movies manipulate people to think and act, or not to act and think as the easiness is nice and a relief in complex everyday.

One answer to a couple of my questions come from an internet magazine The Gateway sponsored by Morgan Stanley article written by Matthew Reeves: ”The producer is the money person who buys the scripts, hires the director, actors and crew and organises the making and selling of the film. The producer is usually employed by a production company. Production companies are often referred to as “independent”, but all this really means is that they don’t have a distribution deal with a major studio, that is, Sony, MGM, 20th Century Fox, Paramount, Warner and Universal. While studios can buy scripts the usual way, they also have the power and money to decide they need, “a kids’ fantasy movie, with an A-list actor, for release in the summer holidays in 2011”, get a writer to craft it, attach a producer, put up the funds themselves, make the movie (in their own studios), and distribute it themselves.

But what if no distributor is interested in your film, which may have been made with nobodies, on a nothing budget and with no room left for marketing. How can you get the word out? The answer is film festivals. Cannes, Venice and Sundance are free marketing Meccas. You can enter Cannes, the most influential film festival in the world, for €50. There’s no guarantee your film will get chosen to feature, but it will get watched. If it does get chosen, thousands will see it, newspapers will review it and many distributors will be circling, looking for a bargain. Paranormal Activity was shown at Slamdance Film Festival, http://www.slamdance.com and a year and a half later it was released across the USA. It’s arguably the best $70 the producer has ever spent.http://thegatewayonline.com/articles/content/how-does-the-film-industry-work

Continuing with more answers: Structures of Discourse and Structures of Power TEUN A. VAN DIJK University of Amsterdam ”In the news media, this strategic control of knowledge is exercised through restricted topic selection, and more generally by specific reconstructions of social and political realities (Hall et al., 1980; Tuchman, 1978; van Dijk, 1987b, 1987c). This process is itself governed by a system of news values and professional ideologies about news and newsworthiness, which happen to favor attention for and the interests of various elite actors, persons, groups, classes, institutions, nations, or world regions (Galtung & Ruge, 1965). Preferential access and coverage (whether positive or negative) of news actors is one factor in the mass medíated reproduction of social power (Brown, Bybee, Wearden, & Murdock, 1982). The same ís true in education, where the curriculum, textbooks, educational materials, and lessons are also governed by educational objectives, subjects, topics, and learning strategies that mostly happen to be consistent with the values or interests of the various power elite groups (Apple, 1979; Lorimer, 1984; Young, 1971). Therefore, we see that the symbolic elites that control the style and content of media and educational discourse are also those who have partial control of the mode of influence, and hence of ideological reproduction in society. The symbolic elites, we suggested, are not independent of other”  https://archive.org/stream/IdeologicalDiscourseAnalysis/Ideological%20discourse%20analysis_djvu.txt

2.Dominance and seduction: five looks, one accessory.

The patriarchal society makes it easier for men to take the lead which is for them compulsory and what manly men are supposed to do: direct, command, lead, have the answers, know. It is compulsive and violent for both sexes, toxic masculinity. It is given and forced on us as natural. Women have to fight for being heard, be taken seriously and a powerful skilled woman is easily a bitch, witch, weirdo, difficult and an outcast. It is a male feature to dominate with physical force and scare, to direct others with threat and it has been easier for men to imagine being a director and to become one, the role falls on them more easily, naturally. To my knowledge women like to dominate and do it maybe in more complex and subtle ways or imitating men, but nonetheless feminine domina play is normal everyday act in patriarchal society, meaning women use their power to destroy as well and to direct, question is why they cannot do it in business and in art. What happens more subtle doesn’t make it less hurtful or less powerful.

A lot did change what comes to equality during 20th century in the Western world but what is the change other than technical and in terms of production? What will the ultimate change and progress within movie industry be in the 21st century? Hopefully more about morals, art and justice of the business than technicalities. It still does not mean things are happening for women to the extent of men or that things change fast. Speed is in the renewing the machinery not human condition or doing away the patriarch. That is why it is very important to show movies from all kinds of makers, sexes, backgrounds etc. in schools, in movie theaters and TV. What comes to equality internet is showing the way, moving images are at the core of our internet experience. At the moment women directors are treated like marginal makers as emphasis is on the gender and it is said out loud male or female. Scripts written by women usually are different from men. Directors are treated like it still is a wonder a woman is a director or a producer, although there are many women in the business and have been for a long time. It is much easier to watch females pose on a red carpet wearing a designer gown asked how they feel expectation being the viewer wants to hear it and see this. Emphasis is on the assumptions what does a photogenic person look like and who can be filmed, who attracts the eye and why.

Movie people seem to live a fabulous life, images give us impressions. Narcissism is questioned in any media strongly but celebrated at the same time. Narcissists are interesting people as they entertain and know what they want, get what they want and make scenes. To want such spotlight life is praised and encouraged, idolised. Photographs of someone entering a gala of something are shown in every magazine that have a gossip column or want to comment the movie world or talk about movies in any manner. Movies nowadays is a very stereotyped world. Everything goes around the money-making machinery and what brings in the dollars. Biggest moneymakers are talked about and again idolised. Imaginary is highly glittered, narrow and thin. Shallowness can be turned interesting when reasons for it are investigated and studied. Such industry is massive and the biggest categorizor of people world-wide, advertising and movies are part of our visuals which we eat and consume. Most people watch movies, see the ads which are creating the world we live in and look at, and films get inspiration from the world we live in. To go outside that box can turn out to be more than just an image.

To make movies requires ability to tell stories, will to succeed in a very male-dominated world and money-oriented atmosphere. Stubborn belief in one’s ideas and abilities is needed and room to make ideas happen, also to make others believe in ideas of yours, to get attention is what we seek, all of us nowadays. What else is there to have? Luck? Moviemakers must be completely passionate about their craft just as any artist, making movies and seeing movies, making that particular film and story which totally extraordinary sounds like a dream. As a woman does one have to be a man to make it in this frame is an interesting question, to make a feature film as a woman but act like a man? Such a woman is easily considered a difficult person. It is much easier to be filmed and look beautiful, do as you are told but be unique. Womanhood posing as a fragile flower, young, polished in ads, in flashlights, photographers calling your name. And why is it important to talk and bring this issue in front, is there a problem?

Needless to say, but I’m saying it, women make different kinds of films than men, they have different points of views and interests. When women play roles that have been played by men there is totally new level to it, something lived by men is lived by women too, story gets vastly layered context and understanding of gendered experience, it is power which resonates within the powerless. Women see the world differently than men, experience it differently, do differently, walk and talk differently, are treated differently. Women should be given equal chance to bring their knowledge on to the screen, be active and create as they create, thinking instead of being looked at and they should understand it themselves too. Do men get their clothes examined on the red carpet? Aki Kaurismäki was drunk and danced at Cannes 2002 which was making appalled headlines in Finland. Men can and must disturb the scene in a moving way as well as business requires certain behaviour. Scene is asking to be cut open and questioned. https://www.youtube.com/watch?v=Vcs3sottHm4

This is of course my observation and a bothering issue, horrifying actually when you look at the picture at hand. What a world. What are male points of views then? Is it so that men do different kind of movies than women as I claim. I already dislike the topic at hand, I dislike that I even have to mention it, sex and gender and what they mean. What does gender got to do with anything what and how people make professionally? In making movies or making art? Unfortunately quite much. Everything revolves around it. Comes back to our bodies. Why is it so? What is sexy here? What is sex other than a toy? Why is it sold? Because it is the easy way and an obvious want, obvious defined and dominator. An act, the difference, organs, emotions, chemistry, molecules, desires, reproduction, repetition, perspective of the wanted and the ones who want. It is the power-issue ruling our behaviour which is in the visuals. It is regulated by religion, politics, traditions, rules made to give us frame to act upon and know where the limits go. Major topics in film, in anything and the leading couple kiss is the anti-climax in an action film but it has to be there. Image of movie industry, of its people, how it works and what for, it all goes back to sex, human sexuality and how to profit from it, use it, it using us.

Feminist film theory has opened up reasons behind film industry, given a voice and chance for women to analyze film as an art, our point of view and why it should be there on film. How women are on film, used, abused, cut open. ”Feminism is a social movement which has had an enormous impact on film theory and criticism. Cinema is taken by feminists to be a cultural practice representing myths about women and femininity, as well as about men and masculinity. Issues of representation and spectatorship are central to feminist film theory and criticism. Early feminist criticism was directed at stereotypes of women, mostly in Hollywood films (Haskell 1973/1987, Rosen 1973). Such fixed and endlessly repeated images of women were and are considered objectionable distortions which have a negative impact on the female spectator as well as on males.” Claire Johnston (1940-1987) https://en.wikipedia.org/wiki/Claire_Johnston was among the first feminist critics to offer a sustained critique of stereotypes from a semiotic point of view (1973/1991). She puts forward how classical cinema constructs the ideological image of woman. Drawing on Roland Barthes’ notion of ‘myth’, Johnston investigated the myth of ‘Woman’ in classical cinema. The sign ‘woman’ can be analyzed as a structure, a code and convention. It represents the ideological meaning that ‘woman’ has for men. In relation to herself she means no-thing (1991: 25): women are negatively represented as ‘not-man’. The ‘woman-as woman’ is absent from the text of the film (26).”

http://www.film-philosophy.com/vol8-2004/n17sloan Is it problematic for cinema as a whole to talk about women’s cinema? “This concept of minor cinema is quite fruitful for the purpose of concluding the debate on the strong political ground that most interests Butler. Since a ‘minor’ cinema is one that politicizes everything, women’s cinema well qualifies, generally finding struggle in all aspects of life, and value in confronting it. Further, a minor literature is written by marginalized authors, and so focuses on the challenges of belonging to an out-group.

The important theoretical shift happening was and is that women started taking up as voices and act out from places of power, from an understanding of cinema reflecting realities of variety of women, realities of many instead of one. Having a view to cinema as a constructing method, ideological and politically engaging on individual level. Classical cinema was not to show its means of production, or was it? It should be defined what we mean by classical cinema and why classical cinema is what we think it is. Characterised by veiling over its ideological construction and under restrictions rather than free expression? Thus, classical film as we think the classical presents the constructed images of ‘woman’ as naturally desirables, unrealistic and attractive for the male. This is the illusionism of classical cinema.  www.feministezine.com

It feels like a concrete wall, the notion that a woman in film is not the man, not as able as the man and is always in need of assistance. She lacks something. She is there to be looked at, in relation to herself to her being no-thing. To continue the misogynist tale Budd Boetticher (Hollywood film director during 1942-85) has put it: “What counts is what the heroine provokes, or rather what she represents. She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does. In herself the woman has not the slightest importance.

3.Desire of the power elite; Us under the phallocentric order.

Do women objectify themselves by putting their bodies into a certain light where their body and sexuality is openly under gaze and played with, in a certain repetitious positions to gain profit and be seen as that is the way still to get seen? Of course, and I would say, it is not passive. It is a very active role to play and toy with, the game where women win in one way only and are therefore used for a certain time, as long as their looks grant it. Women are slaves as much as they must put themselves in that position to be looked at, in a way it is slavery, yes. There must be something more to it as it is voluntarily done. Victim is a spectator of her fate. She still must imagine what happens to her when she chooses to act in a certain way and like it. Film industry is an abusive machine which abandons those who are no longer useful which is seen tragic. This must be seen beforehand, calculated and be known, understood and accepted. Industry obeys only capital and how to get it. It gives models of how to be, become, what to be, where to be, what to wear, what is talked about and how etc. Seduction is deliberate, unforgiving and cruel, to seduce the audience, a mass has its psychology and logic. Movie industry is a brainwash operator where meat is power and murder. Movies are made to seduce the consumer. Movies to give goals in life. Movies to give dreams. How audience is seduced? Or are we really that stupid? What is seduction? From Wikipedia: ”In colloquial language and fictional literature, seduction is the process of deliberately enticing a person, to lead astray, as from duty, rectitude, or the like; to corrupt, to persuade or induce to engage in sexual behaviour.” The Internet has lately given rise to more open discussion on seduction and how to master it: The Rules for women and The Game for men.

MUCH ABOUT JENNIFER LOPEZ:
Actress, entertainer, music artist, film & TV producer, fashion designer, entrepreneur and humanitarian Jennifer Lopez has been called one of the most powerful and celebrated celebrities in entertainment. Forbes Magazine named her the #1 Most Powerful Celebrity in the World of 2012. Known for her beauty and fashion sense Lopez has been the face of many advertising campaigns— L’Oreal, Louis Vuitton, Ford, Fiat, Subaru, Lux, Brahma Beer, Gillette, Kohl’s and Pepsi just to name a few. In 2012, Forbes ranked Lopez number one on their list of “100 Most Powerful and Influential Celebrities in the World” “and she has appeared many times on The Hollywood Report’s list of best paid actresses. Also known as a fashion icon, her appearance at the red carpet events always garners considerable media attention.www.jenniferlopez.com

While Hitchcock goes into the investigative side of voyeurism, Sternberg produces the ultimate fetish, taking it to the point where the powerful look of the male protagonist (characteristic of traditional narrative film) is broken in favour of the image in direct erotic rapport with the spectator. The beauty of the woman as object and the screen space coalesce; she is no longer the bearer of guilt but a perfect product, whose body, stylised and fragmented by close-ups, is the content of the film and the direct recipient of the spectator’s look.www.feministezine.com

Watching her going in to an exiting event wearing Versace smiling and looking happy. The most beautiful woman on Earth, hugely wealthy and desired, influencer on the beauty market. She has her hands leaning her waist. She is a business woman, it is said she is in control of her image, meaning what exactly? She is strong and independent, her own boss and ruler of her art. Poses telling so and the interviews strengthening our perception. But she isn’t saying much concerning entertainment business or how it could be something other than it is and should it be different as it has served her so well? What other could it be and what else is there. Industry serves her as she serves it. I wonder the machinery behind creating the phenomenon like JLo. Is it pure and simple as I think in businesslike? This is awesome. I love you and your arse, your body is part of your art. The publicity is moving around the globe. Beautiful women sell enormously well, so conducting from that there is incredible power in women which remains on image level as it is not completely let go, released. Wildness is ok up to a point. Too much rock and roll is too much the devil.

How it functions building an image for one person around her or his sex symbolism, luxurious life, incredible life story of being discovered and how the story continues, relationships, children, houses, clothes, movies, making music and money, going around the world dancing, having pictures taken, videos being made being followed. The amount and quality of imagery is about style + beauty, body+mind says also her website, a place for worship and to know her a bit better: Lopez’s dedication to assisting children in need and to the empowerment of others is far-reaching. The Girls & Boys Club of America has named her their national spokeswoman. Gucci is featuring Lopez in a national advertising campaign along with her twins Emme and Max launching its children collection. The campaign will benefit UNICEF. Lopez set the branding standard for celebrity fragrance, apparel and accessories. Her latest fragrance, Love and Glamour, marked 17 successful launches, taking in over $2 billion combined. A new fragrance, Glowing, was launch in 2012. In 2006, Lopez was awarded with the prestigious ACE Fashion Icon of the Year for her contribution to accessories and the fashion industrywww.jenniferlopez.com 

It’s good publicity to be a humanitarian. Cynically put, but mentioning one’s humanitarian work after all business and entertainment deals and PR is as cynical as business can get and only in couple of sentences her humanism is clear, she is clean and good. I would like to know more about the results of her humanitarianism. What is being made exactly? What is done? What comes to being powerful and influential? She is hypnotizing and playing on many arenas, sure. She attracts men and women that is called power, she makes people wild and dancing, that could be called freeing. The queen bee, a person as a classic beauty to imitate, movie personality with looks to kill, movie star who gathers people to watch her perform, a role model. There are many out there who play this particular part and use their gained position to make a difference as well. She has acted in several Hollywood movies which gives her a platform where she is listened to. Still such story is not the most important issue in a Hollywood feature film, in Hollywood, to be humanitarian it is a side trail, something rich people feel compelled of doing. What kind of sexual vibes arise from the making it. It is a Hollywood cult of icons, stories behind and what actually makes difference in the world. The industry is like a religion with angels and demons, money as the only God. Is philanthropy a distraction, a cleanse? What are movies then? Tools to become rich and famous?

The paradox of phallocentrism in aIl its manifestations is that it depends on the image of the castrated woman to give order and meaning to its world. An idea of woman stands as lynch pin to the system: it is her lack that produces the phallus as symbolic presence, it is her desire to make good the lack that the phallus signifies.” Laura Mulvey Visual Pleasure NarrativeCinema http://imlportfolio.usc.edu/ctcs505/mulveyVisualPleasureNarrativeCinema.pdf

Hollywood film is a monolith, what I have seen, watched and as I see, it is leaving much out and sticking to the very narrow tones of humanity and sexuality, posing sexual stereotypes, showing a look-a-like magic tricks with a lot of bling and bang. The thing I don’t understand is why is it doing so when it could be doing so much more? With a lot of noise to get so little is strange. Hollywood as a factory would have an enormous potential to do better quality, interesting, experimental, progressive cinema offering the masses variety and actual change. To me their way is more and more commercial humbug offering ecstatic experiences which other art forms also try to achieve, mass appeal and instant ecstasy. Musical sounds are the same, people look the same, has every fucking thing become a clone, an ass and pair of tits? And the world has become an image of the movies. We are coping what is being copied, becoming copies of each other. Copy that.

 

 

 

2001: age of innocence, travelling brings out the romantic and the disaster.

Series of photos taken on film in June 2001 on a conference trip to the US, so couple of months before 9/11. Maybe proper name is 2001, Age of innocence, joy of travelling and photographing the journey. Element of Americana is in the photos of course, artist as a tourist, intimate portraits of performance artists. They resonate today in an interesting way.

What kind of pictures do we take nowadays in comparison to the time before the digital cameras and camera phones? I got my first digital camera 2008 but digital started to boom after 2001. How has our focus changed as a photo is instantly seen and quickly manufactured, spread and shared. What makes a good photograph and a good photographer as we all practice photographing and have cameras in our pockets? Have we managed to achieve skill and eye for perfect photos and how we perceive perfection in a photo and what we choose to publish? Is it the lighting, complicated technicalities, background and flawlessness that is almost artificial which is paid attention to? Maybe issue is the sense of authenticity in a photo, finding something rare, what is a valuable moment and target to film and be made into an object to look at, does it not require skill to manufacture meaning, feeling, ideas of one’s own via photography and what is the one’s own made visible with a method which is mass production. Photography is a method for all to use, it is exploration in a same way as travelling, to know about and master but what does image tell us and what kind of images do we pay attention to, what is the interest today, of today? What are the clichés in picturing and do we recognise clichés we fall for? What are the most photographed places and people? Are they things we like, are amazed by and which qualities have a mass appeal, cuteness, sexiness and size? Repetition is telling. Interest in and imitation of something which doesn’t lose its fun, value or something we want to be, be part of and what we look for in life? Interests of modern people remain curiously unchanged. Important question is how cameras and social media have changed the way we travel and take pictures? How much do we do the going away from everyday and the immortalising of extraordinary or ordinary out of impulses we get via social media, what is the seen there that raises interest and what is value there? How tourists look the same with their luggage, sunglasses, shorts, cameras, they sound the same, do the same very predictable things; tastes and desires don’t obviously vary that much and secure choices have a lure of easiness in them.

Publishing of travel photographs is banal, an everyday thing but it does not lose its charm as doesn’t shopping or partying. Here I am, look where I am and have been to. The further the trip goes the better, but how far are we willing step, what is the ultimate purpose of tourism is the obvious fulfilment and pleasure, intimacy and revealing of self. Is there something extraordinary in this ordinary practice other than the thought of it being special, being free to go, the opportunity and chance. The trip that was one of a kind exploration whatever the destination, relaxed or stressed out, found out something new or something that was expected. Travel photo is an interesting category where beauty of the seen view is emphasised, the experienced weather, location and what we were supposed to experience, surprises, disappointments, troubles or effortlessness of making the trip. Witnessing distant far away beauty and locations is the expectation, people, sights, wonders and happenings. Being part of something distant, new, maybe untouchable and rare but nonetheless not quite unknown. Are the stereotypes of travelling the same as stereotypes of living as we know what we want and want to show the best in us, be the best kind, be in control, having the best light, the fun moments to remember, displaying our interests which are normal and proper, but still we go search something else? To beautify for a photo is something we like doing, tidy up and look your best, pose with others or alone, in front of something. Controlling our image is important, what we show of ourselves. The unescapable banality of posing, looking, looking like the modern lifestyle we own. Travelling today is a sport, a cliché as a whole, how we do it, why we do it, what we make of travelling. As an industry and as leisure activity it amplifies and enhances our personas and lives bringing quality and debt via what it is worth and what can be learned via travelling. It is extraordinary and ordinary at the same time, grand and small, luxurious on one hand, poverty in action and thought: how could something so rich and giving be so poor and lacking?

The things we want of a photo and of a trip is interesting. There is something similar to them which is about fantasy and realising dreams, becoming and reaching out. The word cliché can mean the whole of human existence which we want to picture as it repeats the similar desires over and over again and we like to do it in a mass movement. What does this cliché of ours make of us as we repeat it, hold on to it, like it, share it, think it as something worth while, that something unchanged is safe and good. How does originality come to show in contrast to mass tourism and mass of photos?

How do we measure growth and what is the goal? To grow for us or in the eyes of others? Growth is measured via having gained more, growing bigger, understanding, learning, having, owning, expanding. We like to think there is no end to our growth, there is no end to our needs either. Travelling is a big part of modern life, it signifies the good life, enjoying ourselves, expanding horizons and paradoxically personal growth. To having been there where it is different than where we usually live, having found something exotic and new, something to tell about and compare. What are the things to expand from and how big is enough when nothing is enough? Personal growth we perceive and examine via where we come from and what is the essence of us that is to be cultivated. Travelling is a place of change but what changes? What is the starting point and what are the possibilities, individual potential and interests, how we perceive our own individual growth as human beings, how necessary it is, what is it and how we appreciate it. What is the needed change there? What is personal growth worth to us and which qualities we like to see grow in us and us growing towards the world?

What happens when we move and take up going? A relief, a release, sense of self letting go, achieving and going through a process. It is a process to which we usually must prepare for, a state of mind which is chosen. We think about going, we get ready mentally and take care of official matters that must be in order for travelling to be possible and we will not be turned away, be without money, accommodation and information about our destination. Plans must be there ready so we know where we are going and what to do when we get there. We don’t want anything drastic to happen but we are prepared, aren’t we. To get lost in a strange place is scary. Interesting is how we either can just go but rather choose not to, fear is keeping experimentation at its minimum. Preparation for safety is a ritual where one takes care of oneself before, during and after the trip. Also place where one is based must be in good order to come back to. We don’t want to go back to problems, mess and stress, unpaid bills, uncleaned home, messy relationships. That is an ideal place to get going.

eroticism that never leaves because we desire, never is wiped away because we want to be wanted, attempts to get rid off any sexual reference is useless, an itch, a curse, a need, a part to play

There are erotic things we recognize erotic immediately, blond hair, showing full breasts and full lips (hah), accessories like black high heels, black underwear, anything black and tight clothing around toned bodies is a sign, a message and we look at such sights if they are there, because we enjoy them. We enjoy with our eyes. All kinds of reactions come about, thoughts. The more detailed, decorated the more burlesque, luring, luxurious, tempting and naughty, denied, banned, pushed away like horror that would reveal us what we really want. Erotics is an art of detail. We may think of those things if they are not present, dream of such things to wear or to look at. We look at the muscles, limbs, body parts, shapes, what is shown and what is not. Where does eroticism begin, come from is that we don’t have to look for it. It appears effortlessly, or seemingly with little effort. There are common sexually interesting features and materials which arouse savor, they are the clichés we are accustomed to, we are fed with, banalities of what sexuality is in mainstream. What is it?. Erotics is overused, capitalized. Porn is grotesque and obscene. I find it a necessary vent even the clichés: pvc-outfits, higher heels that are impossible to walk on, make-up, posing, fantasizing. Ultimately naked bodies in twisted positions. Something full dripping over, leaking over like liquid. Something that is erotic is never boring. It is still a task to put it in writing what is erotic. Human body is erotic to put it simple.
Erotica is a language that we should be able to speak, but often fail to for whatever reasons, mostly denial, fear and disgust. It is effortless but contradictory conflicting and difficult to approach. We can be naive or cynical about it. It is easy and impossible, but it is there not going away. Maybe it just is tacky, smelly and unpleasant remainder of our bestial self to put it in stereotypically normative frame. Something we like to forget. Sexuality is interesting since it does not fit in frames we so much like. It is something we like to reject, reject as a possibility, positive and joyful part of everyday. Because erotics for us is not an everyday mode, not for many women at least, not for us reasonable people who hide that side of ours, it is difficult and religion has something to do with this. It is intolerable and too enjoyable, too pushy, disgustingly everywhere, because it is not coded as the good positive thing to have but sinful, dirty and wrong that needs to be pushed distant but is force-fed, we are in constant difficulty with our sexuality.
To feel ashamed by eroticism, to hide behind a bashful little laughter. We are grown into feeling ashamed when we watch something erotic. Something that belongs to bedrooms and dark places, something, again, shameful a part of us so much that without erotic thoughts, images, desires, deeds we feel we are missing something essential, but we have to miss it to like it. Eroticism cannot be an everyday object. Objects are dead. We may be too practical for it to live with us as fully accepted part, maybe it is pragmatism to deny horny feelings. Erotica is never fully accepted, therefore we are damned. We are cursed by our desire, because of the inescapable nature of our existence. We cannot escape ourselves. Maybe sexuality would lose its edge if it was fully accepted as whatever forms it takes. What do you think? Would we be too liberated and get bored with the whole thing? To reject eroticism we become less human trying to achieve a perfect senselessness, obedient order of things without distractions or temptations.
Eroticism is cheap, it is sold and bought, true. That is much of eroticism today, a consumed item, a consumed feeling, body, intercourse, image, song, movie, advertising. Or is it so expensive we rarely can afford it? We cannot tolerate to be seen as sexual, as wanting sex.
http://review31.co.uk/article/view/314/the-rotating-bed The weirdness of the image of Hefner in his PJs talking domesticity is doubled as we imagine this meeting of him and a similarly attired Preciado through the TV screen in the middle of the night. Just as Preciado’s curiosity stops him sleeping, so we are reeled in with a desire to see an organisation which is rarely regarded as representing anything more than the most superficial and exploitative entertainment from a totally unimagined angle.”