Lumière a girl in jeans, look at the light. Where do you place your hands? He asked if I had gone any further. How far do you want me to go? What do you think I should find? Is it something particular?
I try to measure every word and I realise it is not enough, because then I am not me, but trying to please someone else.
Vulva is a door. It is a sow and woman riding it. She lifting her skirt with dagger in her hand. Sight chases the demons away. Pit of chastity, of virtue, entry, passage way, vestibule, horns of Uterus, Fallobian tubes, Interforamireum, space between two holes, Genitalis Mueliebris Ambitus. There was a time when female genitalia had no shame, women didn’t have to be ashamed of their bodies.
To take a dip into hellish visual reality, attacked by refined junk. Negativity in the absolute, positive push: finished, perfected, brushed and polished images. Wrappings and packages, boxes, bags, plastics to burst coverings of great delicacy, of something to want, desirable ones, items to have. Female body is strictly regulated possession, it is under conscious and cruel use of power. We monitor consciously and unconsciously bodies of ours and others to fit in. It is obsessive and means are never enough. This is an everyday topic, topic of attraction and what kind of options we have and are given.
A person who makes the weather, someone called bird of the ill weather. Person who has bad karma or just bad attitude towards life and brings it on everybody like weather. How affected are we and yet not, staying unaware and needy, makers of change. To use weather as a verb that makes us and makes us make, the ultimate moulder of earth and how we make our living. The more exited we get the more we produce carbon dioxide, Spiritus Sylvestre, wild spirit.
Fast breathing, sweating and steaming, climate at high altitude is thin, thin air. Precipitation phenomena of accelerators, Oscillations, Nervousness ineluctable looming up irrepressible presence and parchment almost completely scattered in a moment. Intolerable desire and urge to continue.
Speed of change, speed of time, there is a time capsule in change, my time in every moment. I have no time. Waiting it to happen, saying, phrasing what it is one wants to change. Framing to tell we have no other alternative. It is settling and alarming at the same time, maybe an effort to find crystallised, a meaning and explanation of what happens, what might happen and why. Timing, what happens with timing, in time, in waiting, in lining up, in hurry, in speed which media and civilization bring to our lives. Speed of pictures, speed of events, speed of a runner, speed of a shutter, speed of changing clothes. Speeding, measuring, comparing, working, staying put.
uhh baby yes harder (is this a woman?). Give it to me baby nice and slow (is this a woman too?). Yes harder, but be nice and slow. That requires talent to do hard and be nice simultaneously. Niceness is of course the outcome of sex, self-evidently pleasurable. To be hard and nice is a lovely contradiction and combination what comes to having sex. It is like bringing up children, be firm but loving. Know what you are doing and what is wanted of you. Funny is how these pornographic clichés work. They must work because they are used quite much. Horny is a state of mind of the contemporary world. Level of arousal and intoxication of upcoming orgasm is a state of overwhelming simplicity of sudden feel good.
Niceness and slowness, coming. What a disgusting image of drooling. Self-centered pleasure hunt. Where there is a cunt. Give it to me. What do I get in return? Is it a give and take? Sexist power play where there is something for oneself only. Good time for me, only, but you must get something out of it too. Yea, sure I want exactly the same thing as you, and I want to give everything to you, because we are the same mind, we want the same pleasure. In mutual understanding I provide your ecstasy.
Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person? Who is this person?
I was given a rose at the cash register at a grocery store. The flower didn’t have a smell. I thought it was odd, a rose with no smell. I took carefully off its thirty petals which I counted. Carefully placing them on a paper sheet and let wind take them. It was strikingly sunny.
This is the progress we are making. What is the progress, like where, on level of thought or action? I have got my hand on my fucking heart.
This is the progress we are making. What is the progress, like where, on level of thought or action? I have got my hand on my fucking heart.
You mean fuck!? Who do you fuck with, who fucks with you, are you fucking with me, don’t fuck with me, go fuck yourself. Ok, to the subject. There was a headline: When female sex robots become available will there be use for women? Do you understand what you are talking about or do you just move your lips to make conversation?
image 2016-17, Wearing my garbage, shot using flashlight only.
Venus action hero porn star horny bitch sexy hot curvy large cellulite must go ass ass ass big big big must workout breasts tight tight tight but soft big trained fit tit sit high heels fishnets London Paris New York leather silk mohair see-through action hero superstar celebrity fame admiration look up to looking at gazing staring at desire lust money wealth club hub love u drinking diet gym cars houses clothes cash labels photos luxury Champagne Botox plastic surgery paparazzi selfie imitating posing looking watching posing looking imitating watching looking imitating wanting wanting wanting to be to be to be
Televisio versus muisti, historia, ihmisiä kuten, televisuaalinen muisti, television ja muistin lähde, virta ohjelmistosuunnittelun ja tv-kokemuksen muotona, suuruus television ominaispiirteenä, postmoderni pinnallisuus, amnesia kulttuuriin, epidemia, miltä muistaminen tuntuu, mutta kun hän ei katso minuun, lyhytkestoisen sisällön tuottaminen nettiin, virtamaisuus, ohikiitävyys, passiivinen muisti-instituutio, mieleenjäävät tv-hetket katoavat, kenen mieleen ne jäävät jos ne katoavat, netti on ihmiskunnan muisti, tunto, kosketuspinta, sisältö, sosiaali-areena ja näyttämö, matalanteknologian ja korkeanteknologian laitteisto, todellisuuden paluu televisioon, reality-trend, reality-celebrities, reality, nöyryytyskulttuuri, nopea sykli, sylki, huijaus, näytteleminen, esilläoleminen, esitys, uusintaminen, uusinta, toisto, kierrätys, toisto, haukotus, missä menevät median rajat, mitä ei saa tehdä, kuka katsoo, näyttää mitä, jättää pois, rajata, lähinäkö, kaukonäkö, ikänäkö, likinäkö, huono näkö, kikkailujournalismi, sensaatio-uutisointi, liveness, utopiatodellisuus, läsnäolevuuden tuntu, välittömyyden tuntu, yhteys yleisöön, mitä tapahtuu juuri nyt, hetkellisyys, monimediastrategia markkinoinnissa, lähde osana mediasysteemiä, kuinka ohjelma tehdään, ei pelkästään teknologinen ja taloudellinen käytäntö, analysoi intermediallisia suhteita jonkin sinua kiinnostavan tietyn mediumin ja siihen liittyvän sisällön kautta, millaisia konteksteja intermediallisuus avaa aiheeseen, miten hahmottaa aiheen kannalta oleellisia konteksteja, viralliset yhteistyökumppanit, mitä tapahtuu medioiden välissä, kuinka valinta tapahtuu, horisontaalinen ja vertikaalinen intertekstuaalisuus, brändi ja formaatti, kuinka mediat käyttävät valtaa suhteessa toisiinsa entä yleisöönsä, crossmedia, laitekehitys, mikä kehittyy, kuinka yleisö oppii, mitä se katsoo, miksi se katsoo, huomaa, seuraa, kiinnostuu, omistaminen, laitteen, lähettimen, formaatin, mediatapahtuman rakentuminen tuotannon ja kulutuksen kannalta, konsernisuhteet, rituaalinen mediatapahtuma, todellisuuslupaus, vertaismelodraama, genre rakennetaan kulttuurissa uudelleen, dokumentaarisuus, genrehybridi, tosi-tv-leima, kaikki maailman tieto, tietosaaste.
Majakollektiivi Timanttimetsä 