Majakulttuurin tutkimus- ja keräysprojekti

Tarkoituksena on saada aikaan aktiivinen ja interaktiivinen lasten omaehtoisen kulttuurin kokoelma, kuvia majoista, suunnitelmista, tekemisestä ja ideoista. Kokonaiskuva kuin itsestään rakentuvasta kulttuurista suomalaisissa metsissä ja lähiöissä. Lähtökohtana on, että lapset itse myös kuvaavat majansa ja kenties kertovat niistä. Aikuisia ei täysin suljeta ulkopuolelle, joten kaikenikäiset ovat tervetulleita ottamaan osaa. Kuvia voi ottaa puhelimella, järjestelmäkameralla ja majasta voi lähettää skannatun piirustuksen. Jos haluaa tehdä majavideon sivustolle se olisi mahtavaa! Jos on olemassa majamusiikkia senkin voi virtuaalisille ilmoille kajauttaa. Täytyy muistaa, ettei kyse ole suorituksesta tai voittamisesta jossakin paremmuudessa vaan leikistä, keksimisestä, mielikuvitusmaailman mallintamisesta ja jakamisesta.

Projektin luonne on arkistomainen ja tallentava, mutta myös orgaaninen eli jos syntyy omia nettisivuja tai projekteja aiheeseen liittyen niin hyvä. Samalla se on oppimisprojekti kuinka kuvata maja, joka usein on metsän siimeksessä, ryhmätyön tulos ja vaikeasti hahmotettavissa. Mitä kuvassa näkyy ja mitä täytyy rajata pois. Mitä kuva kertoo, sen on tarkoitus kertoa? Millainen on hyvä ja mielenkiintoinen valo? Kuinka tehdä näkymättömästä näkyvä? Ja tietenkin antaa arvoa lasten loputtomalle luovuudelle ja innovatiivisuudelle sekä pohtia mitä majat ovat ja mistä ne syntyvät. Lisäksi vielä, onko tarpeen pohtia majan tarkoitusta, onko sen kuvitteellinen ja leikillinen tarkoitus sen määrä ja anti ja viekö liika pohtiminen asiasta jotakin tärkeää pois.

Tämä on yleishyödyllinen ja kokeellinen projekti. Kuten jo mainittu pääosassa ovat lapset ja heidän ideansa. Kiinnostavaa olisi kuulla mitä lapset itse ajattelevat majoja tehdessään, kuinka ne syntyvät ja mitä majoille tapahtuu, kuinka leikki sopii yhteen nykyhetken kanssa eli kuinka moderni maailma tulee mukaan leikkiin ja lasten ajatuksiin.

siouxhie@gmail.com

 

tits and thunder, thunder and tits

It is like God’s piss on my face, one cannot avoid it. It is like stuttering, to to to trtry to speak, but not being able to to and cannot help myself. Fear of being present, one have to overcome by overdoing, like shamming even more, make a real fool out of myself, a clown and an idiot, because you are not able to be yourself. So I’ll be sure the reaction will be negative and I will be in the dirt as a whole. Down and under dragging myself forward.

I was quiet. Didn’t speak, I was quiet, did not speak, they say I was quiet and they wondered why. It was clear to me, there was no one who wanted to hear me. I had nothing interesting to say. Interesting is something I don’t know what. Price of timber, apartment bought, new car, family vacation, what? That is the reason, there was no reason to say anything. Speak my dear so we can hear what you are thinking, because otherwise we might think you do not think at all.

I know that. I know that. This. I become to exist through verbal expression, through my gender, female quality, which is stated by what has been before and stamped upon me, because it is what is between my legs and on my chest, on my head and how I walk. I have a female voice, female hands and legs, female fat and female thoughts, things that go around about my body. What do I see? My hair and color. There are stony barriers to climb over and they, men, might stare at my ass as I climb. It takes a lot of cock to do manly things like climbing. I do it with my skirt up my ears (imagined).

What do I see? A folded paper with numbers on it. Six and four. Didn’t see what else was there underneath the foldings. Bent and wrapped, Q hat, on the floor. Too tiny though.

Aesthetics of a Water Bottle.

What is there in a water bottle tossed on the side of a road? What kind of story does it hold? Where to begin, when approaching such seemingly insignificant object, and what lies in the insignificance? A plain water bottle is an object, which requires to be studied more closely as a unique culturally bound phenomenon, a kind of necessity and luxury item. Bottle of water, and other containers of beverages we carry with us, are products of commercial commodity culture. Objects, meaningful in more ways than just as helpful containers of drinkable liquid. Plastic bottle is a design object, which is meant to be used once and disposed. Still, in order to be sold, a bottle has to be aesthetically desirable package of everyday with desirable contents and message. It is at best, pleasure for the eyes and a way of presenting one’s way of life. Within the field of industrial package design there are trends and phases, fashions circulating and directing what we drink, how we drink, where to drink and why. Culture, which is also directed by nutritionists and other experts in media.

We like to think it is us, who have the control. In some ways we do. We are the ones using money and choosing. We are taught to think we deserve to be spoiled and are worthy of little daily treats. To a certain point, we use power and control over the market, which in the end is us. On the other hand, we have no control whatsoever, especially what comes to wanting to be seen, spoiled, fulfilling desires and being worthy of sweet luxuries. We like to state our worthiness with expensive goods and services. In that sense, our commercial culture is very immature and predictable. We follow our primal emotions. Holding drinks and packages is similar to holding a phone, which act and item represent accessibility, capability, visibility, fun, enjoyment, having wealth, illusion of business and continuity.

Interesting part is, what comes to making visual world for consumers. How tiny particles as bottles and packages largely make the luring culture. Products of unsustainable, emotionally oriented culture, visible surfaces, which are used for mass consumption purposes to be delivered, placed to be seen, offered to be wanted and sold in never-ending speed. It is our take-away culture to carry food, walk with food and drinks while working, doing and making; meaning having an active life. Do we drink water to stay slim, have a good skin, or just because we are thirsty? Plastic bottles can be recycled, but still they are waste and made of nonrenewable material. Such small, ’practical’ choices, which pile up may be easy, and we do need to drink fresh water daily. Still the cost is quite dear, when one measures up the material discarded in the long run. According to survey by Food and Water Watch in the US in 2009, consumers purchased 8.45 billion gallons of bottled water [1.]. Luckily for the environment, figures declined from 2008 2,5 percent due to recession, as people cut down unnecessary expenses. Something good comes out of having financial low, which also proves our constant need for consuming more than is necessary when it is financially possible. As it goes, the small percentage of world’s population uses the most resources environmentally and economically.

1.https://www.foodandwaterwatch.org/water/bottled/bottled-water-bad-for-people-and-the-environment/ 8.4.2014 Food and Water Watch is a nonprofit organization, which advocates for common sense policies that will result in healthy, safe food and access to safe affordable drinking water.

Mrs. La Boef-Schlumpff said: Give them goats to stare at if they have nothing better to do than check out girls’ asses; god that is degrading. Do they understand it themselves or is that the purpose of staring, to humiliate. See you in Eternity with fresh virgins yo. Sounds ever so thrilling.

Stream of consciousness came to me ok. Ok. ok. River crossing ten cents, can’t you get anything through your head. You are not going to Owen Vaughn Cheyenne wyo toe to. What the hell is he talking about? In order to refresh our memories and memory, note, if one wishes to do so, I do. It is essential to go back in history. How many men have you shot during your time as a deputy officer, shot or killed he asked. Mr. Cochburn you say and you shot him too. How many men have you shot? I have been examining the record I always have my gun ready to fire, I never shoot nobody I didn’t have to. (Swearing, cursing and all that stuff )

Pitäisikö kirjoittaa runojen kirjoittamisesta ja kuinka niitä tulisi lukea.

Niin banaalilta kuin kuulostaakin kirjoitan runoja kauneudesta,
ainoastaan siitä,
kuvitellusta ja koetusta
KAUNEUDESTA. Mikä on kaunista, kuinka siihen suhtaudutaan, minä suhtaudun, kuinka koen kauneuden. Teksti tämän runoilijan opuksen takakannesta, haastattelusta ja huoneenseinältä.

Nauha

nauha13

Collection of Phone Numbers from Men

89823815632180394029310659§81498039249862152382948025309286243135489004093625862165463298328492634829859486258386453621838486512o684938594386215326848325866324835632

Kuinka kirkua?

Kuinka kirkua?! Kirjoita kosmokselle, koskaan ei ole liian myöhäistä. Voi olla parempi vain huutaa, joskus, kai. Jännittävää. Sana kirkua taipuu dramaattisesti, niinkuin minä kirun, hän kirkuu, me kirumme. Kuinka kosmokselle kirjoitetaan näinkin haastavasta aiheesta? Aukaise suusi, vedä henkeä, kokeile millainen ääni lähtee. Jatka kokeilua kunnes tulet rohkeammaksi ja rohkeammaksi.