What is art consumer supposed to think when making of an institution reveals to be one case after another strange of mishaps, strange errors of thought and intentions appear to be more or less suspicious? Is there room for thinking when criticism is unwanted and clearly the institution is wanted to be set without questions asked? Critical views against and for and about quality of art must be freely discussed as must be deals done by officials and representatives which deals obviously have got political ends. Does art exist without politics one may ask? Anyway who could be against art? It is fair to ask how art is produced, what and why something is trendy or famous and stays that way, what is the progress made within art and how does it show? Why does art itself has got an image of a good-doer, a charitable well-spirited voice waking up and bringing light into darkness? Partly that is what art does in places where the normal is grim. Art has potential to lift up in many ways, uplift the maker and the viewer. Does it lift up the institutions that work with art, is art for art and institutions for themselves? Of course. Art has value of a tool, if you ask me, as it should and must since it is not above people but for people. When art scene does something it usually always is a cause which is a good for all promoting human interest in general, whatever human interest may be, interest is and can be defined in many ways but we assume cause is something like human rights are for everybody, environment must be preserved, public spaces should have more beautiful art, art heals etc.

When there is confusion, denial and clear misunderstanding of what is racism, sexism, discrimination, hate speech, exploitation, class division and where goes the line to abuse in there where artists are to work, then one can wonder how do these people who work in art understand what is good art, what are suitable working conditions, how ethics is applied and how art should be implemented in the world today because it is a very different world than for example ten years ago, still change happens in art very slowly even though it claims otherwise. In situations where sexism, discrimination and racism are widely tolerated but unseen and are spoken against via art, that there is institutionalized way of interacting which includes sexism, discrimination and racism, it is too risky and difficult to make a difference to speak out. It is a fact that art is elitist, to be an artist is elitist but that elitism disappears when one refuses to work with fascist dishonest system. System in which without recognition artist is unknown. Art is therefore done for the system to recognize and artist to establish one’s position must play by the rules of the system.

Art spectator can expect to see the surface without much depth.

http://www.prospectmagazine.co.uk/arts-and-books/how-words-shape-our-world ”He argues that all ethical outlooks share a common structure in which we experience a kind of call, divine or inner, which requires us to seek with varying success to overcome our limitations and blindness. To be open to this call requires that we can recognise “something as right or worthy, and this recognition cannot be dispassionate.” Emotion and empathy are thus central to moral reasoning.”