Celestial bodies

Kronstadt, 2001

Celestial bodies

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DEFINITION OF REVOLUTION

1a(1)the action by a celestial body of going round in an orbit or elliptical course, also apparent movement of such a body round the earth

(2)the time taken by a celestial body to make a complete round in its orbit

(3)the rotation of a celestial body on its axis.

Stemming from the Latin revolvere “to turn, roll back,” revolution originally referred to the circuit of the stars through the sky. Today, it still means circuit when talking about the RPM, or revolutions per minute, in an engine. A revolution is also a drastic change in a field such as the fashion industry or technology, or similarly, a sudden, often violent uprising from the people to change the political system.

Revolution is the key to preserving our natural rights.

Revolution of macaroni and cheese.

(Urban dictionary & Vocabulary.com)

Art, the case for imagination.

Age of innocence/Sky is dirty, self-portrait using tripod and timer, 2001

To imagine, how do we do it and what happens in visual deserts we inhabit to imagination? It is a buzzword, imagine with lots of positive vibes and commercial potential, holding massive value and the word imagine is used to engage to think for yourself in worst cases when there is visually nothing much of interest, which word imagination itself is a blank to be filled or something full to be found. Artworks that are said to be about nothing, of nothingness, we look at them and are told to imagine or is it such an emotional event to gaze art that rationally thinking is misguided? Do we need instructions on how to see art, what to think? Sometimes we need to be told something is art, curiously. Everybody does it their own way, some are not bothered with such nonsense as conceptual art. What do we imagine if the thing is nothing and its catch is the emptiness, whiteness, the place where it is at and the conceptual nature of the work wouldn’t possibly work anywhere else than within the art world frame and how it is managed in the commercially set frame? What do we imagine inside the white cube, in the city centre built of glass and chrome, slick, visit-and-go environment where we come by things that are called art and are placed art-like? How do we use our imagination today and what does it mean when we are in context of contemporary art ‘to be inspired’ or instructed to use our imagination? Is the art world using its imagination and all the possibilities art can offer fully, because I’m not so sure: too many people are scared of the new, stepping over boundaries, rules and the social media mobs. Especially today it is getting strange what gets accepted and is offence the thing to avoid at any cost? Winnings and earnings lost mean losing one’s job.

What if imagination stops working and mind is just blank in that particular moment? People have various degrees of capabilities what comes to imagination which is in test daily and why should conceptual art make anyone imagine anything? Does advertising, entertainment and built environment do the imagining for us and we have become lazy to imagine for ourselves? Is our environment and art today so ripped of from details that it is hollow and empty and it relies on us to create the content ourselves, the meaning and what should we do about this choreographed world with geometrical shapes that echo style and trends? It is all to make one think, everything is to make one think but it is also to make everything easier. The frame where we move is the structure given and is like a guide or a map to an idea of what to think and how to move. We pay attention to the price of art and houses, that draws the headlines, not what there is to imagine. I try to think the words imagine and imagination in today’s world. We are constantly inspired or entertained and content or nothing of the sort. Anxious and tense is what we are. Enjoyment is the aim, one can have an attempt at thinking, why are we doing what we do, are we made just to think or just to feel powerless and poor? What am I in comparison to this conceptual art? What is this rectangle shape to me, something to stand in?

Imagining is a difficult thing in many ways. It needs practice, but we do it all the time in terms of visualisation and thinking of what everything is and means adding contents in our minds to the seen to comprehend and continue the thought. To measure it what is seen and experienced, imagined or fed, just to describe what one imagines waking up in the morning or walking by an artwork, results are maybe expected, all the same everyday? What do we notice in the end or pay attention to? Try to describe in some way your thoughts on paper and in a way that it is understandable to others as well or maybe it is interesting that art is not immediately easily comprehensible which frustrates many, not adding explanations may do it, probably will. That is great practice and using of one’s brain with hand and a pen or whatever, which conceptual art attempts to do, activate our intellect, see connections if there are any. We do live in the middle of concepts, defining anything is equally as hard as trying to draw anything. Always some detail is left out, forgotten and added, tried again and so on. Try defining an art piece or describing it or a house or the situation the world is in right now. It was a mess 2001.

orbital rotation – motion of an object in an orbit around a fixed point; “satellites in orbital rotation”

spin – a swift whirling motion (usually of a missile)Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
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revolutionnoun1. revolt, rising, coup, rebellion, uprising, mutiny, insurgency, coup d’état, putsch after the French Revolution 2. transformation,

revolutionnrevolution[revəˈluːʃən]1 (the act of making) a successful, violent attempt to change or remove a government etc the American Revolution.2 a complete change in ideas, methods etc There’s been a complete revolution in the way things are done in this office.3 a complete circle or turn round a central point, axis etc (eg as made by a record turning on a record-player, or the Earth moving on its axis or round the Sun). 

adjrevoˈlutionary1 involving or causing great changes in ideas, methods etc a revolutionary new process for making paper.2 of a revolution against a government etc revolutionary activities.

npluralrevoˈlutionaries – a person who takes part in, or is in favour of, (a) revolution. 

vrevoˈlutionize, ˌrevoˈlutioniseto cause great changes in (ideas, methods etc) This new machinery will revolutionize the paper-making industry.

Kernerman English Multilingual Dictionary © 2006-2013 K Dictionaries Ltd.
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revolution → Multilingual Translator © HarperCollins Publishers 2009
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2001

Juhani Palmun alla. Palmu nimeltä Juhani. Lajien synty, synty lajien./Fu-tourist. Travelling is a performance.

Fu-tourist (does it sound like I have a flu?)

Fu-tourist

Future of change, I wish and work for change, to change, for a change, give me some change, change a tune for a change, change clothes, change the way you walk, change the way you live, change the way you talk, change the way you sleep, change the way you have breakfast. I think about it so much it has become a mantra and I begin to play with the thought of change. The word what it means to me, what it means to anybody. It is difficult, because for me, it is a necessity and a self-evident part of life. As I see it people are afraid of changes especially those which demand us to give up something. Changes may have an ominous tone in them. Silent doom, change is absolute, change is fear, change is fearlessness, change is good and bad, profitable, there is a thought of profit in the word. To change there must be something to gain, there must be an end and a new beginning, something good. Economically it can be wise to learn to give instead of taking, but in the light of everything, what happens now in the world, it looks like things do change rapidly, one way or the other. To demand the world to change for better is a cry. Is it a too common a phrase to be taken seriously? What kind of attitudes there are in general towards changing habits, attitudes, altering ways of knowing and looking, eating, wanting and doing. It is requiring substantial volume to make dramatic changes happen. A lot of energy focusing and learning. I say dramatic because changes to make our ways of living sustainable and wiser need a total turnover. That means a lot of work, not looking for easy ways out. There aren’t any.

Descent into hell. Icon. Second half of the 14th century. Collection of the State Russian Museum

Descent into hell. Icon. Second half of the 14th century. Collection of the State Russian Museum 

Divine Harmony, there was a dark hair in between the first pages of the booklet. Lucernarium psalms and stikhirad (verses)
O mild Light, mercy of Peace, praise
troparion (something repeated) short hymn 

polyphonic we
drink coffee out of vases,
hang ourselves to trees and ceilings
no time to get gloomy though.
Week of the Blindman with clay in his eyes
I think he was telling me the truth on Easter Monday. 

Couple of lines from a movie Big Bullet written down for fun: My name is Bird. My name is Bird. My name is Bird. 

Don’t stare at me. Please. My name is Apple. Forget Fiona.
My name is Jeff. Anything else?
My name is Tongues of fire?
Maybe, You want blood on your hands? Why would I want that? 

How to draw a bambi?

How to draw a bambi?

How to draw a bambi?
You need to ditch that chewing gum.

You think about the
bambi gliding puzzled on ice with other drawn characters in the movie.

You will shit on yourself when you die. Timeless truth which makes you want to eat less.

Take a pen and draw big eyes.
Imagine babylike head of a deer.
Cuteness, big eyelashes, watery watery
puzzled eyes. Start with kind strokes with the pen like you were petting the head with your hand. Draw outlines and hair bit by bit, slowly. What kind of ears do bambis’ (bombs) have?
Kind of delicate but large.