
guassi, 76*56cm, 2023
Vuh vuh hih hih hii hii hah puh pah lillua lehdelle lässyti lää puh pah pelistä pois lehdeltä putosi

guassi, 76*56cm, 2023
Vuh vuh hih hih hii hii hah puh pah lillua lehdelle lässyti lää puh pah pelistä pois lehdeltä putosi
Katuvalo puhkaiseva on kirkaus ja tähti. Läpitunkeva tönäisee minut
näyttää maailman minulle
aika pienen
painun alas hissillä.
Spraymaali paisuu ikkunan läpi, ikkunaan maalattu tagi pullistuneena varjona oranssissa seinässä, elävä
leijuu jonkunlainen lattiavahaparfymoitu glow. Rappukäytävä on varjokoristeltu Love-tagilla väärinpäin. Minut on koristeltu. Kävelen hitaasti koukeroissa, ohikävelijä, kuin joku kanssarikollinen ja jään seisomaan varjolla leimattuna, se on siinä vain iltaisin.
Hetkeen ei tuntunut talvi, ehkä hiukan kuvitteellinen muodonmuutos kuin päivä ja yö, vain valo muuttuu. Ei ketään ja sitten auto,
äkkinäiset kasvot, palava savuke, lämmön tulvahdus ja syväänhengitys
talvella maalaaminen pimeässä
betoniportaalla ei muuta, tuoksu, ei mitään mitään muka.


1999, 2008, muste ja guassi, 76*56cm

gouache, 76*56CM, 2008
Without her she gets made, mad, malformation of sex
Without her she gets made, a kind of other, malformation of sex and assumptions there. She needs persona and identity of her own. How does she do that? What does she make of herself, of this, of this lot, of this lottery ticket. Identity? Wow. Do you feel the woman inside? Out of these forms of hers she must build herself, of pieces of a misty character, that makes you feel cold inside. Her reputation precedes her, evaluated irregular person, despicable, untrustworthy, she is what you heard you think you heard. Not composure nor tightly fit. You made her in your mind via your and other people’s speech, exchange of ideas or was it something you saw? Wanted and not. Isn’t that her? Yeah, That’s her. Look at that, look at her, the flaw. Talk works like gas, it is intoxicating and vulgar. Exciting fun exchange. Violence by taking the least effortless way collectively. Interesting in itself. What does it make in the end, I wonder.
She could be continued as something made up this way unless she would not act on her own defense, get that mess into her own hands and think it through like clay and a piece of bone and some wah wah. She needs herself to oppose, resist and defend herself. Herself is nothing is the message. On her own. Nobody else does the work for her. Nobody else is interested in her life, her self, what it really is, the nothing there from where to build something, what she really is like and able to do. Push some buttons? How vague and what nothing are we talking about, nothingness, zero, an empty spot to fill with images? Put some makeup on it. Do a tutorial. You’ll be noticed.
Reality nowadays, She makes her life even though there is discouragement, contempt, laughter, ill talk, threat, there is so little faith in her that it is unbelievable and unbearable. You even have to fight to be called a woman. To accept passively what goes on and on because others accept it, it suits them and it is normal, ill is the norm and violence the hah hah. They say there is nothing one can do. What anybody does? Survive. It is not an option to change anything, obviously. How weak. So what is changing? It is something exceptional to do quality, resist and demand. The energy of hers that changes anything and everything. Energy. The one you didn’t think would and she speaks her mind, how irregular and disturbing. To disturb when nothing makes sense is the right thing to do. What one Person can do?
Evaluations, descriptions, adjectives, measurements and comparisons, faults, flaws, drawbacks, qualities we need to place someone in that spot to feel powerful and someone else small, qualities we have made and what are they worth, how do qualities needed change anything? Any inner strength there? We imagine, make, consume and refine ourselves as well as we can, I suppose. We consume others to make ourselves and to win. It is a competition. To find strength there to do better is the only way to stay sane, but To do better nowadays doesn’t pay off, since you’ll get hurt? Either way you’ll get hurt. Paradoxical. I thought we were making the world a better place.
She is not right. There is a right way to be and so many wrong ways to say. Characteristics that are stated as a fact without further evidence and hearsay is all. What lunacy. Demonizing her to people who listen and want to believe, who ask without her, but no questions asked, get it? Without her she gets made as if she died. Kill or get killed.
Character of mist that makes you feel cold inside. Is this the same world we inhabit: Only with something totally made up which is the valuable, we get made and become something worth while? What is this made up thing, like plastic? Or surgery? I thought we make ourselves. Isn’t that the freedom we have today? We become something to see then, a thing? Yourself, the best you? Happy you, but in constant comparison to others and to the very visible ones. Be more visible, be drag? Be a victim? Impersonate women as a joke and show your ass, made especially for you.
How little respect there is, how little trust, just words. She is what you heard as a fact. Facts there are scarce, rest is invented, imagined, colorful dust, stardust, rest is what you thought you heard. Is that right? To think otherwise is unthinkable and dangerous, scary, unthinkable pleasure though, envious, hateful, joy of dragging her down speaks mountains: She is not right. She is not right. She thinks wrong. How can she think this way, against human rights, against people wanting to be outside how they feel inside. What a fascist. It can’t be wrong to do how you feel. No, never. The will to destroy there the dream of the impossible, is wrong. To kill is to entertain, so no, entertainment is for those who do not care? It is all to better yourself, not just think you do. Just think of yourself dear and push forward, force is with you.
To paint a picture of a malicious woman is to draw a separating line between good and bad and we know the good woman when we see her, right? Pointing her out from above, in a crowd, from a distance, in cyber space, from acclaimed filtered perfection which is the diversity trap, curated, a capsuled and imitated beauty, flawless, the freedom of speech and expression lie, from accepted shameless perfection showing all, but very tight and small waisted, which is in us all and undeniable especially when made up. To better something existing happens how exactly?
To know her is to say what she is: she is loud, she is noisy, she is quiet, she is broken, she is tense, she is useless, she is hysterical, she is mad, she is uncontrollable, she is irrational, she is shameless, she is lost, she is unwanted, she is hated, she is dead. How stupid she is. How ugly and obnoxious, Stupidity being something very human still and machines are smart, group think says, so just believe it. Not understanding why artificial is better, but at least the invented novelty is free of mistakes like hers. Still believe in individuality? As long as it is removed.

gouache, 56*76cm, 2023
How to Bambi? How to Bambi Bambi Bambi?
It is about questioning how to think of what you see, especially thinking of what you see. Can you see a Bambi, imagine this being and do we need Disney? What does your hand do with a pencil, what does your eye do, what does your mind focus on and where do we aim at with this nonstop desire for cuteness? Getting better at drawing doesn’t seem to be it. Endless bundle of questions as drawing is difficult and how do we manage it, not even using pencils that much.
Holding a pencil and thinking of an animal which can get hurt, a small infant Whitetail deer, of course you think about an infant Whitetail deer and the joy the image brings. It is well preserved. How it moves little by little and how new everything is to it. You need to ditch that chewing gum. You think about
gliding puzzled on ice with other drawn characters in the movie, puzzled by how does such clueless beauty survive in nature. How does a precious moment survive and how short it is.
Timeless truth which makes you want to eat
less and think more or the other way round, eat like there is no tomorrow. It is Like You may shit on yourself when you die, fall in tall grass and never get up. Clumpsy human, it is Slippery, unexpected and the dangerous unkown is right there. Horror almost and definitely unbalanced, symmetry is lost constantly. Someone will clean after you, is the hope. Put pieces back together. There is always a new one is the assumption, new beginning.
Take a pen and draw big brown eyes with lashes. Imagine babylike head of a deer, long legs, helpless looking adorable not knowing of your qualities, what you can do with a pen, big
is the image of watery puzzled bright eyes not understanding what you are and what you do. So what do we do? Start with kind strokes with a pen like you
were petting the head with your hand. Draw out lines and hair bit by bit slowly. What
kind of ears do cute bombs have? Kind of delicate but large. So gently.


vesiväri, guassi, 56*76cm, 2006-2009
Hiljainen tieto
epämääräisyys kraatteri
kirvellys kuoppa
kirvakanjoni
kirvoittaa rotko
kipuauma
viiltävä syvänne,
oleellista on, ettei tiedossa ole turhaa, jostakin syystä. Eikö hiljaisuudelle ole aikaa tai ymmärrystä?
Kraatteri, lupaus,
kuoppa vesipullon kyljessä,
monttu on läpinäkyvä,
painaumallinen hukka-ajatuksia,
oja musta lapsi,
syvänne kysymyksiä lapsille,
auma, se on hiukan kellertävä,
uurre intensiteetti,
uuma, karsi yhteen lupaus,
painallus, yritätkö olla luotettava,
rotko veden läpi vain,
kanjoni hukuttaa, laakson mieli,
uoma kirvellyksen ja parannuksen välillä ja päällä, alla, sivussa, vieressä,
piston ja ihon erityistietämys, siihen mahtuu piikki, johdonmukaisuus, jossa yritän pysyä, lähde auttaa lukijaa, mistä tieto tulee.


watercolour, gouache, 76*56c, 2023
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1999, 2023, pen and watercolour
SOME performance
Make your social media identity a spectacle. Make up and create a new face and body, a life and look, lie and live the lie. It’s ok, nobody cares if any of it is true or not. If you don’t want to lie, invent yourself again and again, but don’t imitate. Where does the line between truth and a lie go, where do your limits go? How do you define your limits in social media and why limit yourself?
Invent yourself a new way to express, communicate and be looked at. Exaggerate, write words as if you were writing a book or a letter, look clever as you have got it, like everybody else has not.
Make sentences that do not make sense, but look like the most sensible money-making scheme ever. Cuteness does it. That is the cleverest thing. Make an imaginary trip and take photos, be creative. It doesn’t have to be far away but it can go as far as you can reach, but preferable really far. Make your social media existence a happening. Invent an identity that is still you and what you think you are. Mix reality, stuff and surreality. Laugh, joke, giggle, do fun stuff. Share your emotions in an unexpected way. Emotions are all that matter anyway.
Measuring temperature with hand on one’s forehead for a minute. Tells something. How accurate is it if head is hot and hand is cold?
What to do on green grass? Roll over, light optimism is as expected foolish and taken for granted, light optimism-misms and isms, the night when I’m interested in the light of optimism and truth, light truth, lying on grass brings foolishness.
Truth, a carefully weight bearable word to be carried, no more no less. New grass, new always fresh, tended similarly everywhere, endless, industrial quality. Word no more no less, grass. The color of it does something to your mind.
sisältöjä
