Art hires bullies and incompetence: my well-educated analysis which is based on experience. Experience is bad which I have been wondering how I am so unlucky, or there truly is something seriously wrong but not enough leverage to make that needed change. Some parties do not look for change in art because stagnant state of things works better for them.

When one first begins studying sculpting and your teacher is sexist chauvinist, strongly biased male to whom pedagogy seems to be an unknown concept, one gets a pretty good idea of what to expect when one graduates. So it all is educational after all. There are no illusions whatsoever of what lies ahead and how slowly things change in the arts, which hugely relies on tradition, what comes to gender roles, social and career mobility, position and power of institutions and money, what is good art, what can be shown and said. Mostly art looks back so keenly because it likes the male heroes. Needless to say I have argued and questioned a lot at art school and was deeply unliked because of that. Old fashioned are also ways to do business, put up exhibitions, funding, how artists and artistry are seen and treated, how much there is preconception and thinking you know even when you do not know shit. That is of course when you need the consultants. You can always rely on knowledge of a consultant but artist is an underdog if he or she is not well-known and well-networked. What else is there other than self-interest and all one can do is work for only one’s own benefit, why else do it. Business in which one has to be an expert and know a lot there are many doing the work who do not have the needed capabilities: understanding, courage and knowledge, capabilities to spark change, unbiased, only talk is what happens, which does not change anything, just like politicians do.

As curious as it sounds when you start looking at the issue of what kind of people are drawn to business of art, it could not be more clear: it is made to those who strive to win, be best at posing or at least look like they are good at something, mostly the latter. The importance of image cannot be emphasized enough. To work in art you have to have a big ego to stand behind your work, be confident enough to stretch as far as possible with ideas of your own, try out ideas which you believe in and very often only you, fail or succeed, and accepting the result to move on with all the enthusiasm possible. What kinds of results we accept as a community and in what kind of environment we want to work plays a big part of how to choose one’s perspective, on which side to stand and look into the scene where one is to create, be creative. How creative is the art world? What is the scene where art is shown or made to exist and why is it so narrow and unwelcoming? It is not new that narcissism is a regular trait for artists and in the arts in general and need to be admired for one’s position, networks and art must be one thing probably. All want to have the fame, which is one thing essential in art, admiration, grandiose, infinity, eternal art and eternal unforgettable artists, heroes. Artists are admired when they get fame and fortune. Fame is much talked about as it is the gold pot which might be found when one is talented and lucky enough. What is luck, how one gets lucky and what is part of talent there? It is a weird business where money circulates, art gets centered to certain places and artists have to be presented in certain places to have a name, be seen by right people and be noticed within the system. So to be stepped over is not irregular, to be sexually harassed either, minimised, discriminated, talked about in ill manner happens regularly. There are things to be expected but still they strike always as surprise because one wants to believe in kindness and good intentions. Cynicism is the first impression I get, always. It is no wonder, I am always up against a crowd of fanatics who think they know better and are better because art is about finding the truth, being good and admired, and those who are on pedestals think, they have found it and are deserving of their status.

There are those who like to repeat over and over again one idea, imprint it where ever they can because it is theirs and it represents the good they have come up with, themselves, something unchangeable, an era, an -ism, history, tradition, spectacle, experience after which tourists are expected to travel and spend money for. When we starve the idea of art into movable modules that function as branded palaces for money, it is art for money and art for business’ sake. It is tourism that dictates and the tourist is offered an art awe grandiose to witness and experience, remember, photograph, be educated by. An art awe is.., sensation, uplifting, knowledge, learning, the act of looking and feeling the once in a life experience, time to touch, something grand again, special, new or old and spectacular, always bigger and more expensive. To find the spectacular it has to be imported. Interesting is when new art is made it often is made in the marginal and by those who have rebelled the establishment, education, hierarchy and traditions, those who have made the most interesting art and have had the lasting changing impact on art are the dissidents. Always there is a clash and crush necessary for that necessary change to happen. The procedure of producing art is machinery of media coverage, expensiveness, size, names, what catches the eye, mind and heart. To preserve quality and process of the creating progress and the new which can be exciting, cynicism is not good at all.

Artist, captor of light http://www.words-to-use.com/words/art/

History of power: Guerilla girls tell

 

Let’s get back to Flashdance: There is more to the movie than the plot. It is more clever than you give it credit for.

It is a fairytale kind of spectacle or anti-spectacle in a spectacle, if that is a thing. Anti-spectacle in the sense of changing of the perspective towards gender, class, work and art, romantic is the spectacle, a pattern we expect. The spectacle we are used to seeing and thinking in terms of movies and in general how class, work, gender and art function and are, are thought to represent and be like. The American dream in this case where a beautiful young woman reaches out for her dream, a place in the sun and ends up getting more or ‘all’, a romantic relationship with a Man with a Porsche, who is also the owner of the factory where Alexandra, the woman in question, works at as a welder. One big plus of the movie is it does not highlight the work Alexandra does, welding is just work with men as co-workers, it makes the movie hugely more interesting though, and her the one who lives outside the box and is allowed to do so. She is not harassed by her co-workers, her abilities are not questioned. It is truly a beautiful setting, which her choice of work, most definitely would be seen weird still today.

To explore deeper into what the movie is all about is worth our while as it has been deeply overlooked as many romantic movies that are meant for women usually are. To pay attention to details, characters, camera shots, what is being looked at and told via tensions between women and men and why those tensions exist. What happens between the sexes, between women especially, what are sexes both expected to do, look and be like. Movie is a language as is dance as is sex, sexuality, clothing and gender. You have to focus on to read it all and actually think what are we looking at, what happens there and why all the time. It is not just an entertaining show where you can relax and forget what is going on, this is told via contrasts between sleazy bars, working men and art, how women are treated in different settings and how these settings differ, how women want to be treated and what do they desire of their lives to be. Movie is never just a movie that is meant to entertain, not even those that are made for that purpose, nor is music or the dance acts that seem to be out of place. Point is easily missed when the romantic is what stays interesting and in the focus.

In a bar where ambitious fit and talented dancers show their art, act for paying customers who are watching and are a bit amazed by the unexpected shows. Contrast is also to the other bar where dancing is not the primary interest of anyone, only nude female bodies, that move in a certain way. Women are dancing for money but in a show-your-ass-kind of way, but they still want to be discovered and dream of making it. What are people watching and why, who gets attention? Watching happens for instant gratification, simplicity of getting pleasure cheap and for fun. A bar is a world of something else than the workplace and not a place of thought, burdening oneself. Customers of the bar are not the assumed ordinary art lovers, but that is the point. Why should people be provoked to think more than is necessary, why not give them what they want? To whom is art for and why is it a class issue? What is art and where is art, who is capable of art and why it is a special occasion in a special place? High and low seem to be repulsed by each other, classes stay separated  like oil and water. The dance acts, art and artists, are really in the right place. Intention of the movie is not to depict a straightforward story in a manner of this is what happens: this is what we dream of happening to us. It is not a children’s story and it is not pink. It seems light, but is heavier when one starts exploring. That are the expectations and frame women are supposed to fit in, want, act upon and are shown in the movie, that those who dare, can change the game. There is social critique hidden there to be found.

To say Flashdance is a feminist movie is not quite what a true movie lover might expect. What do you think about the turn, that a seemingly light Hollywood movie is feminist in a very kick-ass way and about the structural difficult issue of choosing how to get ahead in life, on one’s own terms and talent, and not sleeping with the boss or buddy who has connections. What do you think about when after having seen and evaluated for example the scene where Alexandra goes and finds her friend who has gone to work as a stripper, moving herself in conventional stripper manner, she is grabbed off the stage by Alexandra and escorted out. In the scene Alexandra’s clothing and standing position compared to her friend tell a lot when friend the stripper ends up in a puddle on street wearing only panties and high heels and is cold. Money, she earned gets wet in the rain on the pavement. Alexandra’s loose pants and sneakers when she stands firmly behind the naked woman who has fallen down and sold her body for money to please men may seem easy and naive, but it is something very basic, a woman on the ground beaten down feeling there is no other opportunity for her.

After having read couple of critiques about the movie and clearly many have missed the point: When one is an art critic it is essential to see behind the expected, the image and be free of bias. What is the seen image telling us, what happens without words, what is the setting and who are the characters, what do they do. Do you need more clues, because explaining has to be done also in a very basic manner, obviously also for critics. When you are an art critic, don’t fall for the simple clichés. Such poor analysis destroys a lot, as does arrogance, assumptions and cynicism. Minimizing culture that is aimed at and is about women and girls is a normal practice. It is a learned reaction which comes without thinking. A black woman eating a banana in a scene where women talk about relationships, well sounds as cliché as anything, but it happens in couple of seconds, and is easily missed, but telling. To make it as you with your raw capabilities, without handouts and favours..

Flashdance, is a feminist movie https://en.wikipedia.org/wiki/Flashdance in which woman does work as a welder and pursues her dream to become a professional dancer, also in which women help each other, face sexual harassment and deal with it by acting out, consequences lurking there and threat of violence is almost a certainty. To oppose men means you have to be one and be prepared. Movie portrays different kinds of female roles, a gallery of different kinds of women. The expectations of what women should be like, playing with stereotypes with which women struggle and hold on to as coping mechanisms. They may be afraid to go against the machine or don’t know how to or should they, and those who do not fit in the accepted roles especially, seem to be out of sync or do what they need to do despite whatever. Interesting are the different kinds of female characters there, how there are systematic learned rules of behaviour that stick, codes for genders and how these codes are taken for granted. How women portrayed are in their places and obviously struggle and lack power. They try to move on up as do men, they have dreams. Men try to move inside women’s panties and sex is clearly a very basic tool of control and making it. It is the first thought, easy way out, a getaway car and motive. World of art is a dusty stagnant relic too, which needs heavy dusting. Alex, the leading women, is afraid to enter this monument of perfected trained fragile-looking fairy-like ballerinas and primadonnas. She want’s to make it on her own with her own credentials with her talent and does not need a man to do that for her.

Real life is stranger than fiction says this welder.

 

I have a friend who has a simple test for a movie: Is this movie as interesting as the same things would be, happening in real life? A lot of movies aren’t, and ”Flashdance” sure isn’t. If this movie had spent just a little more effort getting to know the heroine of its story, and a little less time trying to rip off ”Saturday Night Fever,” it might have been a much better film.”

http://www.rogerebert.com/reviews/flashdance-1983

http://www.imdb.com/title/tt0085549/reviews

http://articles.latimes.com/2013/may/09/entertainment/la-et-cm-flashdance-musical-review-segerstrom-20130509

Reviews and critiques strongly reflect the persona of the critic who is writing. For some reason in this case feminist perspective does not shine through. Wonder why.

Something to say about women in art, in music, in any craft which have been taken over by men usually white men: Creativity by and of women how is it seen or not seen as work and valued or not.

To begin to analyse topic of creative womanhood, creative women which is always acute, easy to make controversial, scandalous. A topic which is on the nerve still in this time is a thing of puzzle where one has to find the very issue of the dilemma existing, problem and glitch that keeps on making controversy and scare being the obstacle above which we struggle to rise, look objectively and which we tackle to solve. Generation after generation change happens so slowly it begins to look like something that cannot be but an suffocating relic a carved in stone kind of command that we fight against and it just stays like a stain. How unbearably demanding it is to listen and watch the state of denying women from being complete. It is so easy to tell us what women should be doing, look like and what women are for, tell that with threats and ultimatums. Women under, women on their backs, women in the places where women do things women do; this is the kind of way to speak that should be history, the way of instructing and ruling what women are supposed to do, what women are and stand for. How women are treated within society reflects how any kind of difference is treated and welcomed, how strict purity of society kept in the sense of bordering and limiting how people interact, who can and who can’t, who has a say, which laws are in use. What kinds of limits we take seriously and obey, what kind of border crossing is intimidating and seen as wrong. What kinds of things we get punished for and how scared we are to be?

Interesting study on differences between concepts xenophobia and racism, roots and reasons for
http://philpapers.org/archive/KIMXAR.pdf Xenofobia and racism, David Haekwon Kim and Roland R. Sundström

It is interesting to see similarities between racism and misogyny, homophobia and xenophobia, reasoning any kind of discrimination, reasons for brutality and cruelty are very irrational and based on ignorance and need to use power in a violent way, how putting groups of people below is justified and happening without an end.


It is difficult to see things in different ways, from different perspectives, from a view of another, see in new kinds of ways that can be refreshing but weird, that might show something other than what has been repeated for years and years, to see another kind of truth, something one kind of truth is said over and over without much change in sight, without logic, compassion, looking for easy answers is too clear. If there has been change it has been so slow it has been barely visible, barely there or barely existing, hidden: to detect that altering in reality can be exciting, rejuvenating. So what is the scare and reluctance?

Change which is bare, powerful, instant, compulsory and challenging is something we do not wish to witness and experience since it can be too much to take and handle. It is a lot of work to learn and accept, do all over again, begin from scratch, do a total turnover when all we want is comfort and security. Change is something we like to hinder, at least some of us, comfort of old ways of thinking, seeing and doing hold on tight. It is intolerable but necessary, something we need to have in order to have meaning and value. Things that stay the same start stinking, rotting and die. It is difficult to change yourself and your views especially if you are not prepared, not willing, not ready and accepting toward the fact that you do change, like it or not, your body changes, something around you changes all the time. What are the things that do not change? How does one’s mind and brain change in the process of aging, in the process of changing without much say over, no control over one’s physicality? As it seems we let body rule which means the sex we represent dictates what we should be and do in our lives, how we are perceived as humans in comparison to others and in society, what is one’s place is the body we happen to be born in. How to understand change, the inevitability, the scary, the happening and participate?

http://www.theatlantic.com/entertainment/archive/2015/12/french-revolution-advertising/418920/

When existence is about hating because it is the way to solve things, maybe learned, maybe the only way to react, it can be the emotion one is grown into, it is the feeling making us and them, me and those others, separation, segregation, discrimination. The way to act when there are no other effective ways to make one’s voice heard, power in the moment of powerlessness or in need to stay in power. Hate is a consuming emotion but it is creation via destruction and low. You can experience the amount of energy emotion uses in you when you are horribly angry, exhausting. Hate tires you up, it wears you out showing no way out other than hurt and causing more hurt, bringing despair and hopelessness but also a strange illusion of power, individual power in how one acts and in making one’s mark via violence, against oneself and others. What to hate? To hate is justified because you have suffered, you have a position that is threatened, you have been treated wrongly, you want to make other people feel the same pain you have felt. To be angry is purifying but it also is when felt on a daily basis eating out strength and creativity when used against others in violent way. How to use one’s anger and rage constructively is what is useful to go through consciously every day as anger is felt and is powerful as there are angering issues nonstop. You hate because you have the right and you have something to lose, something you do not want to share.

https://lareviewofbooks.org/essay/not-a-british-subject-race-and-poetry-in-the-uk/ n his 1962 introduction to The New Poetry, Al Alvarez famously railed against the Movement’s overriding “concept of gentility” — the “belief that life is always more or less orderly, people always more or less polite, their emotions and habits more or less decent and more or less controllable; that God, in short, is more or less good.”

 

Some torture

Menstruation/Kuukautiset, öljypastelli, 76*56cm, 2003

Social media performance

Make your social media identity a spectacle. Make up, create new face and body, Lie or live the lie. If you don’t want to lie invent yourself again and again. Where goes the line between truth and a lie go, where do your limits go, how do you define your limits in social media and why.
Invent yourself a new way to express, communicate and be looked at. Exaggerate.
Write words as if you were writing a book or a letter. Make sentences that do not make sense.
Make an imaginary trip and take photos. It does not have to be far away but it can go as far as you can reach.
Make your social media existence a happening. Invent an identity that is still you. Mix reality and surreality. Laug.h, share your emotions in an unexpected way.

 

To become part of gender and sex-oriented society

Sign is there between the legs, a message to people how child should be brought up. What would happen if it didn’t mean that much, that sex wouldn’t dictate how we are perceived and how we should be? Saying earlier that to be a girl is a full on crisis is exactly it, how to grow and adjust to the environment when to adjust is the most wrong thing there could be and do. Adjust and accept because one must. Firstly is the issue of where you live and what kind of atmosphere you are born to, what does your environment tell you, makes of you, lets you be, how you will end up knowing who you are and what will you be, what you should be and who to believe, what to be scared of and what life is worth, your life. To having accepted how to live when does the fun end if we are having fun in the first place.

To be an individual can be tricky. What does it even mean anymore. Young men and women on the video below which is an intro to the movie Spring Breakers 2012 by Harmoni Korine is truthful to reality of college students in the US. Both sexes are exercising roles that are heterosexual and oppressive, roles that are to be followed by students as fun but strict and fitting the idea of letting go and being young in a certain way. Equaling reckless behavior to fun where women are exposing themselves as willing pornographic wild sexual partners on beach with alcohol and drugs. Camera angles tell the story of where to look. Women line up in front of men to play blow jobs with open mouths in which men pour drinks from cans, cans posing penises. All happens on the beach, bright color swimsuits and ads, ecstatic faces and young people who want to go out of control and to be seen as such. Men are more of spectators and users of goods which women gladly offer since it is fun and there are many women instead of one. Grouping is essential of this fun, group dynamic, collective awareness of what is happening and what to do. Who will be wildest and sexiest. Do men expose themselves, do they get drinks on them like it was sperm? This scene is a collective dance of spring, ancient as it is unacceptable and blown out of proportion. Pornographic imagery is very clear as is influence of music videos. All bodies are trained to perform this act. What happens really is shaming and objectifying of women. Women willingly play cattle to be slaughtered and enjoyed, enjoyed and slaughtered. It is suicidal, destructive and dangerous, but that is obviously what they seek, what turns them on. It is one way of seeing student life and a break from studying.

http://time.com/3984218/joyce-carol-oates-marilyn-monroe/“How could such a beautiful, successful and famous young woman kill herself?””